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Breakfast at Tiffany's
- Narrated by: Michael C. Hall
- Length: 2 hrs and 50 mins
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In Cold Blood
- By: Truman Capote
- Narrated by: Scott Brick
- Length: 14 hrs and 27 mins
- Unabridged
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Overall
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On November 15, 1959, in the small town of Holcomb, Kansas, four members of the Clutter family were savagely murdered by blasts from a shotgun held a few inches from their faces. There was no apparent motive for the crime, and there were almost no clues.
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Still the Best
- By Lisa on 01-10-06
By: Truman Capote
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Other Voices, Other Rooms
- By: Truman Capote
- Narrated by: Cody Roberts
- Length: 6 hrs and 29 mins
- Unabridged
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Overall
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Performance
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Story
At the age of 12, Joel Knox is summoned to meet the father who abandoned him at birth. But when Joel arrives at the decaying mansion in Skully's Landing, his father is nowhere in sight. What he finds instead is a sullen stepmother who delights in killing birds; an uncle with the face - and heart - of a debauched child; and a fearsome little girl named Idabel who may offer him the closest thing he has ever known to love.
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Capote’s coming of age story
- By Daniel Diffin on 11-08-23
By: Truman Capote
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The Early Stories of Truman Capote
- By: Truman Capote, Hilton Als - foreword
- Narrated by: Scott Brick, Nancy Linari, Sarah Scott
- Length: 3 hrs and 44 mins
- Unabridged
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Overall
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Performance
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Story
Recently rediscovered in the archives of the New York Public Library, these short stories provide an unparalleled look at Truman Capote writing in his teens and early twenties, before he penned such classics as Other Voices, Other Rooms, Breakfast at Tiffany’s, and In Cold Blood. This collection of more than a dozen pieces showcases the young Capote developing the unique voice and sensibility that would make him one of the twentieth century’s most original writers.
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Stories From A Young Capote
- By Sara on 04-29-16
By: Truman Capote, and others
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Wuthering Heights
- Penguin Classics
- By: Emily Brontë
- Narrated by: Aimee Lou Wood, Kristin Atherton - introduction
- Length: 13 hrs and 58 mins
- Unabridged
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Overall
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Performance
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Story
Lockwood, the new tenant of Thrushcross Grange on the bleak Yorkshire moors, is forced to seek shelter one night at Wuthering Heights, the home of his landlord. There he discovers the history of the tempestuous events that took place years before: of the intense passion between the foundling Heathcliff and Catherine Earnshaw, and her betrayal of him. As Heathcliff's bitterness and vengeance is visited upon the next generation, their innocent heirs must struggle to escape the legacy of the past.
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Its Wonderful
- By novena valentine on 09-05-23
By: Emily Brontë
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Slaughterhouse-Five
- By: Kurt Vonnegut
- Narrated by: James Franco
- Length: 5 hrs and 13 mins
- Unabridged
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Overall
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Performance
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Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).
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Don't Quit Your Daytime Job, James
- By Keith on 11-20-15
By: Kurt Vonnegut
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The Sun Also Rises
- By: Ernest Hemingway, Colm Toibin
- Narrated by: William Hurt
- Length: 7 hrs and 46 mins
- Unabridged
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Overall
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Performance
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Story
A poignant look at the disillusionment and angst of the post-World War I generation, The Sun Also Rises introduces two of Hemingway’s most unforgettable characters: Jake Barnes and Lady Brett Ashley. The story follows the flamboyant Brett and the hapless Jake as they journey from the wild nightlife of 1920s Paris to the brutal bullfighting rings of Spain with a motley group of expatriates. In his first great literary masterpiece, Hemingway portrays an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions.
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Great actor, terrible reader, kills classic
- By Kerry on 09-14-14
By: Ernest Hemingway, and others
-
In Cold Blood
- By: Truman Capote
- Narrated by: Scott Brick
- Length: 14 hrs and 27 mins
- Unabridged
-
Overall
-
Performance
-
Story
On November 15, 1959, in the small town of Holcomb, Kansas, four members of the Clutter family were savagely murdered by blasts from a shotgun held a few inches from their faces. There was no apparent motive for the crime, and there were almost no clues.
-
-
Still the Best
- By Lisa on 01-10-06
By: Truman Capote
-
Other Voices, Other Rooms
- By: Truman Capote
- Narrated by: Cody Roberts
- Length: 6 hrs and 29 mins
- Unabridged
-
Overall
-
Performance
-
Story
At the age of 12, Joel Knox is summoned to meet the father who abandoned him at birth. But when Joel arrives at the decaying mansion in Skully's Landing, his father is nowhere in sight. What he finds instead is a sullen stepmother who delights in killing birds; an uncle with the face - and heart - of a debauched child; and a fearsome little girl named Idabel who may offer him the closest thing he has ever known to love.
-
-
Capote’s coming of age story
- By Daniel Diffin on 11-08-23
By: Truman Capote
-
The Early Stories of Truman Capote
- By: Truman Capote, Hilton Als - foreword
- Narrated by: Scott Brick, Nancy Linari, Sarah Scott
- Length: 3 hrs and 44 mins
- Unabridged
-
Overall
-
Performance
-
Story
Recently rediscovered in the archives of the New York Public Library, these short stories provide an unparalleled look at Truman Capote writing in his teens and early twenties, before he penned such classics as Other Voices, Other Rooms, Breakfast at Tiffany’s, and In Cold Blood. This collection of more than a dozen pieces showcases the young Capote developing the unique voice and sensibility that would make him one of the twentieth century’s most original writers.
-
-
Stories From A Young Capote
- By Sara on 04-29-16
By: Truman Capote, and others
-
Wuthering Heights
- Penguin Classics
- By: Emily Brontë
- Narrated by: Aimee Lou Wood, Kristin Atherton - introduction
- Length: 13 hrs and 58 mins
- Unabridged
-
Overall
-
Performance
-
Story
Lockwood, the new tenant of Thrushcross Grange on the bleak Yorkshire moors, is forced to seek shelter one night at Wuthering Heights, the home of his landlord. There he discovers the history of the tempestuous events that took place years before: of the intense passion between the foundling Heathcliff and Catherine Earnshaw, and her betrayal of him. As Heathcliff's bitterness and vengeance is visited upon the next generation, their innocent heirs must struggle to escape the legacy of the past.
-
-
Its Wonderful
- By novena valentine on 09-05-23
By: Emily Brontë
-
Slaughterhouse-Five
- By: Kurt Vonnegut
- Narrated by: James Franco
- Length: 5 hrs and 13 mins
- Unabridged
-
Overall
-
Performance
-
Story
Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).
-
-
Don't Quit Your Daytime Job, James
- By Keith on 11-20-15
By: Kurt Vonnegut
-
The Sun Also Rises
- By: Ernest Hemingway, Colm Toibin
- Narrated by: William Hurt
- Length: 7 hrs and 46 mins
- Unabridged
-
Overall
-
Performance
-
Story
A poignant look at the disillusionment and angst of the post-World War I generation, The Sun Also Rises introduces two of Hemingway’s most unforgettable characters: Jake Barnes and Lady Brett Ashley. The story follows the flamboyant Brett and the hapless Jake as they journey from the wild nightlife of 1920s Paris to the brutal bullfighting rings of Spain with a motley group of expatriates. In his first great literary masterpiece, Hemingway portrays an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions.
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Great actor, terrible reader, kills classic
- By Kerry on 09-14-14
By: Ernest Hemingway, and others
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The Great Gatsby
- By: F. Scott Fitzgerald
- Narrated by: Jake Gyllenhaal
- Length: 4 hrs and 49 mins
- Unabridged
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Overall
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Performance
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Story
F. Scott Fitzgerald’s classic American novel of the Roaring Twenties is beloved by generations of readers and stands as his crowning work. This new audio edition, authorized by the Fitzgerald estate, is narrated by Oscar-nominated actor Jake Gyllenhaal (Brokeback Mountain). Gyllenhaal's performance is a faithful delivery in the voice of Nick Carraway, the Midwesterner turned New York bond salesman, who rents a small house next door to the mysterious millionaire Jay Gatsby....
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Simple, Beautiful, and Exquisitely Textured
- By Darwin8u on 04-09-13
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Sense and Sensibility
- By: Jane Austen
- Narrated by: Juliet Stevenson
- Length: 12 hrs and 43 mins
- Unabridged
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Overall
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Performance
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Story
When Mrs. Dashwood is forced by an avaricious daughter-in-law to leave the family home in Sussex, she takes her three daughters to live in a modest cottage in Devon. For Elinor, the eldest daughter, the move means a painful separation from the man she loves, but her sister Marianne finds in Devon the romance and excitement which she longs for.
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Superb - Justice to Jane Austen and Emma Thompson
- By Jo on 11-19-06
By: Jane Austen
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The Talented Mr. Ripley
- By: Patricia Highsmith
- Narrated by: Kevin Kenerly
- Length: 9 hrs and 35 mins
- Unabridged
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Overall
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Performance
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Story
In this first novel, we are introduced to suave, handsome Tom Ripley: a young striver, newly arrived in the heady world of Manhattan in the 1950s. A product of a broken home, branded a "sissy" by his dismissive Aunt Dottie, Ripley becomes enamored of the moneyed world of his new friend, Dickie Greenleaf. This fondness turns obsessive when Ripley is sent to Italy to bring back his libertine pal, but he grows enraged by Dickie's ambivalent feelings for Marge, a charming American dilettante.
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Patricia, Phil, and Pathology
- By Mel on 04-24-13
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Nine Parts of Desire
- The Hidden World of Islamic Women
- By: Geraldine Brooks
- Narrated by: Geraldine Brooks
- Length: 10 hrs and 13 mins
- Unabridged
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Overall
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Performance
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Story
Nine Parts of Desire: The Hidden World of Islamic Women is the story of Brooks’ intrepid journey toward an understanding of the women behind the veils, and of the often contradictory political, religious, and cultural forces that shape their lives. In fundamentalist Iran, Brooks finagles an invitation to tea with the ayatollah’s widow—and discovers that Mrs. Khomeini dyes her hair.
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Auto-ethnography and good research
- By Verna on 09-26-13
By: Geraldine Brooks
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Pet Sematary
- By: Stephen King
- Narrated by: Michael C. Hall
- Length: 15 hrs and 41 mins
- Unabridged
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Overall
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Performance
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Story
When Dr. Louis Creed takes a new job and moves his family to the idyllic, rural town of Ludlow, Maine, this new beginning seems too good to be true. Yet despite Ludlow's tranquility, there's an undercurrent of danger that lingers...like the graveyard in the woods near the Creeds' home, where generations of children have buried their beloved pets.
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THIS is what Audible was made for!
- By Nate_D on 04-03-18
By: Stephen King
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The Death of Ivan Ilyich
- By: Leo Tolstoy
- Narrated by: Simon Prebble
- Length: 2 hrs and 35 mins
- Unabridged
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Overall
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Performance
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Story
Hailed as one of the world’s masterpieces of psychological realism, The Death of Ivan Ilyich is the story of a worldly careerist, a high-court judge who has never given the inevitability of his death so much as a passing thought. But one day death announces itself to him, and to his shocked surprise he is brought face-to-face with his own mortality. How, Tolstoy asks, does an unreflective man confront his one and only moment of truth?
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Elegant, simple, and true
- By Alexandria on 09-22-13
By: Leo Tolstoy
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The Bell Jar
- By: Sylvia Plath
- Narrated by: Maggie Gyllenhaal
- Length: 7 hrs and 24 mins
- Unabridged
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Overall
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Performance
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Story
The Bell Jar chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful but slowly going under - maybe for the last time. Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made The Bell Jar a haunting American classic.
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A must-read for every woman
- By Julie W. Capell on 05-06-16
By: Sylvia Plath
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Rules of Civility
- A Novel
- By: Amor Towles
- Narrated by: Rebecca Lowman
- Length: 12 hrs and 4 mins
- Unabridged
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Overall
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Performance
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Story
On the last night of 1937, 25-year-old Katey Kontent is in a second-rate Greenwich Village jazz bar when Tinker Grey, a handsome banker, happens to sit down at the neighboring table. This chance encounter and its startling consequences propel Katey on a year-long journey into the upper echelons of New York society - where she will have little to rely upon other than a bracing wit and her own brand of cool nerve.
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Bright Young Things in a Dark World
- By Michele Kellett on 08-13-12
By: Amor Towles
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Gone with the Wind
- By: Margaret Mitchell
- Narrated by: Linda Stephens
- Length: 49 hrs and 2 mins
- Unabridged
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Overall
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Performance
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Story
Winner of the Pulitzer Prize for Literature, Margaret Mitchell's great novel of the South is one of the most popular books ever written. Within six months of its publication in 1936, Gone With the Wind had sold a million copies. To date, it has been translated into 25 languages, and more than 28 million copies have been sold. Here are the characters that have become symbols of passion and desire....
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not to miss audible experience
- By dallas on 12-08-09
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The Fall
- By: Albert Camus
- Narrated by: Edoardo Ballerini
- Length: 3 hrs and 5 mins
- Unabridged
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Overall
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Performance
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Story
Elegantly styled, Camus' profoundly disturbing novel of a Parisian lawyer's confessions is a searing study of modern amorality.
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Wow Wow Wow
- By Lauren C on 07-14-21
By: Albert Camus
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The Grapes of Wrath
- By: John Steinbeck, Robert DeMott
- Narrated by: Dylan Baker
- Length: 21 hrs and 1 min
- Unabridged
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Overall
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Performance
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Story
Shocking and controversial when it was first published in 1939, Steinbeck's Pulitzer prize-winning epic The Grapes of Wrath remains his undisputed masterpiece. Set against the background of Dust Bowl Oklahoma and Californian migrant life, it tells of Tom Joad and his family, who, like thousands of others, are forced to travel west in search of the promised land. Their story is one of false hopes, thwarted desires, and broken dreams, yet out of their suffering Steinbeck created a drama that is intensely human, yet majestic in its scale and moral vision.
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Wish I could give it 10 stars!
- By P. Minor on 07-18-14
By: John Steinbeck, and others
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His Dark Materials: Once upon a Time in the North
- By: Philip Pullman
- Narrated by: David Harewood
- Length: 2 hrs and 23 mins
- Unabridged
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Overall
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Performance
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Story
In this prequel episode from Philip Pullman's His Dark Materials universe, Lee Scoresby—Texan aeronaut and future friend to Lyra Belacqua—is just 24 years old, and he's recently won his hot-air balloon in a poker game. He finds himself floating North to the windswept Arctic island of Novy Odense, where he and his hare daemon Hester are quickly tangled in a deadly plot involving an oil magnate, a corrupt mayoral candidate, and Lee's longtime nemesis from the Dakota Country, a hired killer with at least twenty murders to his name.
By: Philip Pullman
Editorial reviews
Editors Select, February 2014 - Although very familiar with the iconic film, I'd never actually read the novella Breakfast at Tiffany's by Truman Capote. When I heard that actor Michael C. Hall (Six Feet Under) was narrating it for Audible, I jumped at the chance to listen. Capote's classic is simultaneously darker and more wistful than the film, and the famed Holly Golightly a little more calculating than charming. Michael C. Hall delivers a mesmerizing performance, giving each character their own unique voice. Hall's cadence perfectly matches Capote's words, and he forced me into my own whirlwind friendship with Holly. I'd never before experienced a narrator who seemed to so completely understand an author's intentions – the effect was magical. —Katie, Audible Editor
Publisher's summary
Golden Globe-winning actor Michael C. Hall (Six Feet Under) performs Truman Capote's provocative, naturalistic masterstroke about a young writer's charmed fascination with his unorthodox neighbor, the "American geisha" Holly Golightly. Holly - a World War II-era society girl in her late teens - survives via socialization, attending parties and restaurants with men from the wealthy upper class who also provide her with money and expensive gifts. Over the course of the novella, the seemingly shallow Holly slowly opens up to the curious protagonist, who eventually gets tossed away as her deepening character emerges.
Breakfast at Tiffany's, Truman Capote's most beloved work of fiction, introduced an independent and complex character who challenged audiences, revived Audrey Hepburn's flagging career in the 1961 film version, and whose name and style has remained in the national idiom since publication. Hall uses his diligent attention to character to bring our unnamed narrator’s emotional vulnerability to the forefront of this American classic.
Critic reviews
"[Michael C. Hall] uses his diligent attention to character to bring our unnamed narrator's emotional vulnerability to the forefront of this American classic.... I felt content and comfortable in Hall's hands as the tale unfolded. He did a wonderful job giving each character voice, especially that of Holly." (Caffeinated Book Reviewer)
Featured Article: Audible Essentials—The Top 100 Screen Adaptations of All Time
As the category of great page-to-screen storytelling continues to grow, we scoured our libraries, grilled audiophiles and cinephiles, and vetted the entire Audible catalog for the 100 greatest screen adaptations for watchers and listeners alike. These are the stories that inspired some of the greatest on-screen stories of all time, from Academy Award winners and cult classics to must-see TV. They're well worth the price of admission.
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Other Voices, Other Rooms
- By: Truman Capote
- Narrated by: Cody Roberts
- Length: 6 hrs and 29 mins
- Unabridged
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Overall
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Performance
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Story
At the age of 12, Joel Knox is summoned to meet the father who abandoned him at birth. But when Joel arrives at the decaying mansion in Skully's Landing, his father is nowhere in sight. What he finds instead is a sullen stepmother who delights in killing birds; an uncle with the face - and heart - of a debauched child; and a fearsome little girl named Idabel who may offer him the closest thing he has ever known to love.
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Capote’s coming of age story
- By Daniel Diffin on 11-08-23
By: Truman Capote
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The Blind Assassin
- By: Margaret Atwood
- Narrated by: Margot Dionne
- Length: 18 hrs and 27 mins
- Unabridged
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Overall
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Performance
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Story
For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious. The novel opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental.
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Good book, TERRIBLE audio!
- By Whitney on 04-27-09
By: Margaret Atwood
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The Saturdays
- By: Elizabeth Enright
- Narrated by: Pamela Dillman
- Length: 4 hrs and 7 mins
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Overall
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Performance
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The four Melendy children live with their father and Cuffy, their beloved housekeeper, in a worn but comfortable brownstone in New York City. There's thirteen-year-old Mona, who has decided to become an actress; twelve-year-old mischievous Rush; ten-year-old Randy who loves to dance and paint; and thoughtful Oliver, who is just six-years-old.
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Excellent for children and adults
- By Dale on 05-15-04
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Children Playing Before a Statue of Hercules (Unabridged Selections)
- By: Edited by David Sedaris
- Narrated by: David Sedaris, Mary-Louise Parker, Cherry Jones
- Length: 2 hrs and 54 mins
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Overall
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Performance
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Story
Children Playing Before a Statue of Hercules is a collection of short stories, some classic, others impending, selected and introduced by David Sedaris.
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Great stories but only 5 of 17 are included
- By Terri Kirk on 07-13-12
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Tar Baby
- By: Toni Morrison
- Narrated by: Desiree Coleman
- Length: 11 hrs and 26 mins
- Unabridged
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Overall
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Performance
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Story
Jadine Childs is a Black fashion model with a white patron, a white boyfriend, and a coat made out of ninety perfect sealskins. Son is a Black fugitive who embodies everything she loathes and desires. As Morrison follows their affair, which plays out from the Caribbean to Manhattan and the deep South, she charts all the nuances of obligation and betrayal between Blacks and whites, masters and servants, and men and women.
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So good that I'm writing my first Audible review!
- By BL on 12-10-11
By: Toni Morrison
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Oldest Living Confederate Widow Tells All
- By: Allan Gurganus
- Narrated by: Barbara McCulloh
- Length: 49 hrs and 54 mins
- Unabridged
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Overall
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Performance
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Story
Allan Gurganus's Oldest Living Confederate Widow Tells All became an instant classic upon its publication. Critics and fans alike fell in love with the voice of 99-year-old Confederate widow Lucy Marsden, one of the most entertaining and loquacious heroines in American literature. Lucy married at the turn of the 20th century, when she was 15 and her husband was 50. If Colonel William Marsden was a veteran of the "War for Southern Independence", Lucy became a "veteran of the veteran" with a unique perspective on Southern history and Southern manhood.
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Dated.
- By edie butler on 04-06-21
By: Allan Gurganus
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Other Voices, Other Rooms
- By: Truman Capote
- Narrated by: Cody Roberts
- Length: 6 hrs and 29 mins
- Unabridged
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Overall
-
Performance
-
Story
At the age of 12, Joel Knox is summoned to meet the father who abandoned him at birth. But when Joel arrives at the decaying mansion in Skully's Landing, his father is nowhere in sight. What he finds instead is a sullen stepmother who delights in killing birds; an uncle with the face - and heart - of a debauched child; and a fearsome little girl named Idabel who may offer him the closest thing he has ever known to love.
-
-
Capote’s coming of age story
- By Daniel Diffin on 11-08-23
By: Truman Capote
-
The Blind Assassin
- By: Margaret Atwood
- Narrated by: Margot Dionne
- Length: 18 hrs and 27 mins
- Unabridged
-
Overall
-
Performance
-
Story
For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious. The novel opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental.
-
-
Good book, TERRIBLE audio!
- By Whitney on 04-27-09
By: Margaret Atwood
-
The Saturdays
- By: Elizabeth Enright
- Narrated by: Pamela Dillman
- Length: 4 hrs and 7 mins
- Unabridged
-
Overall
-
Performance
-
Story
The four Melendy children live with their father and Cuffy, their beloved housekeeper, in a worn but comfortable brownstone in New York City. There's thirteen-year-old Mona, who has decided to become an actress; twelve-year-old mischievous Rush; ten-year-old Randy who loves to dance and paint; and thoughtful Oliver, who is just six-years-old.
-
-
Excellent for children and adults
- By Dale on 05-15-04
-
Children Playing Before a Statue of Hercules (Unabridged Selections)
- By: Edited by David Sedaris
- Narrated by: David Sedaris, Mary-Louise Parker, Cherry Jones
- Length: 2 hrs and 54 mins
- Unabridged
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Overall
-
Performance
-
Story
Children Playing Before a Statue of Hercules is a collection of short stories, some classic, others impending, selected and introduced by David Sedaris.
-
-
Great stories but only 5 of 17 are included
- By Terri Kirk on 07-13-12
-
Tar Baby
- By: Toni Morrison
- Narrated by: Desiree Coleman
- Length: 11 hrs and 26 mins
- Unabridged
-
Overall
-
Performance
-
Story
Jadine Childs is a Black fashion model with a white patron, a white boyfriend, and a coat made out of ninety perfect sealskins. Son is a Black fugitive who embodies everything she loathes and desires. As Morrison follows their affair, which plays out from the Caribbean to Manhattan and the deep South, she charts all the nuances of obligation and betrayal between Blacks and whites, masters and servants, and men and women.
-
-
So good that I'm writing my first Audible review!
- By BL on 12-10-11
By: Toni Morrison
-
Oldest Living Confederate Widow Tells All
- By: Allan Gurganus
- Narrated by: Barbara McCulloh
- Length: 49 hrs and 54 mins
- Unabridged
-
Overall
-
Performance
-
Story
Allan Gurganus's Oldest Living Confederate Widow Tells All became an instant classic upon its publication. Critics and fans alike fell in love with the voice of 99-year-old Confederate widow Lucy Marsden, one of the most entertaining and loquacious heroines in American literature. Lucy married at the turn of the 20th century, when she was 15 and her husband was 50. If Colonel William Marsden was a veteran of the "War for Southern Independence", Lucy became a "veteran of the veteran" with a unique perspective on Southern history and Southern manhood.
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Dated.
- By edie butler on 04-06-21
By: Allan Gurganus
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The Confessions of Max Tivoli
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- Narrated by: Brian Keeler
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Max Tivoli is uniquely cursed. His mind ages normally, but he is born with the withered body of a 70-year-old man, and his body ages in reverse. Despite this torment, Max manages three times to cross paths with Alice, the woman who captures his heart. Because he appears to be a different person each time they meet, Max has three chances for true love.
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odd premise, but it works!
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Caramelo
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Lala Reyes’ grandmother is descended from a family of renowned rebozo, or shawl-makers. The striped (caramelo) is the most beautiful of all, and the one that makes its way, like the family history it has come to represent, into Lala’s possession. The novel opens with the Reyes’ annual car trip - a caravan overflowing with children, laughter, and quarrels - from Chicago to “the other side”, Mexico City. It is there, each year, that Lala hears her family’s stories, separating the truth from the “healthy lies” that have ricocheted from one generation to the next.
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Love, family, history, and fantasy, Caramelo
- By Michele on 08-07-20
By: Sandra Cisneros
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Miss Lonelyhearts
- By: Nathanael West
- Narrated by: L. J. Ganser, Kevin Pariseau
- Length: 2 hrs and 59 mins
- Unabridged
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Miss Lonelyhearts is an unnamed male newspaper columnist writing an advice column, which is viewed by the newspaper as a joke. As "Miss Lonelyhearts" reads letters from desperate New Yorkers, he feels terribly burdened and falls into a cycle of deep depression, accompanied by heavy drinking and occasional barfights. The novel is essentially a black comedy and is characterized by an extremely dark but clever sense of humor and irony.
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Charged with Meaning, and Far Leftist Leaning
- By W Perry Hall on 01-27-16
By: Nathanael West
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Sula
- By: Toni Morrison
- Narrated by: Toni Morrison
- Length: 5 hrs and 46 mins
- Unabridged
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Nel and Sula's devotion is fierce enough to withstand bullies and the burden of a dreadful secret. It endures even after Nel has grown up to be a pillar of the black community and Sula has become a pariah. But their friendship ends in an unforgivable betrayal—or does it end? Terrifying, comic, ribald and tragic, Sula is a work that overflows with life.
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Good against evil and a riotous story to boot
- By Karen on 04-11-11
By: Toni Morrison
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Mr. Fox
- A Novel
- By: Helen Oyeyemi
- Narrated by: Carol Boyd
- Length: 8 hrs and 15 mins
- Unabridged
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Fairy-tale romances end with a wedding and the fairy tales don't get complicated. In this book, celebrated writer Mr. Fox can't stop himself from killing off the heroines of his novels, and neither can his wife, Daphne. It's not until Mary, his muse, comes to life and transforms him from author into subject that his story begins to unfold differently....
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A Great Novel, just Poor for Audio
- By James A. Dittes on 08-13-16
By: Helen Oyeyemi
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The Bell Jar
- By: Sylvia Plath
- Narrated by: Maggie Gyllenhaal
- Length: 7 hrs and 24 mins
- Unabridged
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The Bell Jar chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful but slowly going under - maybe for the last time. Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made The Bell Jar a haunting American classic.
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A must-read for every woman
- By Julie W. Capell on 05-06-16
By: Sylvia Plath
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The Collected Stories of Eudora Welty
- By: Eudora Welty
- Narrated by: Barbara Rosenblat, Jessica Almasy, Victor Bevine, and others
- Length: 32 hrs and 18 mins
- Unabridged
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This complete collection includes all of the published stories of Eudora Welty. There are 41 stories in all, including those in the earlier collections A Curtain of Green, The Wide Net, The Golden Apples, and The Bride of the Innisfallen, as well as previously uncollected stories.
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Too Good For Audio
- By Yennta on 06-18-12
By: Eudora Welty
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East of the Sun
- By: Julia Gregson
- Narrated by: Tania Rodrigues
- Length: 19 hrs and 36 mins
- Unabridged
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Autumn 1928. Three young women are on their way to India, each with a new life in mind. Rose, a beautiful but naive bride-to-be, is anxious about leaving her family and marrying a man she hardly knows. Victoria, her bridesmaid couldn't be happier to get away from her overbearing mother, and is determined to find herself a husband. And Viva, their inexperienced chaperone, is in search of the India of her childhood, ghosts from the past and freedom.
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Indian history takes a back seat to 3 young women
- By Richard on 05-24-16
By: Julia Gregson
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The Visiting Privilege
- New and Collected Stories
- By: Joy Williams
- Narrated by: Richard Powers, Emily Woo Zeller, Elisabeth Rodgers, and others
- Length: 20 hrs and 30 mins
- Unabridged
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Joy Williams has been celebrated as a master of the short story for four decades, her renown passing from one generation to the next even in the shifting landscape of contemporary writing. And at long last the incredible scope of her singular achievement is put on display: 33 stories drawn from three much-lauded collections and another 13 appearing here for the first time in book form.
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I sure tried.
- By A.C. CALLOWAY on 01-28-24
By: Joy Williams
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The Plague of Doves
- By: Louise Erdrich
- Narrated by: Peter Francis James, Kathleen McInerney
- Length: 11 hrs and 3 mins
- Unabridged
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The unsolved murder of a farm family haunts the small, white, off-reservation town of Pluto, North Dakota. The vengeance exacted for this crime and the subsequent distortions of truth transform the lives of Ojibwe living on the nearby reservation and shape the passions of both communities for the next generation.
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Avoid this Plague
- By Andre on 05-16-08
By: Louise Erdrich
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Fragile Things
- By: Neil Gaiman
- Narrated by: Neil Gaiman
- Length: 10 hrs and 47 mins
- Unabridged
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Marvelous creations, including a short story set in the world of The Matrix and others set in the worlds of gothic fiction and children's fiction, can be found in this extraordinary collection, which showcases Gaiman's storytelling brilliance as well as his entertaining (and dark) sense of humor.
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Perhaps a different format?
- By Karen on 11-03-10
By: Neil Gaiman
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Cannery Row
- By: John Steinbeck
- Narrated by: Jerry Farden
- Length: 5 hrs and 59 mins
- Unabridged
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Published in 1945, Cannery Row focuses on the acceptance of life as it is: both the exuberance of community and the loneliness of the individual. Drawing on his memories of the real inhabitants of Monterey, California, Steinbeck interweaves the stories of Doc, Henri, Mack and his boys, and the other characters in this world where only the fittest survive, to create a novel that is at once one of his most humorous and most poignant works.
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Five stars with a Caveat
- By Bette on 04-23-12
By: John Steinbeck
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On November 15, 1959, in the small town of Holcomb, Kansas, four members of the Clutter family were savagely murdered by blasts from a shotgun held a few inches from their faces. There was no apparent motive for the crime, and there were almost no clues.
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Set on the outskirts of a small Southern town, The Grass Harp tells the story of three endearing misfits - an orphaned boy and two whimsical old ladies - who one day take up residence in a tree house. As they pass sweet yet hazardous hours in a china tree, The Grass Harp manages to convey all the pleasures and responsibilities of freedom. But most of all it teaches us about the sacredness of love, “that love is a chain of love, as nature is a chain of life.”
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too short
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Capote's Women
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New York Times bestselling author Laurence Leamer reveals the complex web of relationships and scandalous true stories behind Truman Capote's never-published final novel, Answered Prayers—the dark secrets, tragic glamour, and Capote's ultimate betrayal of the group of female friends he called his "swans."
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You need to know a bit about the players
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First published in 1988 - just four years after Capote's death - Clarke paints a vivid behind-the-scenes picture of the author's life, based on hundreds of hours of in-depth interviews with the man himself and the people close to him. From the glittering heights of notoriety and parties with the rich and famous to his later struggles with addiction, Capote emerges as a richly multidimensional person - both brilliant and flawed.
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the brightest stars can self destruct
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Reckless Hearts (Short Story)
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Spain, 1959. Slim Hawks Hayward likes to think she doesn’t get jealous. But when her dear friend Lauren “Betty” Bacall learns that Papa Hemingway has come to watch the bullfights and insists that Slim make introductions, she can’t help feeling protective. Slim has known Papa for years. He always makes her feel like the most beautiful woman in the room—even when his wife is standing right beside him. Truth be told, Slim could have learned to love him all those years ago, in the streets of Havana or the mountains of the American West.
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Slim tale
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Deliberate Cruelty
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When Ann Woodward shot her husband, banking heir Billy Woodward, in the middle of the night in 1955, her life changed forever. Though she claimed she thought he was a prowler, few believed the woman who had risen from charismatic showgirl to popular socialite. Everyone had something to say about the scorching scandal afflicting one of the most rich and famous families of New York City, but no one was more obsessed with the tale than Truman Capote.
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offensive narration
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The Lost Dinosaurs of Egypt
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Masterfully tying together history, science, and human drama, The Lost Dinosaurs of Egypt is the gripping account of two of the 20th century's great expeditions of discovery. In 1911 a German paleontologist found the remains of four entirely new dinosaurs in the Egyptian desert, but in a single night, all of his work was destroyed. Eighty-nine years later, an American grad student leads an expedition to unearth Stromer's dinosaur graveyard, and in doing so, he stuns the scientific world.
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Both my 4 year old son & I enjoyed this book!
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A Room with a View
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In this rich new audio production, acclaimed British American actress Rebecca Hall brings one of E. M. Forster's most admired works to life in this classic tale of human struggle. A charming young Englishwoman, Lucy Honeychurch, is wooed by both free-spirited George Emerson and wealthy Cecil Vyse while vacationing in Italy. Though attracted to George, Lucy becomes engaged to Cecil despite twice turning down his proposals. On hearing of the news, George confesses his love, leaving Lucy torn between marrying the more socially acceptable Cecil or George, the man she knows would bring her true happiness. Should Lucy choose social acceptance or true love?
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Life Stories
- Profiles from The New Yorker
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One of art's purest challenges is to translate a human being into words. The New Yorker magazine has met this challenge more often and more successfully than any other modern American journal. Starting with its light fantastic evocations of the glamorous and the idiosyncratic in the '20s and continuing to the present, with complex pictures of such contemporaries as Marlon Brando and Richard Pryor, The New Yorker's Profiles have presented readers with a vast and brilliant portrait gallery.
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Exceptional writing makes this a fascinating read
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By: Truman Capote, and others
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Such Good Friends
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On a Thursday morning in May 1961, a well-mannered twenty-one-year-old named Marlene enters the Fifth Avenue apartment of Lee Radziwill to interview for the position of housekeeper and cook. The stylish wife of London-based Prince Stanislaw Radziwill, Princess Lee is intelligent and creative, with ambitions beyond simply jet-setting. But to the public, she is always First Lady Jackie Kennedy's little sister. As Marlene becomes a trusted presence in the Radziwill household, she observes the dazzling array of famous figures who flit in and out of Lee’s intimate circle
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Too Much Servant, Not Enough Truman and Lee
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Tiny Terror
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What has received little attention is Capote's last, unfinished book, Answered Prayers, a merciless skewering of cafe society and the high-class women Capote called his "swans." When excerpts appeared he was immediately blacklisted, ruined socially, labeled a pariah. Capote recoiled - disgraced, depressed, and all but friendless. In Tiny Terror Schultz sheds light on the life and works of Capote and answers the perplexing mystery - why did Capote write a book that would destroy him?
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Absolutely AWFUL psycho babble
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Lethal Defense
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Attorney Nate Shepherd left a big firm to go out on his own. He sees nothing but opportunity when an out-of-town lawyer wants to hire him as local counsel on a high-profile murder case. Though his family worries that the case hits too close to home, Nate joins the defense team. When circumstances force him to take on a bigger role, Nate ignores his family’s fears and throws himself into his client’s defense.
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Outstanding legal thriller
- By Wayne on 04-07-21
By: Michael Stagg
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Dirty Laundry
- By: Mathilde Dratwa
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- Original Recording
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A woman (Alison Pill) finds herself grappling with both grief and anger following the sudden death of her mother and the shocking revelation of her father’s infidelity. Her father (Reed Birney), on the other hand, is just trying his best to verbalize his own complicated feelings about love, loss, lust…and household chores. And the other woman (Marsha Mason) simply wonders: Is she still “the other woman” when the original woman is gone?
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Surprising touching
- By ssupahan on 04-16-23
By: Mathilde Dratwa
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The Jane Austen Collection
- An Audible Original Drama
- By: Jane Austen
- Narrated by: Claire Foy, Gugu Mbatha-Raw, Billie Piper, and others
- Length: 45 hrs
- Unabridged
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Renowned as much for her wit and satirical social commentary as for her stories of love and romance, Jane Austen remains unfailingly relevant and one of Britain’s best loved authors. In this Audible Original collection, an all-star list of narrators (Billie Piper, Claire Foy, Emma Thompson, Florence Pugh and Gugu Mbatha-Raw) capture Austen’s pin-sharp humour and tone in these dramatisations of her six beloved novels accompanied by a full cast.
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Not a faithful rendition
- By Anne McClain on 12-13-20
By: Jane Austen
What listeners say about Breakfast at Tiffany's
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- W Perry Hall
- 02-12-14
"Better to look at the sky than live there"
First, Michael C. Hall did an excellent job on the narration, lending a personality and voice to each character. You always know when the narrator does a great job when you lose track of him in the characters; that is, you forget that this guy speaking is the guy on that Dexter TV show. You don't remember the narrator until the audio is near finished. I wish I could give more than 5 stars. This narration job is up there with Will Patton's best work and at times is even better.
As for the Book,
I'd always seen the commercial highlights/trailer for the movie version of "Breakfast at Tiffany's," and the phrase is even iconic of that era and place. Yet, I'd never seen the movie or read the book--until now. I didn't know what to expect besides basically the description on the audible version of the book - the basic storyline. So I know if I say too much here in the review of the couple of twists and the ending, I'll be spoiling the enjoyment of this audio for another listener.
With that in mind, Truman Capote's masterful short novel displays this young lady's complexities of character underlying the shallow facade. Some can rise above the admixture of nature and nurture and dream so much they will follow it to the ends of the earth. Holly Golightly was a dreamer extraordinaire or as Capote put it, a "lopsided romantic" whose trait of personality would never change.
A poignant line which I think captures a major theme of the novel is Holly's observation that:
"it's better to look at the sky than live there; such an empty place, so vague, just a country where the thunder goes and things disappear."
I've read somewhere that Capote ran in the same circles as Marilyn Monroe and parts of Holly Golightly are loosely based on Norma Jean's personality and her early years. I don't know if that's true, but it sounds right, based on what I know.
I must add my thoughts that an outcast sissy-boy from Monroeville, Alabama at the time (and even today) was likely extremely sensitive and keenly observant of his environment in the Big Apple and the fact that he was also a gay man from down South up in the big city probably served to further enhance his remarkable attention to details in that society at that time. The difficulties he endured in those years likely integrated into his makeup as an artist who could and would so vividly paint the outsider trying to fit in with the clouds, "an empty place," as it turns out, "where the thunder goes and things disappear."
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- John
- 10-07-16
American Geisha
Years ago, when my wife and I first dipped into AbFab, we learned that the show’s British creators were puzzled by the American reaction to what they had created. Having produced nothing short of a comic morality tale on How Not to Live, they found it was embraced here as a Guide to Good Deportment. Something got lost in translation.
I think something similar has happened to Breakfast at Tiffany’s. Some of the blame, no doubt, can be laid at the feet of the movie (if movies indeed have feet). Audrey Hepburn’s sweeter, more sympathetic portrayal of Holly and a plot substantially reworked to Hollywood sensibilities—the most outré detail retained from the book was, I believe, the Japanese photographer asking her for another session—all conspired to leave us poor slobs who had seen the movie thinking we had read the book, too.
The real Holly is, in fact, far nearer the knuckle. In a 1968 interview Capote called girls like her, “the authentic American geishas”. “She had no job, but accompanied expense-account men to the best restaurants and night clubs, with the understanding that her escort was obligated to give her some sort of gift, perhaps jewelry or a check… if she felt like it, she might take her escort home for the night.”
The movie aside, what really fogs our goggles is the desire to see what we want to see. Holly fits so neatly, it seems, into our preconceptions of the pre-1960’s universe: “she is at odds” wrote William Nance in The Worlds of Truman Capote, “with the literalistic and moralistic society”. Certainly on the strength of the movie I had no problem casting Holly as an outrider for the social upheaval that was still 20-some years in her own future (remember, the book is set in 1943-1944, making Holly, by the Summer of Love, middle-aged).
Again, something got lost in translation. And, again, reality is far more interesting. First up is something I sensed while listening and have since had confirmed by Jay McInerney (The Telegraph, August 2013): Holly was no proto-70’s feminist. While she cynically uses men, she also truly and unapologetically likes them. And, as McInerney points out, though a free spirit she would be appalled by “hippie sartorial practices”.
I also sensed that her sophistication, for all her dark glasses and little black dresses, was skin deep. She has fled from her downhome roots, true, but she’s unashamed of those roots. Rather than deny them she just leaves them as she leaves her cat, her city friendships, her apartment.
Many critics believe she is really driven by a fear of death; since they have the larger context of Capote’s complete output to judge this book against, I’m not going to argue. I’ll just volunteer the suggestion that, as I listened, I got the sense Holly was really fleeing the loss of her youth and, consequently, her looks—a sort of fear of death but not quite. It’s more a fear of loss of income (see above), hence stability. And stability is the thing she yearns for most even as she refuses to do anything to create it for herself, assuming it is something “out there” that can be found rather than made here and now with, perhaps, that nice aspiring writer who lives downstairs.
Yet for all her flippant disdain for the guardrails of convention, Holly understands that the “price of unorthodoxy” (Ihab Hassan, Birth of a Heroine) is a loss of stability. True, when it looks like her South American diplomat might come through with a ring, her sudden immersion in the routine chores of domesticity is playacting pure and simple, nothing but another parlor game. For her sincere (sincerity, that bane of the sophisticate) admission that stability, normalcy, convention might be good things we have to wait till the very end, when she admits what she’s known all along: we all should belong somewhere to someone. The scene moved one New York Times reviewer to dub Capote, “perhaps the last of the old-fashioned Valentine makers”, proving what Holly and Capote already knew, that sophistication has its mental and moral limits.
And there is a moral to this book. Once again I am reminded of the words of Oscar Wilde. Though in the preface he stoutly denied that The Picture of Dorian Grey had a moral, when the book was attacked as immoral he came out swinging: “there is a terrible moral in 'Dorian Gray' - a moral which the prurient will not be able to find in it, but it will be revealed to all whose minds are healthy.” The moral of Breakfast at Tiffany’s is perhaps a little less terrible but no less true and poignant for all that.
It goes without saying that the book itself is a gem of the writer’s craft. The man who famously said of the Beat Generation, “…they’re not writers. They’re typists” was no typist himself. Michael C. Hall does it all more than justice, giving each character a unique voice and letting the writing—its shape and cadences—speak for itself.
Note: Many thanks to The Critical Evolution of Truman Capote’s Breakfast at Tiffany’s, found at Ms. Brigitte’s Mild Ride. Among its numerous merits, this "discursive bibliography" is a storehouse of critical perspectives I would never have been able to track down on my own.
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82 people found this helpful
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- Michael
- 02-20-14
Subtle yet Extravagant
Of course I have seen the movie and loved the subtle story and Audrey Hepburn and Moon River, but I never noticed the story was written by Truman Capote. An Audible banner ad pointed this out and got me to order this short novel. It was great. Narrated wonderfully by Michael C Hall (Dexter and Six Feet Under) this novel is more enjoyable than the movie. But this is a rare case where you should see the movie first. Having Audrey Hepburn in your head while reading this is definitely not a bad thing. The writing is beautiful, with full and interesting characters and a story that is subtle yet extravagant. I have always appreciated Capote’s writing, and appreciate it even more now. This is a book I will likely come back to, and share with others.
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- FanB14
- 03-04-14
Michael C. Hall in Your Ear + Capote = Bliss
Holly was flighty, fake, fun, and completely redeeming. Superbly written story narrated by the enigmatic Michael C. Hall, at the low, low price of $4.95 made for a fantastic listen. Thank-you to Audible for courting the likes of Hall!
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- Jessica
- 02-12-14
Fantastic!
Would you listen to Breakfast at Tiffany's again? Why?
Absolutely would listen to this again. The story never gets old and Michael C. Hall's narration was perfect.
What was one of the most memorable moments of Breakfast at Tiffany's?
Too many to count...I liked the scene where Holly and "Fred" spend a Sunday drinking at the bar. I love the simplicity of the metaphor of masks used in many ways, overtly and obliquely. The stolen masks at the store, a nice metaphor for Holly's stolen identity and "Fred's" assumed identity given to him by Holly. I enjoyed the hospital scene where Holly puts on her makeup as a sort of fortification or armor to help her read the letter of dismissal from her fiance. Makeup as armor or mask of another sort.
What about Michael C. Hall’s performance did you like?
Everything. I love that he used different voices for each character, but didn't have to force it. Switching from voice to voice was smooth and not jarring in any way. His nuanced reading of the point of view character was even better than expected.
If you were to make a film of this book, what would the tag line be?
Well...there is already a pretty famous movie isn't there?
Any additional comments?
If you've read this story already, it is worth it just to hear Michael C. Hall narrate. Enjoy.
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- The Reading Date
- 02-22-14
Compelling & Nostalgic Classic
’ve never read Breakfast at Tiffany’s before this, though I saw the movie years ago. I was surprised to learn that the book is so different than the movie, and I feel like I need to watch it again now to compare. If you’ve only seen the film version of Breakfast at Tiffany’s you may be interested to read the source material behind the classic film. The tone is totally different, and there are some major plot changes.
The story centers on Holly Golightly, a flawed and flighty girl of nineteen living in New York City. She wakes up her neighbors late at night, and asks them to let her into her apartment since she always forgets her key. That’s how she meets her neighbor, the unnamed narrator of the story. Holly dubs the narrator Fred after her brother, and the two become friendly. “Fred” is a writer, and the free-spirited, dark and damaged Holly is his muse. Fred gets caught in the web of Holly’s crazy life.
Breakfast at Tiffany’s was originally published in 1958 and the slim novella packs a lot of story into its 150 or so pages. Truman Capote’s writing makes you feel like you’re the narrator getting to know Holly, and leaves you just as captivated/confused/appalled as he is. It is a complex character portrait that kept me guessing to the end.I can imagine this book was quite controversial for its day, especially in regards to the frank discussion of sexual identity, and even gay marriage.
This is his Michael C. Hall's first audiobook performance, and he really commits to the story. I think the audiobook is the perfect way to experience the book for the first time. Hall’s tone has a richness to it, and he makes each character sound distinct. Hall uses different accents and voices in his performance that help to paint a vivid picture. I preferred his male voices in the audiobook overall, but Halls’ Holly captures her quirky and complicated essence. At just under 3 hours long, this audiobook delivers a compelling, nostalgic story.
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- JD
- 02-17-14
Michael C Hall makes it even greater!
Which character – as performed by Michael C. Hall – was your favorite?
Michael C Hall's adaptation of the narrator was outstanding, but Holly is a close second. He really makes you feel like you know them
Any additional comments?
Incredibly easy to listen straight through with no break
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- Janice
- 02-23-14
Never love a wild thing
When a book has been made into an iconically famous film, and when that film is playing through your head as you listen to the book, your reactions to the book can be a bit confusing. On the one hand, the film got the story all Hollywooded up, fleshing out the narrator character to give him more to do, and adding some artificial sweetener to Holly to make her more palatable the audience. The callousness of the real Holly was a bit disconcerting with dear Audrey in my mind’s eye.
In spite of movie scenes floating through my head, I was able to appreciate the sharpness of Capote’s writing, and the enigma that is Holly Golightly who so carefully hides who she is, possibly even from herself. She expects to be taken care of but also to have things her own way, envisioning herself as a 'wild thing'. Without the Hollywood dressing Holly’s behavior is more consistent with her character, infusing the story with cynicism, poignancy and a sense of lonely inevitability. The outcome is a story much more organic than the film.
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- M. J. Christensen
- 07-05-14
A Poignant Novella
Capote's novella of Holly Golightly captures the superficial atmosphere surrounding Holly and her entourage. The narrator, probably a stand-in for Capote himself who came to New York from the Deep South, admires Holly at times, but also becomes exasperated with her. The author brings out the complexity of her character and her ability to design her own life, at least for a time, the way she would want others to view her. As the story unfolds, the readers / listeners get to know a bit of the real Holly, but by the end of the book, can only wonder what will happen to her eventually. She seems to be only able to face life by ignoring parts of herself. This thin novella has quite a different tone than the 1961 movie with Audrey Hepburn. The movie made Holly a much more sympathetic character. I really prefer the novel's character - she seems more human.
Michael C. Hall's narration was excellent. He brought out the vulnerability and hesitancy of the narrator in the story, called "Fred" by Holly and his voicing of all the characters was very good.
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- Wayne
- 12-01-17
It is not for me!
Let's face it, if this novella were rewritten to make it 200% more interesting, it would still be totally inane garbage.
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