On the heels of our conversation with Chaz Ebert discussing Life Itself, we are sharing this episode from our friends at Filmspotting. As we learned from Chaz, even Roger himself once admitted to getting one review wrong!

In this episode, critic and author Matt Singer joins Filmspotting co-hosts Adam Kempenaar and Josh Larsen to consider the enduring impact of Ebert and his longtime partner Gene Siskel, and to dissect five other reviews they may have gotten wrong. Originally dropped in October, 2023, the episode followed publication of Matt’s book, “Opposable Thumbs: How Siskel and Ebert Changed Movies Forever”, a vivid telling of the definitive story of Siskel and Ebert and their iconic show, “At the Movies.”

Listen and subscribe to Filmspotting on Spotify or Apple Podcasts.

Hosted on Acast. See acast.com/privacy for more information.

The Film That Blew My Mind is nominated for Best Indie Podcast Webby Awards. Please show your support and cast your vote for the People’s Voice Award at the link below. Thank you! https://vote.webbyawards.com/PublicVoting#/2024/podcasts/features/best-indie-podcast

____

For our final episode of season one, we took our show on the road to record an episode before a live audience at the Sonoma International Film Festival. John Cameron Mitchell, the ultimate multi-hyphenate and creator of Hedwig and the Angry Inch, joined Cooper and Tabitha on stage for a conversation about Robert Altman’s legendary Nashville. With a cast composed of Karen Black, Keith Carradine, Ronee Blakely, Lily Tomlin, Shelly Duvall, Geraldine Chaplin, Jeff Goldblum, and more, the film knits together the stories of twenty four characters as they navigate their time and place in their own, idiosyncratic ways.

John shares his own experience seeing the film, a halfway-fruitful exchange with Nashville screenwriter Joan Tewksbury, and personal encounters with Samuel Beckett and Robert Altman himself. Plus, how the scene with Keith Carradine singing the Oscar-winning song “I’m Easy” inspired parts of John’s own film Shortbus (2006), what he learned from the Sundance labs with Michelle Satter, and why bedwetters are his kind of people.

____

Hosted on Acast. See acast.com/privacy for more information.

It is hard to pinpoint when Chaz Ebert first experienced Life Itself, Steve James’s documentary about her late husband and legendary film critic, Roger Ebert. Initially conceived as a multi-year project to capture Roger’s vibrant life and career, the film also documented what would become the final weeks of Roger’s life. Film icons like Werner Herzog, Ava Duvernay, and Martin Scorsese illustrate the ways in which Roger’s work inspired them individually and impacted culture on a broad scale. Tracing Roger’s journey from cub reporter to cultural icon and devoted family man, the film is a testament to his ardently populist sensibility, larger-than-life personality, fierce love of movies, and the vigor with which he met every day even as he endured life with cancer and its effects.

In conversation with Cooper and Tabitha, Chaz reveals the one movie review Roger acknowledged he got wrong, her reluctance to continue filming as Roger’s health deteriorated, what it meant to experience the film’s premiere with an audience at Sundance, and how their shared concern for humanity continues to inspire her work today.

Hosted on Acast. See acast.com/privacy for more information.