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Zero K
- Narrated by: Thomas Sadoski
- Length: 7 hrs and 48 mins
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Publisher's summary
The wisest, richest, funniest, and most moving novel in years from Don DeLillo, one of the great American novelists of our time - an ode to language, at the heart of our humanity, a meditation on death, and an embrace of life.
Jeffrey Lockhart's father, Ross, is a billionaire in his 60s with a younger wife, Artis Martineau, whose health is failing. Ross is the primary investor in a remote and secret compound where death is exquisitely controlled and bodies are preserved until a future time when biomedical advances and new technologies can return them to lives of transcendent promise. Jeff joins Ross and Artis at the compound to say "an uncertain farewell" to her as she surrenders her body.
"We are born without choosing to be. Should we have to die in the same manner? Isn't it a human glory to refuse to accept a certain fate?"
These are the questions that haunt the novel and its memorable characters, and it is Ross Lockhart, most particularly, who feels a deep need to enter another dimension and awake to a new world. For his son, this is indefensible. Jeff, the book's narrator, is committed to living, to experiencing "the mingled astonishments of our time, here, on Earth".
Don DeLillo's seductive, spectacularly observed, and brilliant new novel weighs the darkness of the world - terrorism, floods, fires, famine, plague - against the beauty and humanity of everyday life, love, awe, and "the intimate touch of earth and sun".
Zero K is glorious.
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Cynthia Piantedosi lives a quiet, unassuming life with her elderly father just outside of Boston. When she loses her beloved grandmother as a child, her faith takes a turn for the devout, and she begins experiencing what she describes as "spells" - moments of such intense prayer that she loses herself. Uninterested in boys and a social life, she develops a deep friendship with the parish priest, whose ideas are often seen as too provocative by his congregation but who encourages her to explore her spells.
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I enjoyed it until the last page.
- By Pam on 08-15-16
By: Roland Merullo
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77 Shadow Street
- By: Dean Koontz
- Narrated by: Peter Berkrot
- Length: 14 hrs and 9 mins
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Enter the world of the Pendleton: The original owner became a recluse - and was rumored to be more than half mad - after his wife and two children were kidnapped in 1896 and never found. The second owner suffered a worse tragedy in 1935, when his house manager murdered him, his family, and the entire live-in staff.... Craftsmen and laborers working on renovations disappear or go mad.... For years, the Pendleton is a happy place, until a bad turn comes again.... Voices in unknown languages are heard in deserted rooms....
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hit or miss
- By donna on 12-31-11
By: Dean Koontz
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Haunted Ground
- By: Erin Hart
- Narrated by: Jennifer McMahon
- Length: 12 hrs and 17 mins
- Unabridged
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When farmers cutting turf in an Irish peat bog make a grisly discovery, the perfectly intact body of a young woman with long red hair, archaeologist Cormac O'Callaghan and pathologist Nora Gavin are thrown together by their shared scientific interest in human remains. Because of the preservative effect of the bog, it is difficult to tell whether the body has lain there for two decades, two centuries, or two millennia.
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Mysteries old and mysteries new
- By Linda on 11-25-03
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A Bridge of Years
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A secluded Pacific Northwest cottage becomes a door to the past for Tom Winter, who travels back to the New York City of 1962, followed by a human killing machine that he alone must stop.
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More like an elevator
- By Jim "The Impatient" on 06-02-12
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The Color of Night
- By: David Lindsey
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Harry Strand is living a quiet life as an art dealer in Houston. But until four years ago, he was an intelligence agent for the foreign service. His nemesis was Schrade, a ruthless international criminal who arranged the "accident" that killed Harry's wife. Now Harry has met a mysterious, beautiful woman who may have critical information about Schrade. And Harry begins to bait a trap for his enemy. The more Harry learns, however, the more he feels pulled into a much deeper conspiracy.
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Excellent and intriguing!
- By Gail Kisellus on 01-15-18
By: David Lindsey
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Children of the Deterrent
- Halfhero, Book 1
- By: Ian W. Sainsbury
- Narrated by: Sam Phillips, Jaimi Barbakoff
- Length: 9 hrs and 5 mins
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The new novel by the author of the best-selling The World Walker series. 'My name is Daniel Harbin, and I'm a child of The Deterrent.' What if a superhuman turned out not to be so super...or even human? Britain's superhero, The Deterrent, was unveiled to the world in 1979 and disappeared two years later. The truth about his origins has never been revealed. The rumours about his children - those that survived - and their mysterious abilities have never been confirmed. Until now....
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Everything Backstory Until Last Few Chapters
- By Sailfish on 06-30-20
By: Ian W. Sainsbury
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Pretty Little Dead Things
- A Thomas Usher Novel
- By: Gary McMahon
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- Length: 9 hrs and 44 mins
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Thomas Usher has a terrible gift. Following a car crash in which his wife and daughter are killed, he can see the recently departed, and it's not usually a pretty sight. When he is called to investigate the violent death of the daughter of a prominent local gangster, Usher's world is torn apart once more. For the barriers between this world and the next are not as immutable as once he believed.
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good book good reader
- By Anonymous User on 12-12-20
By: Gary McMahon
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How to Find Your Way in the Dark
- The Sheldon Horowitz Series, Book 1
- By: Derek B. Miller
- Narrated by: Michael Crouch
- Length: 12 hrs and 23 mins
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Twelve-year old Sheldon Horowitz is still recovering from the tragic loss of his mother only a year ago when a suspicious traffic accident steals the life of his father near their home in rural Massachusetts. It is 1938, and Sheldon, who was in the truck, emerges from the crash an orphan hell-bent on revenge. He takes that fire with him to Hartford, where he embarks on a new life under the roof of his buttoned-up Uncle Nate.
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Absolutely wonderful story.
- By George Thomas on 12-11-21
By: Derek B. Miller
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"Imperialist lackeys and running dogs."
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At Logos College in West Texas, huge young men, vacuum-packed into shoulder pads and shiny helmets, play football with intense passion. During an uncharacteristic winning season, the perplexed and distracted running back Gary Harkness has periodic fits of nuclear glee; he is fueled and shielded by his fear of and fascination with nuclear conflict. Among oddly afflicted and recognizable players, the terminologies of football and nuclear war - the language of end zones - become interchangeable, and their meaning deteriorates as the collegiate year runs its course.
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Since the publication of his first novel 30 years ago, Don DeLillo has lived in the skin of our times. He has found a voice for the forgotten souls who haunt the fringes of our culture and for its larger-than-life real figures. The Body Artist is DeLillo's haunting and profoundly moving new novel.
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Excellent in every way
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What listeners say about Zero K
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Dan
- 10-12-16
The Great Novel
Rarely we applaud the arrival of a Great Novel. Serious and compelling. Fills one with questions. Plausible and fantastic. Terrible. Huge.
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- Scott
- 05-17-16
So Much Milage in Each Sentence
DeLillo's prose is thought-provoking to the point that you're forced to pause and internalize individual sentences throughout the story. It feels like he took an episode of the Twilight Zone and turned it into a great American novel.
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9 people found this helpful
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- Scott T. Hards
- 07-10-17
Beautiful words with no story to tell
The book swings repeatedly from the amazingly poignant and thought-provoking to the crushingly dull, with more of the latter, sadly. This is my first Don DeLillo novel, and given his celebrity, I would like to think it's far from his best. Perhaps the most annoying is how he endlessly describes mundane things that have nothing to do with what little story the book does have: how the narrator plays with items in his pocket, how a passerby on the street was dressed, etc., as if he just wants to show you his amazing ability to describe things and notice the little things in life. And he does have that skill, to be sure, but a string of such observances does not make for a compelling novel. The book also lacks any interesting characters. I found myself having no emotional attachment to anyone on these pages.
I was able to finish the book only through the skill of the narrator, Thomas Sadoski, my first encounter with him as well. His pacing and tone are near perfect. If he can boost his ability to do character voices a bit more, he'll be in the realm of the greats like Simon Vance.
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- Darwin8u
- 05-11-16
Everybody wants to own the end of the world...
"I'd never felt more human than I did when my mother lay in bed, dying. This was not the not the frailty of a man who is said to be 'only human,' subject to weakness or vulnerability. This was a wave of sadness and loss that made me understand that I was a man expanded by grief."
― Don DeLillo, Zero K
I first jumped into DeLillo's unique, hypnotic prose when I read Mao II. His prose swelled for me like a sacred mantra. There were other writers before that seduced me, that blew me away with their measured prose, or their erratic narration, but DeLillo was something else. His prose is poetic, weird, haunting, searing. Images grow and then dematerialize. He hints at the future, creates a fabric of tension, and pulls back. Each of his books seems to push towards a vision of our end. He looks at the refuse of civilization, the excesses of capitalism, "the end zone of ancient time". He is a dark worm, pushing through the dirt and the grime and the dark caverns created by our existential rot.
He is obsesses over words, descriptions, names. He is a prose prophet for a technological age. He doesn't always hit it out of the park (dare I call those Pafkos?). Many of his more recent books: Cosmopolis, Point Omega, The Body Artist didn't seem to live up to the expectations created by Mao II, White Noise, Libra, Underworld. His five novels from the Names (1982) to Underworld (1997) seems only equaled by Philip Roth's series of five novels from Operation Shylock: A Confession (1993) to The Human Stain (2000).
The last couple books DeLillo delivered seemed to be experimentations, theories, unfinished paintings that hint at the ground DeLillo loves (technology, paranoia, death, history, humanity, religion). With this novel, DeLillo seems to have perhaps not jumped up to his highest shelf. (See MII, WN, L, U), but close. This is a book that belongs next to Falling Man, End Zone, Americana*, the Names*.
I don't want to give too much of the book away, but as I read this unsettling novel, I kept on thinking of modern-day technology pharaohs. My brother and I were having a conversation the other day about how the life of a millionaire and a billionaire isn't that different. There is just so many things you can literally buy. Even when they are buying expensive shirts and pants the styles and cuts for those worth $100M and those worth $100B aren't going to be THAT different. Yes, the billionaire might own an Island instead of just a home, but ultimately, the billionaire can't live in more than one home at a time. The millionaire might be able to buy $4000 pants when you and I can only, rationally, expect to buy pants in the $40 - $140 range. However, the billionaire isn't able to just add a couple zeros to the millionaire's pants. There is no market for $40,000 pants. So, the average $B$ lives about like the average $M$, except in a couple small ways.
Death, or the desire to escape death, may be one of those places where only those with significant, GDP-sized capital, can tread. Thus those with wealth that involves 9+zeros become the modern-day pharaohs of death. They are the only ones with the capacity to fight against the dying of the light with money, medicine, and technology. Money absolutely has become their god, and perhaps in 10, 15, or 20 years their GOD might actually deliver them from death. Instead of pyramids of stone, we might see pyramids of stainless steel and ice. Frozen mummies surrounded by bytes instead of jewelry and gold, these modern-day pharaohs may one-day-soon be waited on by high-priests with PhDs in computers science; the ceremonies and rituals of religion will be replaced with a transhumanist incantations and rites.
But when our modern-day pharaoh's side-step death, what does that exactly mean as far as life? That is the territory of DeLillo. Listen to his prose prayers, and prepare yourself for salvation, death, and perhaps even eternal life.
* I'm going here by reputation not experience since I have yet to read these two.
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17 people found this helpful
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- NICHOLAS A CLARK
- 04-23-17
Bored to tears
I wanted to check out DeLillo since, in literary circles at least, he's touted as a prolific American writer. But his style just isn't for me. Esoteric, meandering, often repetitive; I found myself struggling to pay attention. Every time the narrator began a sentence with, "Define _____", I was grinding my teeth, because invariably he would opine at length about the etymology of some word or concept or other with little relevance to the story. It was...I don't know, self-indulgent.
Anyway, very disappointed.
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- CC
- 05-11-16
well done
I enjoyed the narration of this book. I had to pose from time to time and say Wow something to think about.
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3 people found this helpful
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- S. Dillon
- 06-10-16
Depressingly good
I think this doesn't measure up to earlier novels by DeLillo, but it's a very, very good book. It's still often as distantly analytical and chilled as is typical for him, but god it's sad.
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- Lisa
- 05-27-16
More Musing than Story
Any additional comments?
Just not feeling this story. The characters seem almost as cold as the title and it's hard for me to feel anything for them. For a book in which the main theme is preserving life in order to live beyond one's natural life, the author doesn't take the time to show the beauty of their lives in the first place, so that when we lose these characters to death or to the procedure, it's hard to feel any sense of loss or sadness.
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11 people found this helpful
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- Majed Ahmad
- 06-25-16
A work of art.
This is not a traditional fiction book. You will not find a clear plot, a conclusion, and character development here. The main character seemingly progresses through haphazard settings and has disconnected internal ramblings. The significance of any of it will not be put on a plate for you. You will have to see what it means for you, and it may not mean the same to everyone.
This is a book you read to appreciate moment by moment, to enjoy the senses and feelings it raises in you, and to contemplate the ideas and thoughts it provokes. If you are into that kind of thing, I think you will find this book to be the work of a genius.
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- Eric E.
- 06-17-16
Amazing prose, meandering 'story'
Don's writing reminded me of Cormac McCarthy in that almost-poetic-stream-of-consciousness vein. Beautiful phrases that coalesce in and around some heady topics.
Unfortunately, the prose isn't enough to carry the lengthy character development which is unfortunate, because I kept waiting for the plot to me. (Spoiler: it didn't)
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2 people found this helpful