This podcast strives to inspire you through the personal stories of a diversity of musicians worldwide, with in-depth conversations and great music, that reveal the depth and breadth to a life in music.

This week’s episode is with the wonderful harmonica player and composer Ariel Bart. I first started listening to her music with her debut album, “In Between” in which she presents a unique approach to the harmonica and all her albums feature her original music which is inspired by the European jazz tradition and the Middle-Eastern world. Ariel began playing the chromatic harmonica at the age of 7 and since then it’s been her primary instrument. We’re including music from several of her albums. You’ll hear about some of her inspiring mentors and collaborators and her positive experience at the New School University for Jazz and Contemporary Music in New York City, including working with Reggie Workman, Shai Maestro, and Jane Ira Bloom. We also talked about the music business, and her delight in using storytelling and film with her music. Like all my episodes, you can also watch this on my YouTube channel and I’ve also linked the transcript to my website, everything linked together here: https://www.leahroseman.com/episodes/ariel-bart

Besides being the host, I take care of all the many jobs of research, production, and publicity for this podcast, and I really do need the help of my listeners to keep this project going; please consider buying me a coffee through my support page which is linked to Paypal: https://ko-fi.com/leahroseman

Did you know that this podcast is in Season 4, and that I send out a weekly email newsletter where you can get access to Sneak Peeks of upcoming guests and be inspired by highlights from the archive? Sign-up here: https://mailchi.mp/ebed4a237788/podcast-newsletter

Ariel Bart website: https://www.arielbart.com/

Take a Ten Minute Break, solo Nine Souls video: https://www.youtube.com/watch?v=T8VnpGV2b58

Timestamps:

(00:00) Intro

(02:51) Ariel Bart’s harmonica journey and music education, starting to compose

(07:40) In Between

(13:16) Brendan Power, chromatic harmonica, playing technique

(18:15) harmonica improvisation

(20:03) Ariel’s influences and mentors, Jane Ira Bloom, New School in New York, Reggie Workman, effect of many influences

(28:36) please help this series keep going!

(29:13) making Teardrop narrative video, storytelling

(31:55) Teardrop

(35:18) The Trio Project

(37:52) part two Listening to Shame from The Trio Project

(42:12) writing for film, collaborations cellists Mayu Shviro, Talia Erdal

(46:17) European contacts, the challenge of teaching

(48:56) the need to learn the business side of a music career

(52:32) clip from Deep Down with Omri Bar Giora

(53:23) creative process, the importance of collaboration

(54:56) the novelty of the harmonica for audiences, listening to singers

(56:01) Nine Souls film project Take a Ten Minute Break

(57:33) Nine Souls ensemble version from album Documentaries

Dr. Gail Archer is a GRAMMY-nominated internationally touring concert organist and trail-blazer for women organists. She has fantastic advice on not only approaching a career in music, but in living life to it’s fullest. We talked about learning languages, some fascinating history, the magic of choirs and much more. This episode features music from several of her acclaimed recordings, and we discuss women composers, and the challenges facing women organists. We also speak about Musforum the international network for wormen organists that she founed. Gail’s work highlighting composers from many Eastern European countries including Poland, Ukraine, Bulgaria and Russia was a big part of this conversation and you’ll hear some of this music as well as that of Fanny Mendelssohn, a discussion of the Bach revival and interesting details about J.S. Bach himself, and one of Gail’s recordings of one of his sublime Chorale preludes. I learned a lot about the history of the pipe organ and gained not only a better understanding of the instrument and it’s vast repertoire, but I also gained important insights into the work of choir directors. One of the main topics Gail addressed was how to build a robust career and live a full life, with sensivity, curiosity, intelligence and determination.

Gail Archer website: http://www.gailarcher.com/ Musforum network for women organists: https://musforum.org/ This is also available on YouTube, and the transcript is linked there as well: https://www.leahroseman.com/episodes/gail-archer

I really do need the help of my listeners to keep this project going; please consider buying me a coffee through my support page which is linked to Paypal: https://ko-fi.com/leahroseman photo: Stephanie Berger

Timestamps:

(00:00) Intro

(03:32) playing on different organs

(05:55) J.S. Bach Chorale preludes, Fritz organ

(08:30) Chorale Prelude An Wasserflüssen Babylon, By the Waters of Babylon, from Gail Archer’s album "J. S. Bach The Transcendent Genius"

(13:02) history of the organ

(26:17)Fanny Mendelssohn Prelude in G major from Gail Archer’s album “Mendelssohn in the Romantic Century”

(28:36) Musforum and sexist challenges facing women organists

(36:47) please support this series!

(38:23) scene in England and Europe for women organists

(39:25) Eastern European organs, Chernivsti

(45:22) Chacona by Svitlana Osgtrova from album Chernivsti

(48:28) St. John Cantius in Chicago rescued organ from Canada, Polish album

(51:28) excerpt from Grazyna Baciewisz Esquisse on album Cantius

(51:53) interpreting repertoire, choosing registers, Messiaen, Bulgarian project

(58:08) Baroque performance practice

(01:00:01) choir director, the magic of choirs, building her career, Harriman institute at Columbia

(01:07:07) learning Russian and Italian

(01:10:02) choral director, priorities working with choirs

(01:15:10) books and history, Mendelssohn family, Clara Schumann, Bach revival

(01:24:02) advice, how Gail built her career

Gerry Bryant is a brilliant classically-trained pianist, composer, and arranger. He came from a poor inner-city Cleveland neighbourhood, and was givin an opportunity to attend the prestigious Phillips Academy, then Harvard university. He went on to get an MBA and a law degree, all the while continuing the expansion of his knowledge of different styles of music, and forming his jazz group Pocketwatch. This episode partly focuses on his Composers album, with music of Florence Price and Thomas Wiggins who was known as Blind Tom to his slave masters. Gerry reflects on how access to a musical education changed his life, and how wonderful it has been to discover and champion Black composers. One of the musicians that Gerry has collaborated with many times is the wonderful and versatile violinist Mark Cargill, whose playing is also featured in this episode.

Like all my episodes, you can watch this on my YouTube channel or listen to the podcast, and I’ve also linked the transcript to my website: https://www.leahroseman.com/episodes/gerry-bryant

Can you buy this podcaster a coffee to support this series? ⁠https://ko-fi.com/leahroseman⁠ Thanks!

Gerry Bryant website: https://www.gerrybryant.com/music

Follow me on Social Media: ⁠https://linktr.ee/leahroseman⁠

Complete Catalog of Episodes: https://www.leahroseman.com/about

Did you know that this podcast is in Season 4, and that I send out a weekly email newsletter where you can get access to Sneak Peeks of upcoming guests and be inspired by highlights from the archive: https://mailchi.mp/ebed4a237788/podcast-newsletter

Timestamps:

(00:00) Intro

(03:18) The Composers album, Thomas Wiggins “Blind Tom”

(08:39) Rêve Charmant by Thomas “Blind Tom” Wiggins performed by Gerry Bryant

(17:16) blind musicians, learning by ear, Gerry Bryant first teacher Ethel Morton, going to Phillip’s Academy, Albian Metcalf

(23:27) inspiration and problems with comparing ourselves to great masters

(29:15) Florence Price

(33:18) Florence Price Piano Sonata in E minor, 2nd movement Andante, The Composers album

(40:49) Florence Price

(41:46) please help me keep this series going!

(42:24) violinist Mark Cargill, Florence Price

(46:33) Andante con espressione by Florence Price for violin and piano Mark Cargill and Gerry Bryant

(51:08) Gerry’s experience going to Phillips Academy in Andover and then Harvard

(01:02:03) accissibility in arts education

(01:06:42) commonalities between people in different creative disciplines like acting, music, visual art, and the importance of nurturing creative expression

(01:14:12) Gerry’s full life, and Pocketwatch jazz ensemble, getting a law degree and MBA

(01:24:19) What Could Have Been with Pocketwatch at Kulak’s

(01:31:29) the healing power of music and Gerry’s volunteer work

(01:41:31) entertainment lawyer, California Lawyers for the Arts, balancing his life and new album

(01:53:06) Gerry’s foray into acting