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La Rabouilleuse
- The Black Sheep; The Two Brothers
- Narrado por: Bill Homewood
- Duración: 12 h y 8 m
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Resumen del Editor
Brothers Philippe and Joseph Bridau are completely unalike: Philippe, braggart and soldier, formerly aide-de-camp to Napoleon, is their mother Agathe's favorite; Joseph, a poor and aspiring artist, is raised in his brother's shadow. When Agathe is reduced to poverty and Philippe accrues gambling debts, the family join forces to focus their attentions on Agathe's brother, Jean-Jacques Rouget, heir to the family fortune. The struggle for his inheritance pits the family against Rouget's beautiful maid Flore ("La Rabouilleuse"), the apple of her master's eye, and her lover, the crafty and manipulative Maxence.
Will the greedy Philippe's efforts save the family, or prove to be their undoing? Will the talented Joseph achieve the acclaim he deserves in the salons of Paris? All is revealed in the thrilling and compassionate denouement of this wonderful book. Also known as The Black Sheep and The Two Brothers, La Rabouilleuse is one of the "Scenes de la vie de province" in Balzac's La Comedie humaine.
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The Unknown Masterpiece
- De: Honoré de Balzac
- Narrado por: Katie Haigh
- Duración: 1 h y 12 m
- Versión completa
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"The unknown masterpiece", or "Le chef-d'œuvre inconnu", is a story by the French author Honoré de Balzac. This short text was of tremendous importance in the world of art, for it holds a groundbreaking reflection about artistic creation: what does completion or failure mean, and how is it that technique does not guarantee either. Paul Cézanne famously said "I am Frenhofer", identifying with the old master around which the story revolves. Pablo Picasso himself was absolutely fascinated by the text, so much that he had his studio moved in the Parisian street named in the story; there, he painted his own masterpiece, Guernica.
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overpriced but an excellent book
- De T en 02-01-18
De: Honoré de Balzac
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Cousin Bette
- De: Honoré de Balzac
- Narrado por: Lucy Scott
- Duración: 16 h y 5 m
- Versión completa
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Lisbeth Fischer has lived in the shadow of her beautiful cousin Adeline for much of her life. Pampered while Lisbeth works in the fields, Adeline makes an enviable leap in status when Baron Hulot offers her his hand in marriage. Out of kindness, they bring Lisbeth to Paris, where she falls in love with the artist Wenceslas, her protege. However, when she is jilted for Adeline's daughter Hortense, her jealousy and rage exponentially intensify, and she resolves to bring the Hulot family to ruin, employing the cold seductress Valerie Marneffe as her vehicle for revenge.
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A Masterpiece!
- De Huntress of Erudition en 10-07-23
De: Honoré de Balzac
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Leaves of Grass
- The Original 1855 Edition
- De: Walt Whitman, American Renaissance Books
- Narrado por: Sam Torode
- Duración: 4 h y 40 m
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When Walt Whitman self-published "Leaves of Grass" in 1855, he rocked the literary world and forever changed the course of poetry. In subsequent editions, Whitman continued to revise and expand his poems - but none matched the raw power and immediacy of the first edition. This volume presents the 1855 "Leaves of Grass" in its entirety, unchanged, along with Ralph Waldo Emerson's famous letter to Whitman.
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A brilliant classic
- De Phil F. en 12-02-18
De: Walt Whitman, y otros
Lo que los oyentes dicen sobre La Rabouilleuse
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- Mark Mantel
- 11-27-22
Best Narrator at Audible.
Audible has many wonderful narrators from George Guidall to John Lee, but the absolute best is Bill Homewood. His accent is faultless and has even more depth and elegance than, say, Fredrick Davidson. What a treasure it would be if he did all the classics now in the voice of Cathy Dobson (who single-handedly ruins two dozen compilations that would be gems but for her voice). David Timson is great as are Jonathan Keeble, Neville Jason and Nicolas Boulton. But Bill Homewood’s voice, alone, is like beautiful music.
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- Tad Davis
- 06-23-20
Brutal poetic justice
In a way you could say I asked for it. Nobody stood over me with a ruler and said I had to read more Balzac novels or else. It was an assignment I gave myself. So when, in the first 20 minutes of La Rabouilleuse I found myself drowning in a sea of French names, I had only myself to blame. Of course, nobody stood over Balzac with a ruler either, and told him to start off this novel with exposition in the style of a telephone directory.
Fortunately the sea of names resolves quickly into a trio of characters who form the core of the novel's first part. Agathe has two sons, one a soldier and one an artist, and is living in straitened circumstances in Paris following the death of her husband. Her older son Philippe is a former officer in the army, a wastrel, thief, liar, and layabout, a gambler and a drunk: bad as he is to start off with, he gets worse as the story progresses. Agathe’s younger son Joseph is a painter, and with talent and hard work he's carved out a decent but not extravagant lifestyle for himself.
Agathe’s brother is Jean-Jacques, sole heir of their father, who could have come to her rescue many times over, but who instead has spent most of his life getting an even tighter grip on the family wealth. Jean-Jacques, a colossally stupid and shy bachelor, is being manipulated by his maid Flore and her boyfriend, the scoundrel Max. “Scoundrel” may be too weak a term for him: thief, murderer, gang leader, and sociopath might be closer to the mark.
As it turns out, Flore is the Rabouilleuse of the title. The term refers to a particular way she had of disturbing the water in her early days, when she was fishing for crabs with her uncle. “Rabouilleuse” doesn't mean “Black Sheep,” although the book’s title is sometimes given as that; a better title in English might be “Crab Girl,” which Balzac sometimes calls her.
Agathe, reduced to poverty, returns to Issoudoun to ask her brother for help. So the question of the novel turns out to be: who will get the Rouget money — Agathe and Philippe, or Flore and Max? It seems that another question will be, who will sink to the lowest depths of villainy — Max or Philippe? It's a satisfying tale as far as it goes, although Balzac applies a particularly brutal form of poetic justice.
Homewood gives his usual well-paced, precise reading, with French names so authentically pronounced as to be almost incomprehensible. (I recognize that this is my problem, not his: for some reason, my brain works in such a way that if I can't SEE the name, I can't quite “hear” it either. Fortunately many public domain English versions of Balzac are available.) His voice is rich and easy to listen to for long periods; Homewood’s narration is never boring. I will make one other observation, though. I have earphones that are strong on bass and earphones that are strong on treble. For a Bill Homewood recording, I always use my “treble” earphones.
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esto le resultó útil a 7 personas