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Human Resources
- Poems
- Narrated by: Ryann Stevenson
- Length: 46 mins
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Publisher's summary
Winner of the Max Ritvo Poetry Prize, Ryann Stevenson’s Human Resources is a sobering and perceptive portrait of technology’s impact on connection and power.
Human Resources follows a woman working in the male-dominated world of AI, designing women that don’t exist. In discerning verse, she workshops the facial characteristics of a floating head named “Nia,” who her boss calls “his type”; she loses hours researching “June,” an oddly sexualized artificially intelligent oven; and she spends a whole day “trying to break” a female self-improvement bot. The speaker of Stevenson’s poems grapples with uneasiness and isolation, even as she endeavors to solve for these problems in her daily work. She attempts to harness control by eating clean, doing yoga, and searching for age-defying skin care, though she dreams “about the department / that women get reassigned to after they file / harassment complaints.” With sharp, lyrical intelligence, she imagines alternative realities where women exist not for the whims of men but for their own—where they become literal skyscrapers, towering over a world that never appreciated them.
Chilling and lucid, Human Resources challenges the minds programming our present and future to consider what serves the collective good. Something perhaps more thoughtful and human, Stevenson writes: “I want to say better.”
Critic reviews
“Ryann Stevenson’s debut collection Human Resources captures the eerie, ‘Black Mirror’ feeling that we’ve already crossed some A.I. event horizon . . . Stevenson has a deadpan human to counteract the surreality: ‘Last night was a first: I screamed out loud / when trying to scream in a dream.’ . . . We get the dialogue backward, as in Martin Amis’s novel ‘Time’s Arrow,’ in which a Nazi lives his life again from death to birth. Both a nightmare and a fantasy, this undoing. ‘I want to go back and change my answer,’ Stevenson writes—too late for that! Or, to paraphrase Kafka: Plenty of hope, but not for us.”—Elisa Gabbert, New York Times
“In Human Resources, the speaker is often isolated, even as she’s building technology that’s supposed to help connect people. Much of this isolation, the poet conveys, came from [Stevenson] being a woman in a male-dominated industry . . . By thinking about connecting with an unknown being on the other side of a screen or speaker, Stevenson addresses a kind of detachment that is a result of modern technology. And yet, by thinking of the woman’s role in a male-dominated space, she joins a sisterhood of poets who bravely capture the feeling of female isolation.”—NPR’s Morning Edition
"Here is the past without robot screens, and here is the future that we cannot but try to anticipate through them. It is memorable then, while anticipating, that the person who designs AI throughout Human Resources does not always look at her own screens but, more often, through other windows, with the 'neighbor’s TV / flashing silently, / as if he were still awake.’”—Ploughshares
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Story
Louis Holland arrives in Boston in a spring of ecological upheaval (a rash of earthquakes on the North Shore) and odd luck: the first one kills his grandmother. Louis tries to maintain his independence, but falls in love with a Harvard seismologist whose discoveries about the earthquakes' cause complicate everything.
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Compelling Story, Ridiculous Narrator
- By DianeReads on 02-28-16
By: Jonathan Franzen
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Priestdaddy
- A Memoir
- By: Patricia Lockwood
- Narrated by: Patricia Lockwood
- Length: 10 hrs and 12 mins
- Unabridged
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Overall
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Performance
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Story
Father Greg Lockwood is unlike any Catholic priest you have ever met - a man who lounges in boxer shorts, who loves action movies, and whose constant jamming on the guitar reverberates "like a whole band dying in a plane crash in 1972". His daughter is an irreverent poet who long ago left the church's country. When an unexpected crisis leads her and her husband to move back into her parents' rectory, their two worlds collide.
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Terrible narration--read, don't listen
- By Penelope on 08-06-17
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The Singing Bone
- By: Beth Hahn
- Narrated by: Hillary Huber
- Length: 13 hrs and 26 mins
- Unabridged
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Overall
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Performance
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Story
Alice and her three closest friends meet the enigmatic Jack Wyck. Enticed by his philosophy and the promise of a constant party, Alice and her friends join Mr. Wyck's small group of devoted followers. Their idyll takes an increasingly sinister turn. Mr. Wyck's grand scheme goes wrong, culminating in a night of horrific murders.
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Mixed feelings - you may love it - or not!
- By C. Vincent on 04-19-16
By: Beth Hahn
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Diamond Head
- A Novel
- By: Cecily Wong
- Narrated by: Nancy Wu, Samantha Chen, Angela Lin, and others
- Length: 12 hrs and 49 mins
- Unabridged
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Overall
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Performance
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Story
Told through the eyes of the Leongs' secret-keeping daughters and wives and spanning the Boxer Rebellion to Pearl Harbor to 1960s Hawaii, Diamond Head is a breathtakingly powerful tale of tragic love, shocking lies, poignant compromise, aching loss, heroic acts of sacrifice, and miraculous hope.
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.
- By Gina on 09-06-15
By: Cecily Wong
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The Portable Veblen
- By: Elizabeth Mckenzie
- Narrated by: Julia Gibson
- Length: 12 hrs and 43 mins
- Unabridged
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Overall
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An exuberant, one-of-a-kind novel about love and family, war and nature, new money and old values by a brilliant New Yorker contributor. The Portable Veblen is a dazzlingly original novel that's as big-hearted as it is laugh-out-loud funny. Set in and around Palo Alto amid the culture clash of new money and old (antiestablishment) values, and with the specter of our current wars looming across its words, The Portable Veblen is an unforgettable look at the way we live now.
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Not what it was cracked up to be
- By Linda on 02-03-16
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The Seas
- By: Samantha Hunt, Maggie Nelson - introduction
- Narrated by: Samantha Hunt
- Length: 4 hrs and 53 mins
- Unabridged
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Overall
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Performance
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Story
Moored in a coastal fishing town so far north that the highways only run south, the unnamed narrator of The Seas is a misfit. She's often the subject of cruel local gossip. Her father, a sailor, walked into the ocean 11 years earlier and never returned, leaving his wife and daughter to keep a forlorn vigil. Surrounded by water and beckoned by the sea, she clings to what her father once told her: that she is a mermaid.
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bizarre and interesting.
- By Sadie on 03-11-21
By: Samantha Hunt, and others
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The Visiting Privilege
- New and Collected Stories
- By: Joy Williams
- Narrated by: Richard Powers, Emily Woo Zeller, Elisabeth Rodgers, and others
- Length: 20 hrs and 30 mins
- Unabridged
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Overall
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Story
Joy Williams has been celebrated as a master of the short story for four decades, her renown passing from one generation to the next even in the shifting landscape of contemporary writing. And at long last the incredible scope of her singular achievement is put on display: 33 stories drawn from three much-lauded collections and another 13 appearing here for the first time in book form.
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I sure tried.
- By A.C. CALLOWAY on 01-28-24
By: Joy Williams
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The Poison Tree
- By: Erin Kelly
- Narrated by: Jennifer Ikeda
- Length: 11 hrs and 7 mins
- Unabridged
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Overall
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Performance
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Story
Successful journalist Erin Kelly has electrified readers and critics alike with her debut novel The Poison Tree. In this scintillating work, Karen and her daughter Alice have established a safe, happy life free from the madness of Karen’s past. But when Karen’s former lover Rex is released from prison, her old associations intrude upon the present - and threaten everything she holds dear.
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I couldn't stop listening the book.
- By Gladys on 07-29-15
By: Erin Kelly
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Marrow
- By: Tarryn Fisher
- Narrated by: Audra Pagano
- Length: 10 hrs and 7 mins
- Unabridged
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Overall
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Performance
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Story
Margo is not like other girls. She lives in a derelict neighborhood called the Bone, in a cursed house, with her cursed mother, who hasn't spoken to her in over two years. She lives her days feeling invisible. It's not until she develops a friendship with her wheelchair-bound neighbor, Judah Grant, that things begin to change. When a neighborhood girl, seven-year-old Neveah Anthony, goes missing, Judah sets out to help Margo uncover what happened to her. What Margo finds changes her, and with a new perspective on life she's determined to find evil and punish it.
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HUH?? I'm so confused LOL
- By ❤️Cyndi Marie❤️🎧Audiobook Addicts🎧 on 09-15-16
By: Tarryn Fisher
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Lie Still
- A Novel
- By: Julia Heaberlin
- Narrated by: Rebecca Gibel
- Length: 12 hrs and 1 min
- Unabridged
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Overall
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Performance
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Story
Nursing the faded scars of a long-held trauma, Emily Page and her husband, awaiting the arrival of their first child, move from New York City to the uber-wealthy Clairmont, Texas. There, Emily is swept into a world of opulent privilege and shifting loyalties. But the secrets she keeps follow her south, and with them comes the danger that her new friends can't protect her from, and her new enemies will not hesitate to use to destroy her once and for all.
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Lie Still
- By Mary K on 06-27-17
By: Julia Heaberlin
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I'll Be There
- By: Holly Goldberg Sloan
- Narrated by: Laura Jennings
- Length: 9 hrs and 28 mins
- Unabridged
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Overall
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Performance
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Story
Emily Bell believes in destiny. To her, being forced to sing a solo in the church choir - despite her average voice - is fate: because it's while she's singing that she first sees Sam. At first sight they are connected. Sam Border wishes he could escape, but there's nowhere for him to run. He and his little brother, Riddle, have spent their entire lives constantly uprooted by their unstable father. As Sam and Riddle are welcomed into the Bells' lives, they witness the warmth and protection of a family for the first time.
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Needs to be a film!
- By TreasureHunter on 06-25-16