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Kissing the Gunner’s Daughter
- Narrated by: Davina Porter
- Length: 14 hrs and 33 mins
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Downward Facing Doug
- By: Don Winslow
- Narrated by: Ed Harris
- Length: 1 hr and 8 mins
- Original Recording
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One September morning, Doug accidentally runs right into another surfer on the beach. There are rules about these things. The other guy should call Doug a jerk, Doug should say, "my bad", and they should both paddle back out and move on. Problem is, the other surfer doesn't want to move on. He wants to fight. And for once in his life, Doug wants to fight back.
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It’s always the quiet ones
- By 🔥 Phx17 🔥 on 07-21-24
By: Don Winslow
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Too Late
- Definitive Edition
- By: Colleen Hoover
- Narrated by: Ryan Gray, Maxine Mitchell, Joe Arden
- Length: 10 hrs and 19 mins
- Unabridged
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Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.
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Triggering and poor narration
- By Katherine Epperson on 07-11-23
By: Colleen Hoover
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Sherlock Holmes: The Definitive Collection
- By: Arthur Conan Doyle, Stephen Fry - introductions
- Narrated by: Stephen Fry
- Length: 71 hrs and 57 mins
- Unabridged
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Ever since he made his first appearance in A Study In Scarlet, Sherlock Holmes has enthralled and delighted millions of fans throughout the world. Now Audible is proud to present Arthur Conan Doyle's Sherlock Holmes, read by Stephen Fry. A lifelong fan of Doyle's detective fiction, Fry has narrated the definitive collection of Sherlock Holmes - four novels and four collections of short stories. And, exclusively for Audible, Stephen has written and narrated eight insightful introductions, one for each title.
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Chapter Guide!
- By Katya Rice on 05-25-18
By: Arthur Conan Doyle, and others
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Artemis
- By: Andy Weir
- Narrated by: Rosario Dawson
- Length: 8 hrs and 57 mins
- Unabridged
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Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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A ferrari with no motor
- By will on 11-18-17
By: Andy Weir
What listeners say about Kissing the Gunner’s Daughter
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Nadia&Dario
- 01-14-23
Story about murder, family tragedy and betrayal
The book is really good. The writer amazing at describing feelings, emotions and landscapes. You kind of have to listen to it when you have some mental time available as it can get confusing with all the British wording. I had to at least. Highly recommended!
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- Customer
- 08-17-12
Entertaining but predictable with rushed ending
If you could sum up Kissing the Gunner’s Daughter in three words, what would they be?
Predictable, Conventional, Procedural
What was your reaction to the ending? (No spoilers please!)
Saw it coming a mile way (that is to say, very early on in the novel). But knowing Rendell/Vine's genius, I kept telling myself throughout the whole thing: "No, no, calm yourself; she'll no doubt go a totally different path to what you're expecting." Not so. No twists were forthcoming. Also, this ending was very rushed and seemed to come out of nowhere i.e. with very little notice to the reader that Wexford was hot on the trail. Given Wexford's particular emotional attachment to one of the victims, it seems extra-odd that we're given no hints that he's started to make sense of the case. Finally, the very last few sentences cheated the reader of satisfaction over the solved mystery; we--or at least I-- need a little more. Even another paragraph would have been useful.
Which scene was your favorite?
Although I didn't care for all the drama and trauma with Wexford's daughters, I chuckled over every scene featuring one daughter's loathsome new boyfriend, and Wexford's pained reactions to him.
Did you have an extreme reaction to this book? Did it make you laugh or cry?
The above boyfriend scenes elicited audible chuckles that caused the people in nearby work stations to look over at me.
Any additional comments?
For me, this was not one of Rendell's best. Admittedly, I have always preferred her more psychologically-driven, non-procedural-heavy works (such as the ones written as Barbara Vine) but this novel stands out as a particularly mundane police procedural, with (unwelcome) emphasis on Wexford's daughter dramas thrown in as if to add "characterization." I understand why Rendell drew the parallels between his home life and the case at hand, but it was too much.
Overall, the book was entertaining enough that I'll listen to it again in the future, and I don't mind recommending it to you if you're a Rendell fan...I would just advise newcomers to Rendell/Vine to start with other of her novels, lest you get the impression that she is a conventional mystery writer who writes conventional, predictable (if well-written) detective novels. Normally, she's anything but.
As for the narrator Davina Porter, she is a solid one and I'd readily buy more books read by her. Her voice is itself modulated in tone and pleasant, and that's no small point when you consider how bad it can be to listen to an overly-breathy or too-nasal, etc. etc. narrator for several hours on end. Her forte is lower-class accents; those are great. She is good at Wexford's West Country accent, too, though sometimes distractingly inept at American accents.
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2 people found this helpful