Black Spirituals, Field Hollers, and Slave Seculars celebrate Black American Traditional Music and Experience. This show is dedicated to sharing and raising awareness of folklife, songs, dance, scripture, lyrics, and everything related to black Spirituals, Field Hollers, and Slave secular expressions, as well as the coded songs of Black Spirituals that were maps and landmarks for escaping bondage. June 5th, I will be speaking with Eric Crawford, Associate Professor of Musicology, and Peter K. Siegal, Producer and American roots music archivist, about the June 14, 2024, Smithsonian Folkways release “The Complete Friends of Old-Time Music Concert” by Bessie Jones, John Davis & The Georgia Sea Island Singers with Mississippi Fred McDowell and Ed Young. The album is a live recording of a 1965 concert that captured the intersection of Black folk traditions and civil rights activism, produced and hosted by Folklorist Alan Lomax and recorded by Peter K. Siegal. The Liner notes, and essay are written by Eric Crawford, whose research focuses on the rich tradition of Gullah music. Crawford has also written books titled Gullah Spirituals: The Sound of Freedom and Protest in the South Carolina Sea Islands (2021) and Gullah Culture in America (March 2023). Together with Smithsonian Folkways, they have collaborated on presenting a significant album that conserves black expression while introducing these outstanding performances to new audiences.

On this episode of Jack Dappa Blues, enjoy the collaboration of Jack Dappa Blues Radio and Southern Ohio Folklife for a conversation w/ Lady D (West Virginia’s First Lady of Soul) to talk about her recent performance of The Lady and the Empress, a one-woman show about the life and music of Bessie Smith, the Empress of the Blues. Learn about Bessie Smith, her role in Blues music, her lasting impact, and why Lady D was drawn to her life story.

On the day of the interview, Lady D later performed at the Southern Ohio Museum of The Lady and the Empress!

This project is made possible by Mid Atlantic Arts’ Central Appalachia Living Traditions program. Project collaborators include the 14th Street Community Center, Time Out for Me Inc., Portsmouth Unity Project, Southern Ohio Museum and Cultural Center, The African American Folklorist, and Jack Dappa Blues Heritage Preservation Foundation.

#wethebluespeople #appalachia #centralappalachia #ohio #appalachianohio #westvirginia #bessiesmith #blues #folklore #folklife #livingtraditions #southernohiofolklife #hiphoptraditions

Facebook: @MidAtlanticArts @CentralAppalachiaLivingTraditions @southern.ohio.museum @jackdappabluesradio @TheAfricanAmericanFolklorist @ladyandtheempress @fourteenthst @TimeOutForMeInc @dafields

Instagram: @fieldsdoris @MidAtlanticArts @centralapplivingtrad @jackdappabluesradio @africanamericanfolklorist @southern.ohio.musum

For some reason, when it comes to Country Music, most people do not associate it with black folk or folk musical expression. The thing is, country music, in its many forms, comes directly from black expression. i.e., the blues, country blues, and more.

To give the context to the roots of commodified music presented and thought of as white music… We can use Leslie Riddle as an example… he was the teacher to the Carters for the music they would be credited for. Maybelle Carter always let that be known.

In this episode, I discuss Why it is Always about Race regarding Country music, Country Blues, and Blackness.

Coffle Gang and Domestic Slavery

African American Tribal Music

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