Song of Spider-Man
The Inside Story of the Most Controversial Musical in Broadway History
Failed to add items
Sorry, we are unable to add the item because your shopping cart is already at capacity.
Add to Cart failed.
Please try again later
Add to Wish List failed.
Please try again later
Remove from wishlist failed.
Please try again later
Adding to library failed
Please try again
Follow podcast failed
Please try again
Unfollow podcast failed
Please try again
$0.00 for first 30 days
LIMITED TIME OFFER
Get 3 months for $0.99/mo
Offer ends January 21, 2026 11:59pm PT
Prime members: New to Audible? Get 2 free audiobooks during trial.
Just $0.99/mo for your first 3 months of Audible Premium Plus.
1 audiobook per month of your choice from our unparalleled catalog.
Listen all you want to thousands of included audiobooks, podcasts, and Originals.
Auto-renews at $14.95/mo after 3 months. Cancel anytime.
Pick 1 audiobook a month from our unmatched collection.
Listen all you want to thousands of included audiobooks, Originals, and podcasts.
Access exclusive sales and deals.
Premium Plus auto-renews for $14.95/mo after 30 days. Cancel anytime.
Buy for $19.49
-
Narrated by:
-
Glen Berger
-
By:
-
Glen Berger
As you might imagine, writing a Broadway musical has its challenges. But it turns out there are challenges one can’t begin to imagine when collaborating with two rock legends and a superstar director to stage the biggest, most expensive production in theater history. Renowned director Julie Taymor picked playwright Glen Berger to cowrite the book for a $25 million Spider-Man musical. Together—along with U2’s Bono and Edge—they would shape a work that was technically daring and emotionally profound, with a story fueled by the hero’s quest for love…and the villains’ quest for revenge. Or at least, that’s what they’d hoped for.
But when charismatic producer Tony Adams died suddenly, the show began to lose its footing. Soon the budget was ballooning, financing was evaporating, and producers were jumping ship or getting demoted. And then came the injuries. And then came word-of-mouth about the show itself. What followed was a pageant of foul-ups, falling-outs, ever-more harrowing mishaps, and a whole lot of malfunctioning spider legs. This “circus-rock-and-roll-drama,” with its $65 million price tag, had become more of a spectacle than its creators ever wished for. During the show’s unprecedented seven months of previews, the company’s struggles to reach opening night inspired breathless tabloid coverage and garnered international notoriety.
Through it all, Berger observed the chaos with his signature mix of big ambition and self-deprecating humor.
Listeners also enjoyed...
Critic reviews
"Berger gives his raw, personal account of his time writing the script with Julie Taymor of the epically troubled musical Spider-Man: Turn Off the Dark. The play, which closed in January 2014, may be Broadway ancient history, but this memoir still cuts to the bone, partly because Berger is so candid about the artistic process behind the runaway-train production. There’s so much insecurity, so much backstabbing, so much back-channeling, I’m almost surprised that Hulu hasn’t adapted it into a docudrama." (Marshall Heyman)
Fantastic
Something went wrong. Please try again in a few minutes.
Fascinating and engaging
Something went wrong. Please try again in a few minutes.
Turns out the story is more complex and
nuanced than that— of course! — and one to learn from even if you’re not Broadway bound because it’s about the creative process, the power of personality, and some damn interesting creative folks like Julie Taymor, Bono and the author himself.
Often when an author reads his own work, the outcome is a quasi-disaster. But Glen Berger reads his own work with great humor and a chatty rhythm that feels like you’re in a room with a smart, entertaining friend telling a fantastic story. He is even good (well, pretty good) at Bono’s and the Edge’s Irish accents!
Highly recommend to those who enjoy behind-the-scenes accounts of Broadway and film productions. You are not only taken behind the scenes but escorted to the scenes behind those scenes. Dizzying? Yes, but that’s Broadway, baby!
Behind the Scenes and Then Some
Something went wrong. Please try again in a few minutes.
Great story well told
Something went wrong. Please try again in a few minutes.
That's not my main takeaway from the book or anything, but it was something that kept coming up. That may seem like a weird and out of place thought, but but weird out of place hornyness and this play go hand and hand.
Aside from all that what is there to say about the book? Glenn Berger is a story teller. So it should be no surprise that the book is engaging throughout and manages to turn a recounting of events into a well structured narrative.
Mr Berger is also both the author and the narrator which is a combination im always partial too for audio books. No one does a better job of translating the authors voice from page to sound than, well, the authors voice.
Oh also a warning for anyone who's ever worked tech or any support roles in theater. Had a friend of mine who was a former tech crew head in high school and did professional lighting for shows for a few years listen to parts of the book. Hearing about how some of those parts of the show came about or were handled nearly gave him a panic attack
A "Disaster Artist" for theater nerds
Something went wrong. Please try again in a few minutes.