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Howards End

By: E M Forster
Narrated by: Edward Petherbridge
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Publisher's summary

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Howards End is the story of the liberal Schlegel sisters and their struggle to come to terms with social class and their German heritage in Edwardian England. Their lives are intertwined with those of the wealthy and pragmatic Wilcox family and their country house, Howards End, as well as the lower-middle-class Basts.

When Helen Schlegel and Paul Wilcox's brief romance ends badly the Schlegels hope to never see the Wilcoxes again. However, the family moves from their country estate, Howards End, to a flat across the road from them. When Helen befriends Leonard Bast, a man of lower status, the political and cultural differences between the families are exacerbated and brought to a fatal confrontation at Howard's End.

Considered by some to be Forster's masterpiece it is a story about social conventions, codes of conduct, and personal relationships in turn-of-the-century England.

In 1998, Howards End ranked 38th on the Modern Library's list of the 100 best English-language novels of the 20th century.

Narrator Biography

Actor, writer and artist Edward Petherbridge has long been praised for his tragic and comic roles throughout his long career with the Royal Shakespeare Company and Royal National Theatre. He has won the Olivier and London Theatre Critic's Awards and has twice been nominated for a Tony Award. His major roles on stage have included his memorable performance of Newman Noggs in Nicholas Nickleby and Malvolio in Twelfth Night. He has also performed in stage musicals such as The Woman in White and the musical version of The Importance of Being Earnest. His onscreen career has included roles on television in The Brief (2004), Midsomer Murders (2007), Land Girls (2011), Doctors (2012) and The Borgias (2011) and in films such as The Statement (2003) and Pope Joan (2009). He has narrated E. M. Forster's Where Angels Fear to Tread and Oscar Wilde's The Picture of Dorian Gray audiobooks.

Public Domain (P)2009 BBC Audiobooks Ltd
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What listeners say about Howards End

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Uncanny prescience

I was a little cautious embarking on this, having fallen asleep during the Emma Thompson movie version, but it was clear from the opening pages that I was in for a surprise - Forster's narrative and digressions fascinate endlessly. His theme of rootlessness remains highly relevant today, and he describes an England on the cusp of disaster with uncanny prescience. Leonard Bast's tragedy was amplified a million times over in the Great War just a few years after the writing as the Wilcoxes of the world plunged ahead heedless. Meditations on music and art, nature and landscape intersect with and complement the story, though it has power to move on its own as the characters shift and change in contact. Forster's style is quotable - he does not shy from taking on the big themes of life and death, art and commerce, town and country, clearly seeking a post-Christian settlement after the fashion of the age. Petherbridge's narration is sensitive and stately paced, only breaking the spell occasionally by sinking to an inaudible whisper during dialogues (inconvenient for listening while driving). This is not one to send you to sleep.

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It's all in the narration

Edward Petherbridge has exactly the Edwardian delivery that Foster needs. Can I give the narrator 10 stars? I read this book years ago but this reading that I bought on the recommendation of a friend, uncovers humor and nuances that I totally missed before. I actually lost sleep not wanting to turn if off for the night.

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1 person found this helpful