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Lives Like Loaded Guns
- Emily Dickinson and Her Family's Feuds
- Narrado por: Wanda McCaddon
- Duración: 15 h y 6 m
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Reseñas editoriales
You may well be wondering what the big deal is about the legacy of innovative American poet Emily Dickinson, and how the controversy over this legacy could possibly stay interesting for 15 hours of audiobook. No matter what your level of knowledge about the poet’s life and work might be, here is a strangely compelling tale that will ideally put a full century of literary demons to rest once and for all. Between Lyndall Gordon and Wanda McCaddon, there is a confluence of writing and narration that is sure to delight biography fans of all kinds.
A career biographer of influential literary personalities, Gordon has won awards for her work on T.S. Eliot, Virginia Woolf, and Charlotte Brontë. There is no researcher more capable of weaving a cohesive final truth report on the conflicts in Dickinson’s family, and no writer more skilled at keeping the tale interesting without stooping to a licentious tabloid tone. Wanda McCaddon, who has won awards for her voice work on other biographies as well as period classics like Sense and Sensibility, is the perfect choice to render this unusual and drawn-out battle for publication credits with dry British wit and the perilous dignity for which the Dickinson family was famous.
In the beginning of the book, Gordon is occupied with answering questions that have long plagued Dickinson scholars: What was the precise nature of the poet’s relationship with Susan Dickinson, wife of her brother, Austin? Was Dickinson indeed an epileptic? Is there any evidence that the “Master”, to whom the poet often wrote love letters and essays, was a real person? Why did Dickinson wear white for years, and never leave her father’s house? But the more delicious core concern of the book is to settle the question of how Austin Dickinson’s adulterous affair with Mabel Todd impacted Emily while she was living, and then the control of Emily’s work once she was dead.
McCaddon is in fine lively form when sharing the direct quotations from Emily herself, from the vast supply of letters, poems, and legal documents increasingly seeing the light of day. Gordon comes down squarely and consistently on the side of the Dickinson women through the generations from Emily, to sister Lavinia, to sister-in-law Susan, to Susan’s daughter Mattie who each tried to protect the publication rights from encroachment by Austin’s mistress and then Mabel’s daughter, Millicent Todd Bingham. Whether or not you find yourself agreeing with how the hundred years of infamously shady literary antagonism shakes down, one thing is clear: with all the drama this complex love affair provoked, the Dickinsons were wise not to have kept actual loaded guns in the house. Megan Volpert
Resumen del Editor
In 1882, Emily Dickinson's brother Austin began a passionate love affair with Mabel Todd, a young Amherst faculty wife, setting in motion a series of events that would forever change the lives of the Dickinson family. The feud that erupted as a result has continued for over a century. Lyndall Gordon, an award-winning biographer, tells the riveting story of the Dickinsons and reveals Emily to be a very different woman from the pale, lovelorn recluse that exists in the popular imagination.
Thanks to unprecedented use of letters, diaries, and legal documents, Gordon digs deep into the life and work of Emily Dickinson to reveal the secret behind the poet's insistent seclusion and presents a woman beyond her time who found love, spiritual sustenance, and immortality all on her own terms. An enthralling story of creative genius, filled with illicit passion and betrayal, Lives Like Loaded Guns is sure to cause a stir among Dickinson's many devoted readers, listeners, and scholars.
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Historia
Emily Dickinson (1830-1886) was a reclusive poet whose only friendships were carried out in correspondence. Despite writing almost 1800 poems in her life, very few were published until after her death. Here, the poems are presented in chronological order in their original form, unaltered by editorial revision, in one volume. It offers a wide-angle view of Dickinson's poetic development, from the clunky rhyme schemes of her youth, through valentines she wrote in the early 1850s, to the gloomy, hell-obsessed writings of her last years.
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It’s not Emily Dickinson’s Fault
- De Mary Beth Hammond en 04-04-21
De: Emily Dickinson
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My Emily Dickinson
- De: Susan Howe
- Narrado por: Susan Howe
- Duración: 6 h y 4 m
- Versión completa
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General
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Narración:
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Historia
For Wallace Stevens, "Poetry is the scholar's art." Susan Howe—taking the poet-scholar-critics Charles Olson, H.D., and William Carlos Williams (among others) as her guides—embodies that art in her 1985 My Emily Dickinson (winner of the Before Columbus Foundation Book Award). Howe shows ways in which earlier scholarship had shortened Dickinson's intellectual reach by ignoring the use to which she put her wide reading.
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So beautiful and so beautifully read by the author
- De Barbara Epler en 12-03-22
De: Susan Howe
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Emily Dickinson
- Poems and Letters
- De: Emily Dickinson
- Narrado por: Alexandra O'Karma
- Duración: 2 h y 8 m
- Versión completa
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General
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Narración:
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Historia
Eccentric and reclusive, Emily Dickinson wrote poetry that reflects the richness of her interior world and the peculiar beauty of her inner vision. During her lifetime, her poetry was considered too unusual to be publishable, but after her death in 1885, Dickinson achieved posthumous recognition as one of the great poetic voices of the 19th century. This collection, read by Alexandra O'Karma, includes commentary and some of Dickinson's letters as well as 75 of her over 900 poems, including such favorites as "Because I Could Not Stop for Death," "'Hope' Is the Thing with Feathers," "There Is No Frigate like a Book," and "There's a Certain Slant of Light."
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Best Reading--But some bad information.....
- De Susan en 02-11-11
De: Emily Dickinson
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Poems of Emily Dickinson: Series 1
- De: Emily Dickinson, Thomas W. Higginson - editor, Mabel Loomis Todd - editor
- Narrado por: Kendra Murray, Nancy Beard, Jennifer Fournier, y otros
- Duración: 1 h y 18 m
- Versión completa
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General
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Narración:
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Historia
Emily Dickinson was one of the most reclusive of all poets. She spent much of her life in seclusion in her father’s house in Amherst, and only a handful of her 1800 poems were published in her lifetime. Credit for the posthumous publication of her work must be given to her editor and friend Thomas W. Higginson, who reported that, in spite of the voluminous correspondence which passed between himself and Dickinson, he only met her twice in person.
De: Emily Dickinson, y otros
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These Fevered Days
- Ten Pivotal Moments in the Making of Emily Dickinson
- De: Martha Ackmann
- Narrado por: Martha Ackmann
- Duración: 9 h y 21 m
- Versión completa
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General
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Historia
On August 3, 1845, young Emily Dickinson declared, "All things are ready" - and with this resolute statement, her life as a poet began. Despite spending her days almost entirely "at home" (the occupation listed on her death certificate), Dickinson's interior world was extraordinary. She loved passionately, was ambivalent toward publication, embraced seclusion, and created 1,789 poems that she tucked into a dresser drawer. In These Fevered Days, Martha Ackmann unravels the mysteries of Dickinson's life through 10 decisive episodes that distill her evolution as a poet.
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Captivating But Too Much Information
- De Sara B. en 08-05-20
De: Martha Ackmann
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Natural Magic
- Emily Dickinson, Charles Darwin, and the Dawn of Modern Science
- De: Renée Bergland
- Narrado por: Teri Schnaubelt
- Duración: 13 h y 4 m
- Versión completa
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General
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Narración:
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Historia
Emily Dickinson and Charles Darwin were born at a time when the science of studying the natural world was known as natural philosophy, a pastime for poets, priests, and schoolgirls. The world began to change in the 1830s, while Darwin was exploring the Pacific aboard the Beagle and Dickinson was a student in Amherst, Massachusetts. Poetry and science started to grow apart, and modern thinkers challenged the old orthodoxies, offering thrilling new perspectives that suddenly felt radical—and too dangerous for women.
De: Renée Bergland
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The Complete Collection of Emily Dickinson's Poems
- De: Emily Dickinson
- Narrado por: Elaine Sepani
- Duración: 3 h y 28 m
- Versión completa
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General
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Narración:
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Historia
Emily Dickinson (1830-1886) was a reclusive poet whose only friendships were carried out in correspondence. Despite writing almost 1800 poems in her life, very few were published until after her death. Here, the poems are presented in chronological order in their original form, unaltered by editorial revision, in one volume. It offers a wide-angle view of Dickinson's poetic development, from the clunky rhyme schemes of her youth, through valentines she wrote in the early 1850s, to the gloomy, hell-obsessed writings of her last years.
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It’s not Emily Dickinson’s Fault
- De Mary Beth Hammond en 04-04-21
De: Emily Dickinson
-
My Emily Dickinson
- De: Susan Howe
- Narrado por: Susan Howe
- Duración: 6 h y 4 m
- Versión completa
-
General
-
Narración:
-
Historia
For Wallace Stevens, "Poetry is the scholar's art." Susan Howe—taking the poet-scholar-critics Charles Olson, H.D., and William Carlos Williams (among others) as her guides—embodies that art in her 1985 My Emily Dickinson (winner of the Before Columbus Foundation Book Award). Howe shows ways in which earlier scholarship had shortened Dickinson's intellectual reach by ignoring the use to which she put her wide reading.
-
-
So beautiful and so beautifully read by the author
- De Barbara Epler en 12-03-22
De: Susan Howe
-
Emily Dickinson
- Poems and Letters
- De: Emily Dickinson
- Narrado por: Alexandra O'Karma
- Duración: 2 h y 8 m
- Versión completa
-
General
-
Narración:
-
Historia
Eccentric and reclusive, Emily Dickinson wrote poetry that reflects the richness of her interior world and the peculiar beauty of her inner vision. During her lifetime, her poetry was considered too unusual to be publishable, but after her death in 1885, Dickinson achieved posthumous recognition as one of the great poetic voices of the 19th century. This collection, read by Alexandra O'Karma, includes commentary and some of Dickinson's letters as well as 75 of her over 900 poems, including such favorites as "Because I Could Not Stop for Death," "'Hope' Is the Thing with Feathers," "There Is No Frigate like a Book," and "There's a Certain Slant of Light."
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Best Reading--But some bad information.....
- De Susan en 02-11-11
De: Emily Dickinson
-
Poems of Emily Dickinson: Series 1
- De: Emily Dickinson, Thomas W. Higginson - editor, Mabel Loomis Todd - editor
- Narrado por: Kendra Murray, Nancy Beard, Jennifer Fournier, y otros
- Duración: 1 h y 18 m
- Versión completa
-
General
-
Narración:
-
Historia
Emily Dickinson was one of the most reclusive of all poets. She spent much of her life in seclusion in her father’s house in Amherst, and only a handful of her 1800 poems were published in her lifetime. Credit for the posthumous publication of her work must be given to her editor and friend Thomas W. Higginson, who reported that, in spite of the voluminous correspondence which passed between himself and Dickinson, he only met her twice in person.
De: Emily Dickinson, y otros
Lo que los oyentes dicen sobre Lives Like Loaded Guns
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- elbgwn
- 02-11-22
Reader a puzzling pick
Fascinating biography. I like the reader but why a British reader was chosen for a bio of an American is odd. She mispronounces various American towns, using a British pronunciation, including the poet’s home town, Amherst, in which the “h” should be silent. Seeing as Emily lived her life in Amherst, we hear it mispronounced hundreds of times. Whatever. So interesting!
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- Paul Sas
- 10-01-12
Great first half, but what a slog in the 2nd
The account of the family feud amongst Emily Dickinson's brother & others is fascinating. Who knew that someone in the 1870s could be virtually polyamorous? Austin Dickinson was in a marriage that cooled, due to his fear that his wife Susan would be harmed by any additional pregnancies. Although their marriage was not dead, it was gravely wounded when an astronomer, David Todd, came to Amherst, with his wife Mabel. The marriage between the Todds was decidedly odd. David was a louche, who angled to get other women into bed. He encouraged his wife to pursue a symmetrically open attitude. When she encountered the charismatic Austin, she swooned, and they eventually consummated their "marriage" of true minds. She did continue relations with her weasel husband, David, and he actively encouraged this affair, since it greatly aided his standing within Amherst College, where Austin was the treasurer. There's a sad, and somewhat sordid, quality to this affair, since 3 of the parties were enthusiasts, but the 4th, Susan Dickinson, was greatly aggrieved. While Lyndall's book fascinates in its first half, focused on Emily Dickinson, and her family milieu, the second half is a serious slog. Very few people can be expected to care about the posthumous manipulation of Emily Dickinson's oeuvre with anything like the intensity of attention lavished upon it by the author. It's certainly fascinating the Mrs. Mabel Todd succeeded in controlling a great deal of the manuscripts left by Emily, notwithstanding the apparent fact that Emily never once deigned to speak to her, and could plausibly be viewed as being quite chilly toward this usurper. If the second half had been compressed by a factor of ten, it might have been a great story. But the endless dilations on the manuscript wars can only be of interest to a very small number of scholars. I write this as someone who has a great appetite for academic feuds. The former magazine Lingua Franca could have made hey of this in an incisive 10 to 15,000 word essay, which could have been delicious. But to spend more than 5 times that many words on something so dusty is ultimately a misperception of the audience that could possibly exist for such a work.
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- J. A.
- 10-10-15
Best when not using poems as biographical evidence
although the author warns against using poems as biography she can't seem to help herself, immediately launching into some of the poems as actual evidence. It's hard to blame her though. But where this book really is outstanding is with her use of the letters and other legal documents and journals from all the many different players involved. I feel like I have learned so much more about Dickinson and her family. And though I'm happy to have done so, I can't help but feel that the poems have now become that much more inaccessible.
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- Jacqueline english
- 08-27-22
The whole book is quite interesting
Some readers have said the second half of the story is less compelling. The first part that traces Emily Dickinson and her circle is fascinating for sure. I feel I have a better understanding and appreciation of her life and her work. The second half is about her literary legacy and who is to oversee and control her image. A very important part of the story and equally compelling as we see the rivals play out a drama that began with betrayal and infidelity.
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- gail pierson
- 07-28-17
The Hatfields and McCoys! :)
Where does Lives Like Loaded Guns rank among all the audiobooks you’ve listened to so far?
I've been on an Emily Dickinson obsession as of late, moreso of Mabel Loomis Todd and Austin Dickinson and their love affair. Though this book just touched on the affair, it did have quite a bit of information after Emily's death about the feud that ensued because of her poems.
What did you like best about this story?
That back in the 1900's naughty stuff took place! :) And, that a woman stood her ground and did not conform to society's expectation. That's my kind of gal.
Which character – as performed by Wanda McCaddon – was your favorite?
She read the whole book, not really changing voices for characters.
Was this a book you wanted to listen to all in one sitting?
15+ hours....def could not! :)
Any additional comments?
Loved it! :)
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- Friend
- 07-20-17
Why is the book being read by a Britisher?
What made the experience of listening to Lives Like Loaded Guns the most enjoyable?
It is a fascinating biography, which I have not yet finished. However, the reader has a heavy British accent that I at moments find hard to penetrate. Am baffled by why she was chosen.
Would you be willing to try another one of Wanda McCaddon’s performances?
No.
Was this a book you wanted to listen to all in one sitting?
No.
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- Cariola
- 12-04-10
Take the Subtitle Literally
If you're looking for a book about Emily Dickinson's life, this may not be it: she dies about halfway through, and the rest of the book focuses on the bickering over who should edit her works and letters, who owns the copyrights, who should get the royalties, who knew her best and is therefore entitled to do lecture tours about her, where the archives should be housed, etc. Some of this is very interesting, some not so much.
Most of the quarrels and lawsuits involve Mabel Loomis Todd, who edited the first selection of Emily's work. This is not surprising, since Mabel was also the mistress of Emily's married brother, Austin Dickinson, and had never met or even seen Emily, although they did correspond. After Austin's death, Mabel and his widow, Susan Gilbert Dickinson, engaged in a series of legal and social battles. Susan had been a true friend to Emily, who had written many of her poems specifically for Sue's perusal and comments, and she contested Todd's right to edit (and profit from) the collected poems and letters. After Sue's death, Emily's sister Lavinia, who initially sided with Mabel, picked up the fight.
The feuds continued until the 1940s, eventually involving Emily's niece and great nephew and Mabel's legitimate daughter, Millicent Todd (who had a breakdown of sorts when she found letters that revealed the true nature of her mother's "friendship" with Austin Dickinson).
If you know nothing about Emily Dickinson's life (i.e., you haven't read one of the more authoritative biographies), you might find the first half of the book interesting--although much of it sets up the 'characters' in the family's feuds over her work. If you've read a good biography and are a Dickinson afficiando or scholar, you may find some intriguing information about the history of the promotion and publication of her work and letters and the creation of the image of the ethereal recluse in a white dress. I fall somehere in between.
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- Andreea Marin
- 12-08-15
Can't go wrong with Dickinson
I loved this book. Worth a read and a listen. A great biographical depiction of the poet.
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- Bllsth
- 01-26-17
Great ending
Well researched, vindicating and thought provoking. Enjoyed very much. Would have liked more poems, but there can never be enough
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- Lisa Perry
- 10-17-17
Well worth the read
The interplay between Emily and her family, Mabel Todd and the Dickinson family, and how the poems came to be published is a fascinating read. Very well researched. Loved the narrator, could listen to her all day.
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