Death Valley
A Novel
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Narrated by:
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Melissa Broder
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By:
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Melissa Broder
From the visionary author of Milk Fed and The Pisces, a darkly funny novel about grief and a “magical tale of survival” (Publishers Weekly, starred review).
In Melissa Broder’s astonishingly profound new novel, a woman arrives alone at a Best Western seeking respite from an emptiness that plagues her. She has fled to the California high desert to escape a cloud of sorrow—for both her father in the ICU and a husband whose illness is worsening. What the motel provides, however, is not peace but a path discovered on a nearby hike.
Out along the sun-scorched trail, the narrator encounters a towering cactus whose size and shape mean it should not exist in California. Yet the cactus is there, with a gash through its side that beckons like a familiar door. So she enters it. What awaits her inside this mystical succulent sets her on a journey at once desolate and rich, hilarious, and poignant.
Death Valley is Melissa Broder at her most imaginative, most universal, and finest, and is “a journey unlike any you’ve read before” (Nana Kwame Adjei-Brenyah, author of Chain-Gang All-Stars).
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Editorial Review
A thought-provoking fever dream
Entirely consuming and utterly transporting, Melissa Broder’s latest novel had me completely transfixed. For the few days in which I devoured this listen, all I could think about was getting back to it. The story at the outset is simple enough—a woman in her early 40s, who is coping with both a father recovering (or not) from a coma and a husband whose mysterious illness seems to be worsening by the day, heads to the California desert under the guise of seeking inspiration for the novel she is struggling to write. While on a hike, the heroine stumbles upon a strange cactus, which leads her into another realm—one in which, on some level, she will have to fight for her own survival. In this work, I found Broder to be her usual witty and darkly funny self, with an added depth of vulnerability. Against the backdrop of an unforgiving desert, she dissects the often unspoken aspects of loving a person who is chronically ill; what it is like to grieve, particularly those with which we have had complicated relationships; and even the nature of God. Somehow, within the realm of magical realism, Broder has become realer than ever before. —Madeline A., Audible Editor
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Strong voice
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and styles of writing and taking a risk. That is living!
Love the poetic language about humanness, love and death
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I’m happy that I did return to the story. After I turned off my “crabby lady” inner voice and listened to the story, I became intrigued. The unnamed narrator’s babbling has a deep well producing that babble.
She is a 40-something married novelist who feels she is dry of ideas. Her father is in the ICU after a devastating car crash. She is worried about her father dying. Her husband is housebound and disabled. She is stressed. So, she decides to take a short trip to Death Valley for inspiration. She expects a desert-based epiphany.
She checks herself into a Best Western. (Thank you, author Broder, for the quirky characters and abundant hotel humor.) After much self-babble, she determines a long walk in the desert might inspire her. She’s a spiritual seeker after all. She perceives “wandering around in the desert, there’s no need to play hard to get with God”. Of course there will be a fork in the road..
There’s a cactus. There are bunnies. A vicious teen bunny. There are stones, all colors. But it’s in the cactus that Broder’s imagination shines. Broder does a great job with the narrator’s self-rumination which are critical with some therapy self-talk thrown in. Her are observations unique and brilliant.
This is a meditation on loss and grief. It’s clever.
Broder is the perfect narrator!
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Tone of Story Was a Difficult to Figure Out Until Too Late
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People’s dreams are only interesting to themselves
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