Alejandro Escovedo is a Texas-born singer/songwriter who comes from a rich family of musicians including his niece, Sheila E. Alejandro started out in the pioneering San Francisco punk band the Nuns in 1975. From there he moved to New York, and then eventually settled in Austin where he started playing rootsy rock with bands like Rank and File, as well as The True Believers.

In March, Alejandro Escovedo released his latest album, Echo Dancing, a retrospective of his career that spans five decades. Inspired by artists like Brian Eno and Suicide, Alejandro Escovedo both re-imagines and re-records his previous work on the new album.

On today’s episode Bruce Headlam talks to Alejandro Escovedo about his upbringing in San Antonio and Huntington Beach, where he’d sometimes pretend to be Hawaiian to avoid getting beat up. He also tells some great stories about his swings through Austin and San Francisco—like being on the bill for the Sex Pistol’s final show.

You can hear a playlist of some of our favorite Alejandro Escovedo songs HERE.

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2024 has been a career-defining year for St. Vincent. In April she released her self-produced seventh album, All Born Screaming. Then in November she released the Spanish language version of the same album, called Todos Nacen Gritando, as a tribute to fans she met in Spain and Latin America. The album doesn’t serve to replace the English language version, but instead supplements it brilliantly and provides a renewed listening experience. Of all the St. Vincent projects dating back to her debut album in 2007, this is the one that feels the most steeped in a singular vision

On today's episode St. Vincent talks to Justin Richmond at Amazon Music’s Studio 126 about the difficult production process behind her latest release. She also sheds light on her experience touring the album, which continues well into the new year with some dates featuring Olivia Rodrigo and Nick Cave. And she talks about how she developed what she describes as her high-level taste despite growing up in the middle of the country pre-internet.

Check out the full video version of this episode HERE.

You can hear a playlist of some of our favorite St. Vincent songs HERE.

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This week we're sharing an episode from one of Slate's podcasts called Hit Parade. A decade ago, Rolling Stone magazine called 1984 “Pop’s Greatest Year.” A bold statement…but a lot of critics agree. A confluence of factors—the comeback of dance music, the peak of MTV, the Second British Invasion and the emergence of metal and hip-hop—made the radio a great place to be.

Join Chris Molanphy in this episode of Slate's Hit Parade as he dissects eight reasons why 1984 was awesome for pop fans and walks through all 20 of the year’s No. 1 hits: from “Jump” to “Hello,” “Karma Chameleon” to “Caribbean Queen,” “Let’s Go Crazy” to “Like a Virgin.”

You can listen and subscribe to the Hit Parade podcast on your favorite podcast player.

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