It's time to bust out the dried macaroni, glitter glue, and home-made Foot Rub "Coupons," because Mother's Day is just around the corner. Mothers are missing from a lot of Shakespeare’s plays, but he's still got a lot of moms who are very much alive and kicking (unless they're buried alive). In this Very Special Holiday Episode, we give shout-outs to some of Shakespeare’s most suffering, unsung moms and imagine what kinds of Mother’s Day gifts their ungrateful kids and partners might have given them. Trust us, these ladies all deserve a 16-year spa vacation.

Long before Photoshop and the Varsity Blues scandal, wealthy families have been trying to game the college admissions process. In this episode, we explore why affluent families started to outnumber "poor scholars" like Hamlet's friend Horatio during the mid-sixteenth century and how money and social class affected life at Oxford and Cambridge. Shakespeare, who never attended university, has an interesting perspective on all this, which we take a look at alongside a document that is the early modern equivalent of an insider's guide to college life. From rich slackers who believe themselves "above the law" to kids who come home from college preaching their "superior" knowledge to their weary parents, there's a lot that will sound familiar.

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They may not have called it "memoir," but early modern English authors were producing all kinds of life-writing, from snarky private diaries to published accounts of religious conversion and manifestos on breast-feeding. Whether or not Shakespeare's work contains anything autobiographical remains a matter of speculation, but he certainly understood the desire to control how your life story would be recorded for posterity. In this episode, we talk about the theme of life-writing in Shakespeare's work and look at some actual autobiographies written by his contemporaries. A wealthy and well-educated daughter of country gentry, Elizabeth Isham wrote her Book of Remembrance at age thirty. Although her intended readers were her family members and not the public, her nearly sixty-thousand-word book bears the closest resemblance to our modern memoir genre, with its familiar themes--sibling rivalry, mental illness, societal pressure on women--and its contemporary style of self-reflection. Michelle, whose new book is Green World: A Tragicomic Memoir of Love & Shakespeare, explains how Isham's ability to make sense of her life was truly ahead of her time.