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Bad Teeth
- A Novel
- Narrated by: Alexander Cendese
- Length: 8 hrs and 32 mins
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Publisher's summary
Four interlocking narratives set in four American cities form a richly comic feast about love, academia, an elusive Tibetan novelist - and SOFA, a protest group so mysterious its very initials are open to interpretation.
Bad Teeth follows a cast of young literary men and women, each in a period of formation, in four very American cities - Brooklyn, Bloomington, Berkeley, and Bakersfield. A Pynchonesque treat, it’s four (or more) books in one: A bohemian satire, a campus comedy, a stoner’s reverie, and a quadruple love story. The plots coalesce around the search for a mysterious author, Jigme Drolma ("the Tibetan David Foster Wallace"), who might in fact be a plagiarist. But how does the self-styled arch-magician Nicholas Bendix figure into this? What will happen when SOFA unleashes the "Apocalypse"? And what’s to become of Lump, the cat?
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Thriller scribe Sophie Katz is as hard-boiled as a woman who drinks Grande Caramel Brownie Frappuccionos can be. So Sophie knows it's not paranoia, or post-divorce, living-alone-again jitters, when she becomes convinced that a crazed reader is sneaking into her apartment to reenact scenes from her books. The police, however, can't tell a good plot from an unmarked grave.
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Disappointing
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By: Kyra Davis
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32 Candles
- A Novel
- By: Ernessa T. Carter
- Narrated by: Adenrele Ojo
- Length: 11 hrs and 14 mins
- Unabridged
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Davie—an ugly duckling growing up in small-town Mississippi—is positive her life couldn’t be any worse. She has the meanest mother in the South, possibly the world, and on top of that, she’s pretty sure she’s ugly. Just when she’s resigned herself to her fate, she sees a movie that will change her life— Sixteen Candles. But in her case, life doesn’t imitate art.
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2 High Fives - for Monkey Night
- By Nevada on 10-03-12
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God-Shaped Hole
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- Narrated by: Rachael Warren
- Length: 10 hrs and 44 mins
- Unabridged
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When Beatrice Trixie Jordan replies to a personal ad, she meets Jacob Grace, a charming, effervescent 30-something free-spirit writer passionately seeking life. He possesses his own turns of phrase and ways of thinking and feeling that dissonantly harmonize with Trixie's off-center vision. As they rollercoaster through the joys and furies of their wrenching romance, they try to come to terms with the hurt brought about by both of their distant fathers who, in different ways, forsook them.
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To see a fortune teller or not to see one...
- By Renee on 08-08-18
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An Abundance of Katherines
- By: John Green
- Narrated by: Jeff Woodman
- Length: 6 hrs and 47 mins
- Unabridged
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When it comes to relationships, Colin Singleton’s type is girls named Katherine. And when it comes to girls named Katherine, Colin is always getting dumped. Nineteen times, to be exact. On a road trip miles from home, this anagram-happy, washed-up child prodigy has $10,000 in his pocket, a bloodthirsty feral hog on his trail, and an overweight, Judge Judy-loving best friend riding shotgun - but no Katherines.
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struggled to finish listening
- By Daniel on 03-11-20
By: John Green
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Killing Kate
- By: Alex Lake
- Narrated by: Genevieve Swallow
- Length: 12 hrs and 11 mins
- Unabridged
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Kate returns from a post-break-up holiday with her girlfriends to news of a serial killer in her hometown - and his victims all look like her. It could, of course, be a simple coincidence. Or maybe not. She becomes convinced she is being watched, followed even. Is she next? And could her mild-mannered ex-boyfriend really be a deranged murderer? Or is the truth something far more sinister?
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Decent suspense thriller makes the mark
- By Candice on 02-21-17
By: Alex Lake
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This Is Why They Hate Us
- By: Aaron H. Aceves
- Narrated by: Alejandro Ruiz
- Length: 10 hrs and 3 mins
- Unabridged
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Enrique “Quique” Luna has one goal this summer—get over his crush on Saleem Kanazi by pursuing his other romantic prospects. Never mind that he’s only out to his best friend, Fabiola. Never mind that he has absolutely zero game. And definitely forget the fact that good and kind and, not to mention, beautiful Saleem is leaving LA for the summer to meet a girl his parents are trying to set him up with. Luckily, Quique’s prospects are each intriguing in their own ways.
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Great Performance; Strange Obsession with White People
- By Legio Evocati on 02-21-23
By: Aaron H. Aceves
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Baltimore Blues
- Tess Monaghan, Book 1
- By: Laura Lippman
- Narrated by: Deborah Hazlett
- Length: 9 hrs and 55 mins
- Unabridged
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Unemployed at 29, Tess Monaghan is willing to take any freelance job to pay the rent—including a bit of unorthodox snooping for her rowing buddy, Darryl "Rock" Paxton. In a city where someone is murdered almost every day, attorney Michael Abramowitz's death should be just another statistic. But the slain lawyer's notoriety—and his noontime trysts with Rock's fiancée—make the case front page news...and point to Rock as the likely murderer. But trying to prove her friend's innocence could prove costly to Tess.
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I'm on #8 - This series is almost unique
- By connie on 02-19-12
By: Laura Lippman
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The Fame Game
- By: Lauren Conrad
- Narrated by: Jenna Lamia
- Length: 7 hrs and 55 mins
- Unabridged
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In Hollywood, fame can be found on every corner and behind any door. You just have to know where to look for it. Nineteen-year-old Madison Parker made a name for herself as best frenemy of nice-girl-next-door Jane Roberts on the hot reality show L.A. Candy. Now Madison's ready for her turn in the spotlight and she'll stop at nothing to get it. Sure, she's the star of a new show, but with backstabbing friends and suspicious family members trying to bring her down, Madison has her work cut out for her.
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One of the best narrators I've ever heard!
- By Kindle Customer on 05-09-17
By: Lauren Conrad
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I Can Be a Better You
- By: Tarryn Fisher
- Narrated by: Brittany Pressley, Lance Greenfield, Carly Robins
- Length: 7 hrs and 41 mins
- Unabridged
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When Fig Coxbury buys a house on West Barrett Street, it's not because she likes the neighborhood, or even because she likes the house. It's because everything she desires is next door: the husband, the child, and the life that belongs to someone else.
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Brilliant- really good!
- By Candice on 06-01-18
By: Tarryn Fisher
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The Wrong Sister
- By: T. E. Woods
- Narrated by: Angela Dawe
- Length: 8 hrs and 47 mins
- Unabridged
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From behind the wheel of her car, Tess Kincaid glimpses a woman walking down a Madison, Wisconsin, street. They've never met, but Tess sees the same features every time she looks in the mirror. Tess introduces herself and discovers that she and her doppelganger, Mimi, have more than appearance in common. They even share the same birthday. Mimi - confident and outgoing where Tess is understated and shy - is convinced they're twins, separated shortly after birth. When a body is discovered in a local marsh, Tess is entangled in a search for the truth....
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Nothing like anything T E Woods has written B4!!!
- By shelley on 03-01-18
By: T. E. Woods
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Losing the Light
- A Novel
- By: Andrea Dunlop
- Narrated by: Cassandra Campbell
- Length: 10 hrs and 26 mins
- Unabridged
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When 30-year-old Brooke Thompson unexpectedly runs into a man from her past, she's plunged headlong into memories she's long tried to forget about the year she spent in France following a disastrous affair with a professor.
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Right book for right time
- By Pamela G. on 08-06-18
By: Andrea Dunlop
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Eat the Document
- By: Dana Spiotta
- Narrated by: Rachael Warren
- Length: 9 hrs and 9 mins
- Unabridged
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In the heyday of the 1970s underground, Bobby DeSoto and Mary Whittaker - passionate, idealistic, and in love - design a series of radical protests against the Vietnam War. When one action goes wrong, the course of their lives is forever changed. The two must erase their past, forge new identities, and never see each other again. Now it is the 1990s. Mary lives in the suburbs with her 15-year-old son, who spends hours immersed in the music of his mother's generation.
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Great ensemble piece!
- By Buyer009 on 08-08-17
By: Dana Spiotta
What listeners say about Bad Teeth
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- Joe Kraus
- 05-26-17
Hipster Pose and No Substance
What could Dustin Long have done to make this a more enjoyable book for you?
He generally read well, but his female characterizations were overdone and disappointing. Many sound like spoiled eighth grade girls when they're actually in their mid- to late 20s.
Any additional comments?
One annoying thing about hipster novels – as a genre – is that they imply a community of conversation that you, as the reader, are closed off from. And the basic rhetoric of the hipster is to leave large elements unexplained while focusing instead on the mundane. (The classic instance of that, of course, comes in Pulp Fiction when the hitmen, on their way to kill a group of teenagers for reasons not worth explaining, have a passionate debate about Big Mac and foot rubs.)
One beguiling thing about hipster novels is that they give the impression they represent the vanguard of a new way of seeing the world. They’re the organs of the next wave of culture, and they carry the promise that this different weighting of what warrants attention will matter in time to come. Andy Warhol, for instance, elevated the Campbell’s Soup can to iconic status, in part, because he was commenting on the nature of superficiality – on the role of image in contemporary culture – and he turned about to be powerfully prescient.
Somehow, I don’t think Dustin Long is all that prescient. The opening section here has a nice tone, and I enjoyed the unfolding of Judas’s drive to translate a novel by an obscure Tibetan writer. I understand that the subsequent sections are supposed to comment on the action of that first part by transposing the ‘drama’ to other cities that are tangentially related, but I found the holes between the stories distracting. Don’t tell us the end of Judas’s story if you don’t want to, but don’t imply that it’s unfinished state is somehow the point. That sounds like an insight that seemed profound when you were stoned but pedestrian when you sobered back up.
I’d spend more time contemplating the nature of the interconnectedness and the deliberate gaps of the book if what we had were better written. Instead, these characters have little self-awareness and often mere two-dimensionality. Sela is supposedly a humanities graduate student. Instead of contemplating her circumstances with the tools of her field or through the lens of some hard-won understanding, she writes in a journal as if she were a teenage girl. Even worse, she writes in the form of letters to the boyfriend she left behind. From a male writer, that seems like the worst type of cliché, the woman who secretly wants him even as she has told him otherwise.
This feels like a novel that wants to be meaningful. It cites philosophers every so often – in that lazy hipster way – but it doesn’t seem to have a sustained philosophical point. It may be an insight that even the most thoughtful of people is still embodied, still horny, but that’s hardly an original one. When we do finally meet our obscure novelist, he’s a smooth talker who’s always on the make. There’s no sign of what might make him worthy of contemplation, nothing like the suffering and deep experience of Roberto Bolano’s Archimbaldi in 2666, or – to go to my personal favorite chestnut – the sustained writer’s block of Mordecai Richler’s Moses Berger in Solomon Gursky was Here. He’s just an old man on the make, maybe even a plagiarist. It takes a substantial writer to imagine a substantial writer, and, from the evidence here, Long is not that substantial.
I suppose there may be a worthwhile ‘play’ of form here, and I can see how the unfinished stories, broken up by geography, make for an interesting formal experiment. But even there, Long sells this short by creating a genuine climax at the end, bringing his characters together in conventional ways. And that’s undercut still further by the adolescent nature of the general yearning here.
This one got me at the start, but it got more and more frayed as it went. I’d have bailed on it if I hadn’t been three quarters of the way through by the time I realized just how disappointed I was. It may be that I’m not hip enough for it, but I’m more inclined to think it’s simply all pose and no substance.
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