In this Terminator 2: Judgment Day Review, the Born to Watch crew dives headfirst into what many consider the greatest sequel ever made. James Cameron didn't just follow up the original Terminator… he reinvented the blockbuster. Released in 1991, Terminator 2: Judgment Day changed action movies forever with groundbreaking visual effects, unforgettable characters, and one of Arnold Schwarzenegger's most iconic roles.

This week the full team is back, and the discussion kicks off with a simple but loaded question, is Terminator 2 the greatest sequel of all time? From the opening future-war battlefield to the legendary showdown between the T-800 and the liquid-metal T-1000, the boys break down why this film still holds up more than three decades later.

Arnold Schwarzenegger returns as the Terminator, but this time the formula is flipped. Instead of hunting Sarah Connor, he's protecting her son, John Connor, the future leader of the human resistance. It's a twist that audiences in 1991 didn't see coming, and it gives the film its emotional core.

The crew digs into Schwarzenegger at the absolute peak of his powers. After dominating the 80s with films like Predator, The Running Man and the original Terminator, Arnie was arguably the biggest movie star on the planet when T2 arrived. The famous bar scene, the sunglasses moment, and of course the immortal line "Hasta la vista, baby" all get the Born to Watch treatment.

Linda Hamilton also gets her flowers in this episode. Her transformation from the vulnerable Sarah Connor of the first film into the hardened warrior of Judgment Day is one of the most dramatic character evolutions in action movie history. The boys discuss her intense performance, the physical transformation she underwent, and why her portrayal still feels authentic today.

Edward Furlong's debut as John Connor sparks plenty of debate, too. Some love his rebellious street-kid energy, others question whether he’s the most annoying teenager ever put in charge of humanity's future. Either way, he plays a crucial role in the film’s emotional arc, and the developing bond between John and the T-800 is one of the movie's biggest surprises.

Then there's Robert Patrick's T-1000. With his cold stare, relentless pursuit, and shape-shifting liquid metal body, he created one of the most terrifying villains of the 1990s. The guys break down why the T-1000 works so well and how the visual effects still look incredible today.

Of course, no discussion of Terminator 2 would be complete without talking about the action set pieces. The LA River chase, the motorcycle-and-truck pursuit, the hospital escape, and the steel mill finale are all analysed in classic Born to Watch fashion. These scenes helped redefine what audiences expected from blockbuster filmmaking.

The episode also dives into the film's massive cultural footprint. From the Guns N' Roses track "You Could Be Mine" to the revolutionary CGI that brought the T-1000 to life, Terminator 2 pushed cinema technology forward and influenced action movies for decades.

But the big question remains: Does Terminator 2 actually surpass the original?

That's the debate the Born to Watch crew finally settles.

So slide into your leathers, fire up the Harley, and join the boys as they revisit one of the biggest and most influential action films ever made.

JOIN THE CONVERSATION

• Is Terminator 2 the greatest sequel of all time?
• T-800 or T-1000 — which Terminator wins the showdown?
• Does Judgment Day beat the original Terminator?

Drop us a voicemail at https://www.borntowatch.com.au and be part of the show!

Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts.

#BornToWatch #Terminator2 #JudgmentDay #ArnoldSchwarzenegger #JamesCameron #90sAction #MoviePodcast #SciFiMovies #T1000 #HastaLaVistaBaby

2025 Hit Sleeper Dud is here, and this year it’s a solo pod.

Whitey is on the road, the Academy Awards are looming, and the team is temporarily scattered, but the show must go on. So in true Born to Watch fashion, we break down the year in film the only way we know how, by calling it straight. The hits. The sleepers. The duds. No fence-sitting. No safe takes. Just movie love, movie rage, and a bit of chaos in between.

First up, the HITS.

Leading the charge is F1, starring the forever-sexy Brad Pitt. It’s big, loud, formulaic and absolutely electric. Joseph Kosinski proves again he knows how to strap a camera inside a cockpit and make you feel every rev. Unreal cinema fun. That’s what movies are supposed to be.

Then comes Weapons, the horror surprise that had Whitey on edge from start to finish. Creepy premise, massive performances, and Amy Madigan absolutely crushing it. This one lingers.

Stephen King’s The Long Walk delivers bleak dystopia done right. Cooper Hoffman proves the talent runs in the bloodline, and Mark Hamill playing against type adds weight to a brutal premise.

The Fantastic Four: First Steps lands better than expected, giving Marvel just enough oxygen to stay alive heading into Doomsday. Period setting, Galactus looming, and yes, Pedro Pascal everywhere.

And yes, Jaws returning to cinemas for its 50th anniversary still rules the ocean. Some films do not age. They evolve.

Now the SLEEPERS.

Anaconda (2025) should not have worked. But it did. Jack Black, Paul Rudd, jungle chaos, midlife crisis energy. Low expectations. Big laughs.

The Naked Gun reboot? Surprisingly hilarious. Liam Neeson leans into absurdity and Pamela Anderson brings the heat. It’s not Leslie Nielsen, but it earns its laughs.

Then Marvel’s quiet comeback entry, Fantastic Four, sneaks in again as a sleeper-level win.

Now the DUDS.

Jurassic World Rebirth proves some DNA experiments should stay extinct.

Superman should have soared. Instead, it stumbled. Strong casting, messy execution.

And Captain America: Brave New World? Whitey turned it off. Enough said.

Plus, we talk about the “meh” movies like Sinners and One Battle After Another, which were good but not great.

Then we look forward. Spielberg. Nolan’s The Odyssey. Michael. Masters of the Universe. Mandalorian and Grogu. Avengers Doomsday. Dune Messiah.

Big year coming.

JOIN THE CONVERSATION

• What was YOUR 2025 Hit Sleeper Dud?
• Did Superman deserve better?
• Are we done with dinosaurs yet?

Drop us a voicemail at https://www.borntowatch.com.au and be part of the show.

Like. Subscribe. Share with your friends. Share with your enemies.
Born to Watch. We don't take ourselves or the movies too seriously.

#BornToWatch #MoviePodcast #2025Movies #FilmReview #HitSleeperDud #CinemaTalk #MovieDebate #Blockbusters #Marvel #FilmFans

Logan (2017) Review kicks off this week's episode of Born to Watch, and boys… this is not your usual superhero movie.

Whitey, Gow and Damo head into the wasteland of 2029 to talk about the final outing for Wolverine, and right from the start the big question is asked, is this actually a superhero movie at all… or is it a western wearing claws?

After nearly two decades of Hugh Jackman playing Logan, the X-Men universe throws away the colourful costumes, the CGI sky beams and the multiverse nonsense, and replaces it with dust, silence and a dying hero who just wants it all to end.

This week, the boys dive into:
• Why Logan feels closer to a Clint Eastwood western than a Marvel film
• The emotional weight of Professor X and Logan’s relationship
• Laura (X-23) stealing the movie without saying much at all
• The brutality and why the R-rating actually matters
• Whether this is the greatest superhero film ever made

Whitey argues that this is the natural evolution of comic book movies, a character study about regret and aging rather than saving the world. Gow admits he expected CGI chaos and instead got a real film. Damo questions the timeline, the X-Men continuity and whether the emotional ending works if it doesn't match the earlier movies.

The discussion also covers how Logan was clearly inspired by classic westerns, especially Shane, and why the movie works best when it forgets it's part of a franchise entirely.

Hugh Jackman delivers possibly his best performance as a broken warrior who no longer heals, drinks too much, hurts constantly and carries decades of guilt. Patrick Stewart's Professor X adds heart and tragedy, while the road-trip structure slowly turns the film into something surprisingly intimate.

And then… there's the ending.

No big sky battle.
No final speech.
Just consequences.

The boys debate whether Logan's death lands emotionally, if Laura is the future of the character, and why this film changed how studios approached superhero movies afterwards.

Is Logan the peak of comic-book cinema? Or just a really good western accidentally starring a superhero?

JOIN THE CONVERSATION

• Is Logan the best comic book movie ever made?
• Does the R-rating improve superhero films?
• Is this secretly just a western?

Drop us a voicemail at https://www.borntowatch.com.au and be part of the show.

Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts.
Don't forget to LIKE, SUBSCRIBE and follow Born to Watch for your weekly dose of nostalgia, arguments and completely unnecessary movie rankings.

#Logan #BornToWatch #MoviePodcast #Wolverine #HughJackman #XMen #FilmReview #WesternMovies #SuperheroMovies #MovieDebate