First Lensman

By: E.E. Doc Smith

Narrated by: Harry Shaw

Length: 11 hrs and 5 mins

Publisher's summary

No human had ever landed on the hidden planet of Arisia. A mysterious space barrier turned back both men and ships. Then the word came to Earth; "Go to Arisia!" Samms of the Galactic Patrol went—and came back with the Lens, the strange device that gave its wearer powers no man had ever possessed before. Samms knew the price of that power would be high. But even he had no idea of the ultimate cost, and the weird destiny waiting for the First Lensman.

Book 1 of the classic Lensmen series by E.E. 'Doc' Smith.

Public Domain (P)2022 Mark Nelson

Great book

I love the series, but the voices the narrator uses don't really match the character. It might be that the voices in my head are a better fit.

Hm…

Soo… on the downside, we have two things which I can’t decide on which is worse:
One, the whole cycle is built on a strangely good vs evil, deeply intolerant religious philosophy. The good guys do good, and only good things because good, higher-level beings nudge them in that direction - the bad guys do the (only bad) things they’re doing because bad, higher-level beings manipulate them to do them. That is just garbage, sorry. Not only were there already much more open-minded and facetted (science fiction or not) stories around then - but this really disgusting slave perspective also limits any character decelopment or any real depth to the characters to near-zero. Somewhat hard to separate from that issue is the fact that 99% of the population are really just background fodder for the heroic superbeings - and no consideration that maybe every person, even a Lensman, is just one.

The other galling issue is the treatment of women. It’s almost comical how even when those elite superhumans evolve oh-so-far beyond their measly earthly roots… across space and time… still everyone wants to get married. Even at the time that must have been a peculiarly quaint perspective - even given the fact that society made life impossibly hard for women, especially if not being married, wanting to live their lifes, maybe even with a kid. I read somewhere that the author had pulled in his wife for advice on female characters… but the result then is an artwork completed under the mental duress of the societal Stockholm syndrome. And not to speak of the limitations this all puts on the potential of an interesting story.

Add to this the whole Lensmen thing. Yeah, I know, wouldn’t it be great to have the lens, an indestructible super-device ensuring complete fidelity of any wearer to a common greater goal, weeding out all spies and not-quite-good enough folks? Uh… maybe… but maybe the SS (from the time of the author) would have loved to have that type of device, too… for technological reasons, they just had to do with brainwashing and tattoos. And this isn’t a minor quibble - the whole story would completely fall apart without that. You’d immediately have all kinds of complications - like, you know, in real life!?! And this, too, limits the books. Yes, there’s a lot going on… but ultimately, nothing is really happening.

Compare to Star Trek. They also had/have heroes and villains in a fantastic future, sure… but there are moments where life intervenes, and weak humans have to come up with answers to moral questions and stand up for those answers, or not. THAT makes a hero - not some gadget. And THAT is life. And THAT is interesting.

Soo… why is this still somewhat readable (listenable) at all? I’m thinking it’s primarily because of the steady high-speed clip of the ever-expanding action - it’s just flying by, the universe. Which in turn is in the writing perfectly adapted to the original serialized publication of the stories as pulp fiction.

For some reason, I actually feel like the pure science fiction of it all is less interesting here than in the Skylark cycle. It’s just overshadowed here by the genetically engineered, merciless, neverending cult-like postulated goodness of the Lensmen.

Still a great series

I’ve been an avid fan of Edward Smith for almost 60 years. Unlike many stories I loved as a youngster I still enjoy his work. The father of Space Opera.