Multi-talented musician and one of the best rebetiko singers. Of Italian nationality, he came from a musical family which came to Piraeus in 1918. In 1922 he settled in Drapetsona, where his father, who played the violin, opened a musical instrument manufacturing workshop.

With the insistence of Vangelis Papazoglou and Stellakis Perpiniadis, he appeared on stage as a singer in 1934 and in 1935 recorded his first album with "Seretis " by Iakovos Montanaris. Kostas Skarvelis chose him as his main singer and entrusted him with 48 of the approximately 70 songs that Giorgos Kavouras recorded in his discography Giorgos Kavouras died on February 20, 1943, after suffering a stroke while playing in the shop of his friend Stellakis Perpiniadis in Chaidari.

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Alexis Zoumbas was a Greek folk violinist who gained recognition for his recordings in the early 20th century. He is particularly known for his contributions to the Greek and Balkan music traditions, as well as his influence on American folk music.

Zoumbas was born in the early 1880s in the region of Epirus, which is now part of Greece. He emigrated to the United States in the early 1900s, like many Greeks seeking better economic opportunities. In the United States, he continued to play and record his music, which featured a unique blend of Greek, Balkan, and American folk elements. His recordings often showcased his virtuosic violin playing.

While not widely recognized during his lifetime, Alexis Zoumbas' recordings have gained attention and appreciation among folk music enthusiasts and collectors over the years. His music has been influential in the revival of traditional Greek and Balkan music and has also left a mark on American folk music.

Zoumbas' recordings are considered valuable cultural artifacts, preserving a snapshot of the musical traditions of his time and the cross-cultural influences that shaped his music.

This week we once again focus on instrumental rare Rebetiko Gems. Delving into some works from Lukianos Cavadias, Alexis Zoumbas & Manolis Hiotis.

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