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Longbourn
- Narrated by: Emma Fielding
- Length: 13 hrs and 31 mins
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Publisher's summary
Pride and Prejudice was only half the story
If Elizabeth Bennet had the washing of her own petticoats, Sarah often thought, she’d most likely be a sight more careful with them.
In this irresistibly imagined belowstairs answer to Pride and Prejudice, the servants take center stage. Sarah, the orphaned housemaid, spends her days scrubbing the laundry, polishing the floors, and emptying the chamber pots for the Bennet household. But there is just as much romance, heartbreak, and intrigue downstairs at Longbourn as there is upstairs. When a mysterious new footman arrives, the orderly realm of the servants’ hall threatens to be completely, perhaps irrevocably, upended.
Jo Baker dares to take us beyond the drawing rooms of Jane Austen’s classic - into the often overlooked domain of the stern housekeeper and the starry-eyed kitchen maid, into the gritty daily particulars faced by the lower classes in Regency England during the Napoleonic Wars - and, in doing so, creates a vivid, fascinating, fully realized world that is wholly her own.
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It is 1836. Europe is modernizing, and the Ottoman Empire must follow suit. But just before the sultan announces sweeping changes, a wave of murders threatens the balance of power in his court. Who is behind them? Only one intelligence agent can be trusted to find out: Yashim Togalu, a man both brilliant and near-invisible in this world. You see, Yashim is a eunuch.
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Interesting premise, annoying narrator
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Secrets of Nanreath Hall
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Cornwall, 1940. Back in England after the harrowing evacuation at Dunkirk, WWII Red Cross nurse Anna Trenowyth is shocked to learn her adoptive parents, Graham and Prue Handley, have been killed in an air raid. She desperately needs their advice, as she's been assigned to the military hospital that has set up camp inside her biological mother's childhood home - Nanreath Hall. Anna was just six years old when her mother, Lady Katherine Trenowyth, died. All she has left are vague memories that tease her with clues she can't unravel.
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Well done both narrators and Author !
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Fludd
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- Narrated by: Gordon Griffin
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Story
One dark and stormy night in 1956, a stranger named Fludd mysteriously turns up in the dismal village of Fetherhoughton. He is the curate sent by the bishop to assist Father Angwin - or is he? In the most unlikely of places, a superstitious town that understands little of romance or sentimentality, where bad blood between neighbors is ancient and impenetrable, miracles begin to bloom. Fludd becomes lover, gravedigger, and savior, transforming his dull office into a golden regency of decision, unashamed sensation, and unprecedented action.
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Small, tight irreverant novel that wryly inverts
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By: Hilary Mantel
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Jack Maggs
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- Narrated by: Steven Crossley
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With scars on his back and silver in his pocket, the huge figure of Jack Maggs strides across the rich landscape of 19th century London. As this enigmatic man moves through its streets and houses, his single-minded quest to find his son will engender love, deceit, and vengeance in the lives around him.
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Jack Maggs
- By Kathleen on 04-04-05
By: Peter Carey
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Except the Dying
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Story
In the cold Toronto winter of 1895, the naked body of a servant girl is found frozen in a deserted laneway. The young victim was pregnant when she died. Detective William Murdoch soon discovers that many of those connected with the girl's life have secrets to hide. Was her death on attempt to cover up a scandal in one of the city's influential families?
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If you like the show - don't buy
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By: Maureen Jennings
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All the Ever Afters
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In the vein of Wicked, The Woodcutter, and Boy, Snow, Bird, a luminous re-imagining of a classic tale, told from the perspective of Agnes, Cinderella’s "evil" stepmother. We all know the story of Cinderella. Or do we? As rumors about the cruel upbringing of beautiful newlywed Princess Cinderella roil the kingdom, her stepmother, Agnes, who knows all too well about hardship, privately records the true story...
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Not what I was expecting...
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The Spymaster's Lady
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She's braved battlefields. She's stolen dispatches from under the noses of heads of state. She's played the worldly courtesan, the naive virgin, the refined British lady, even a Gypsy boy. But Annique Villiers, the elusive spy known as the Fox Cub, has finally met the one man she can't outwit... British spymaster Robert Grey must enter France and bring back the brilliant, beautiful - and dangerous - Fox Cub. His duty is to capture her and her secrets for England.
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Highly enjoyable; Audiobook is fantastic
- By Emily London on 12-28-10
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Church of Marvels
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New York, 1895. Sylvan Threadgill, a night soiler cleaning out the privies behind the tenement houses, finds an abandoned newborn baby in the muck. An orphan himself, Sylvan rescues the child, determined to find where she belongs.
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If Dickens needed a NY location for a story..
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How to Tame Your Duke
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England, 1888. Quiet and scholarly Princess Emilie has always avoided adventure, until she's forced to disguise herself as a tutor in the household of the imposing Duke of Ashland, a former soldier disfigured in battle and abandoned by his wife. When chance draws her into a secret liaison with the duke, Emilie can't resist the opportunity to learn what lies behind his forbidding mask and find out what adventure really means. The duke never imagines that his son's tutor and his mysterious golden-haired beauty are one and the same.
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Don't miss this Exciting New Trilogy
- By 🌸DARA on 09-16-13
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To Taste Temptation
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Britain’s high society—le bon ton—loves nothing more than a good scandal, and they’re giddy with the appearance of wealthy Samuel Hartley. Not only is he self-made, American, and in the habit of wearing moccasins, but he is also notorious for fleeing a battle in which several English gentlemen lost their lives. Lady Emeline Gordon is captivated by Samuel. Not only does he defy convention with his unusual dress, his sensual smile, and his forthright manner, but he survived the battle that killed her beloved brother.
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Loved It
- By Cathie on 10-26-10
By: Elizabeth Hoyt
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The Madness of Lord Ian Mackenzie
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It was whispered all through London Society that Ian Mackenzie was mad, that he’d spent his youth in an asylum, and was not to be trusted - especially with a lady. For the reputation of any woman caught in his presence was instantly ruined. Yet Beth found herself inexorably drawn to the Scottish lord, whose hint of a brogue wrapped around her like silk and whose touch could draw her into a world of ecstasy.
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Perfect
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Ironskin
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Jane Eliot wears an iron mask. It's the only way to contain the fey curse that scars her cheek. The Great War is five years gone, but its scattered victims remain—the ironskin. When a carefully worded listing appears for a governess to assist with a “delicate situation”—a child born during the Great War—Jane is certain the child is fey-cursed, and that she can help.
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Light Fantasy With A Compelling Story
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By: Tina Connolly
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A few days after the Hunsford Proposal, Darcy unexpectedly comes upon Elizabeth Bennet on the road to London. Her carriage has met with an accident! Of course, Darcy comes to the rescue despite the recent, scathing rejection of his hand and heart. Circumstances force them to seek refuge in a nearby farmhouse, posing as man and wife! Why was Elizabeth travelling to London in a strange carriage, days before her visit to the metropolis was scheduled?
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When Rachel sets off, alone, for her mother's isolated country house, she promises herself that the business of packing up and selling will only take a couple of weeks, and then she'll be home again, back to normal. But, from the moment she steps through the front door, Rachel feels that the house contains more than she had expected: along with the memories of her mother, there is something else, a presence - not quite tangible - trying to make itself felt.
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Compelling story with a very good narrator
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What listeners say about Longbourn
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- Ralph
- 10-17-20
very good
good old fashion story. love the servants and their struggles. so much was taken for granted by the privileged.
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- F S
- 11-19-20
Longbourn...a perfect listen on a winter night.
Longbourn
well read...distinctly different charecters
engaging...interesting
wonderful story for our main charecters ..begining to end
many unseen twists and surprises
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- science mom
- 09-08-21
Too different from P&P but lovely (spoil. alert)
I very much enjoyed this book in many ways. I love Jane Austen and thought the connection to Pride and Prejudice was a neat concept. The author, Jo Baker, writes beautifully. Her ability to describe a landscape, a person, or personal internal experiences such as hunger, tiredness, fear, love, or happiness is profound. Many individual passages were so poignantly written that I was struck by the talent of the writer. Nonetheless, the book needed to be edited to be shorter. The plot to description ratio was too low on plot in comparison to scenery and the story line lagged at some places although in other places, it seemed to go quickly.
The interweaving of different early threads into a full picture is well-done. Several other reviewers I have read expressed surprise at the parentage of one of the main characters, but it seemed pretty obvious to me that that was what had happened.
Three other features affected my opinion. 1. in my opinion, the book would have been better not associated with P&P, even though it was a neat idea. Austen writes in witty, quick, satirical prose. She makes a commentary on class life , wealth, titles, dowries and other realities but does not go into great depth and is humorous. Longbourn may reference the same characters, but it is darker, heavy-handed with issues, and changes the basic nature of some of Austen's characters. Mr Bennett, a generally positive character, in P&P is not so in this book, The bold Elizabeth, happy in marriage to Darcy in P&P, is left hesitant and insecure in this book and her story, like that of most of the sisters, is not enough of the story in Longbourn to require inclusion. The story could as easily be about a different family with daughters and servants.
2. The most difficult reading was the section on James' experiences outside of England. While incredibly well written, it was very harsh and felt like it could have been its own book, or that only a small piece of it was needed to explain James' backstory.
3. While Austen's book had a relatively limited world, Longbourn seems to attempt to cover every justice issue of the time. Slavery, treatment of criminals, poverty, the rights of servants, rights of women, double standard between men and women about pre-marital sex, views of homosexuality, corruption in the military, treatment of children borne out of wedlock, and general cold and harsh weather were all covered. A person can care about all of these issues without wanting them all in the same book. I did like some of the small touches- describing diapers and menstrual cloths having to be washed for example, addressed a reality I have not typically seen in books about that time period. Even so, Austen did not discuss them because they were simply not things to discuss. in public. Some reviewers have protested their inclusion because they were so out of character for a book in the same genre as P&P. Overall, I think the author needed to focus on the parts that drove the story forward. The last section, when Sarah is living with the Darcy's and leaves, does not seem as true to life and is choppier. I would have expected more interaction between herself and Elizabeth and for maybe Darcy to be involved in a solution. The ending does not read at all like an ending Austen would have written. Austen would not have had a couple living a nomadic lifestyle as a realistic option, after seeing how it did not work for James in the beginning of the book when winter came. The narration was good BTW.
TLDR: story addressed too many issues, made some real points, had lovely passages, sometimes lyrical, but the style was too dissimilar from that of Austen to read as intended. It needed streamlining, keeping to the story but was well narrated.
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- Rachel
- 09-21-18
Almost there...
I really liked the story and different perspective of the characters we all know and love. However, it seems like the ending was a laundry list of subplots that needed tying up and when it actually came down to Sarah's plot line, it was rushed.
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- T. Highlen
- 07-25-19
Sublime in every way ....
I loved it & couldn’t Wait to get back to it to see how the story unfolded.
A very unique twist and a very classic story thank you thank you
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- Billie Faye
- 02-10-22
Love, Love, Loved It.
It was fascinating. I wish the end had as much detail as the beginning.
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- Robin
- 03-25-15
Loved it till the end
Was this a book you wanted to listen to all in one sitting?
Yes
Any additional comments?
I loved the book. I love all of Jane Austen's work, so it was a fun insight to the servants of the Bennett household. I did not like the added homosexual content that was so out of place and unneeded. It really ruined the whole atmosphere the book had spent hours creating.
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- Richard Hardy
- 06-16-15
Plot too thin though some good ideas
Slow reading with not much happening a Story told from point of view of servant housemaid who had lots of drudgery which was passed over quickly Some serials of tools or customs might have lifted story out of monotony Good ideas needed more events
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- Amazon Customer
- 07-16-23
Loved this book!
I won't say it's a "happy" book, but I loved it. It's obvious that the author read pride and prejudice, not just closely, but critically. She shows Mrs. Bennett, Lydia and Mary so much more grace than any adaptation I've ever encountered and makes more human other characters who are usually depicted as near-saints. She took single lines from Austin's book and contextualized them for the modern reader. What exactly does it mean when Austin says that the weather was so bad that "the very shoe-roses for Netherfield were got by proxy?" What is the deeper social context of a flogging in town, or having the militia nearby in the first place? How did Bingley's father amass his fortune? Baker peels back the veneer of Austin's book and shows us a potential reality of the lives of those who made the lives of people like the Bennetts, Bingleys, and Darcys possible. For some, this telling may be too depressing, vulgar or dark in comparison to pride and prejudice. The ending will likely disappoint readers who expect villains to be punished and heroes rewarded with an explicit happily ever after. We get neither of those things. But for those who love Austin critically, and love the messy and complicated nature of humanity, and who understand that usually the most the average real person can ask for in life is a HOPE for a happily ever after, this book is for you. Real life is full of heartache and hope, and Baker doesn't look away from that.
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- DEJ
- 08-20-23
All Pride & Prejudice fans will love this one
Loved it. Imaginative & comforting. I’ve read a few continuations of P&P, but this was better. Bravo!
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