What role have artists played in dismantling colonial infrastructures? In what ways have they contributed to creating new platforms in the postcolonial era? What can we learn about forging solidarities through art from past generations? In this episode, Hoor Al Qasimi speaks with Morad Montazami, who co-curated The Casablanca Art School: Platforms and Patterns for a Postcolonial Avant-Garde (1962–1987) with Madeleine de Colnet, about the artistic revolution that followed Morrocan independence in 1956. They discuss the transformation of Casablanca Art School and the efforts towards cultural decolonisation led by Farid Belkahia, Mohammed Chabâa, Bert Flint, Toni (Antonella) Maraini and Mohamed Melehi. Tune in to hear about the story of the Moroccan ‘new wave’ that triggered a new social movement and contributed to artistic solidarities between Latin America, West Asia and Africa.

CREDITS

Host: Hoor Al Qasimi

Guest: Morad Montazami

Editorial and Content Producers: Jyoti Dhar, Kamayani Sharma, Mahshid Rafiei

Sound Producer and Editor: Basil Kisswani

Music and Sound: Luc Allieres, Café da Mañha, 2021

Special Thanks: Nawar Al Qassimi. May Alqaydi, Dima Bittard, Unnikrishnaan Suresh, Ward Helal, Hasan Hujairi, Asad Siddique

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Join Natasha Ginwala as she explores one of Lala Rukh’s works from her iconic series, River In An Ocean, and how it captures the diverse rhythms of life and landscape with a minimalist vocabulary of lines, symbols and blackness.

Backstory is available in both audio and video formats. To view this episode in video, click here.

CREDITS

Host: Natasha Ginwala

Artwork: River In An Ocean: 6 (1993) and Moonscape (2010 / 2012) by Lala Rukh

Producers: Jyoti Dhar, Kamayani Sharma and Mahshid Rafiei.

Film and Multimedia: Dima Bittard, Unnikrishnan Suresh, Ward Helal, Shafeek Nalakath Kareem, and Magdi Tawfig.

Special Thanks: Nawar Al Qassimi, Umer Butt, Elaine Lubguban and Mahmoud El Safadi.

© Sharjah Art Foundation, 2024

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Lala Rukh was one of the most significant artists of her generation. Her practice encompassed drawing, printmaking, photography and video, developed against the backdrop of political turmoil and feminist movements in Pakistan. Yet, despite her expansive four-decade artistic, pedagogical and political career that has influenced generations in Pakistan and beyond, she has remained an enigmatic figure. Join Hoor Al Qasimi and Natasha Ginwala, curators of the exhibition In The Round, the first major survey of works by Lala Rukh that includes rarely seen drawings and installations as well as extensive archival material, as they explore the impact that she has had on the lives and works of her peers and students. Tune in to hear insights from those that were closest to her, including Umer Butt, Mariah Lookman and Maryam Rahman, as they share what Lala Rukh meant to them as an artist, an educator and a friend.

CREDITS

Host: Hoor Al Qasimi

Guests: Natasha Ginwala, Umer Butt, Mariah Lookman, and Maryam Rahman.

Producers: Jyoti Dhar, Kamayani Sharma and Mahshid Rafiei.

Sound Producer: Basil Kisswani.

Sound Editors: Basil Kisswani and Kamayani Sharma.

Music and Sound: All Pakistan Music Archive and Grey Noise Gallery, Dubai.

Rasoolan Bai, Dadra, 1961; Roshan Ara Begum, speech, 1960; Roshan Ara Begum, Khamaj, 1960; Sadiq Ali Mando, Clarinet, 1961; Zahida Parveen, Tilang Bahar, 1961.

Special Thanks: Nawar Al Qassimi, Mahmoud El Safadi, Hasan Hujairi, Asad Siddique, Dima Bittard, Ward Helal, and Shafeek Nalakath.

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