-
Miss May Does Not Exist
- The Life and Work of Elaine May, Hollywood's Hidden Genius
- Narrado por: Erin Bennett
- Duración: 13 h y 55 m
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Resumen del Editor
As part of the legendary comedy team known as Nichols and May, May revolutionized sketch comedy before striking out on her own to make history as the third woman to be admitted into the Directors Guild of America when she wrote, directed, and starred in 1971’s A New Leaf.
Throughout the 1970s and ‘80s, May was one of Hollywood’s top screenwriters and script doctors and one of the only women directing within the studio system. After a box-office bomb, May never directed a feature again, though she continued to write films.
In 2018, she returned to Broadway, where she won the Tony Award for Best Leading Actress in a Play for The Waverly Gallery. Besides her considerable talent, May is well known for her reclusiveness, often working behind the scenes without credit. In the liner notes for her first comedy LP with Mike Nichols in 1958, her bio is a single terse sentence: “Miss May does not exist.” Until now.
Carrie Courogen has uncovered the Elaine May who does exist. Conducting countless interviews, she has filled in the blanks May has forcibly kept blank for years, creating a fascinating portrait of a creative powerhouse, a lost era of Hollywood, and the way women were mistreated and held back within it.
Miss May Does Not Exist is a remarkable love story about a prickly genius who was never easy to work with, not always easy to love, and frequently punished for those things, despite revolutionizing the way we think about comedy, acting, and what a film or play can be.
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Dubbed a voice of her generation, poet and writer Morgan Parker has spent much of her adulthood in therapy, trying to square the resonance of her writing with the alienation she feels in nearly every aspect of life, from her lifelong singleness to a battle with depression. She traces this loneliness to an inability to feel truly safe with others and a historic hyperawareness stemming from the effects of slavery.
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Over the course of her sixty-five-year career, the longest of any female filmmaker, Agnes Varda (1928-2019) wrote and directed some of the most acclaimed films of her era. She helped to define the French New Wave, inspired an entire generation of filmmakers, and was recognized with major awards at the Cannes, Berlin, and Venice Film Festivals, as well as an honorary Oscar at the Academy Awards. In this lively biography, Carrie Rickey explores the "complicated passions" that informed Varda's charmed life and indelible work.
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From its debut in 1962, Edward Albee’s Who’s Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalized critics but magnetized audiences. Across 644 sold-out Broadway performances, the drama demolished the wall between what could and couldn’t be said on the American stage and marked a definitive end to the I Love Lucy 1950s.
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By the acclaimed author of Pictures at a Revolution and Five Came Back comes a magnificent biography of one of the most protean creative forces in American entertainment history, a life of dazzling highs and vertiginous plunges - some of the worst largely unknown until now. Mark Harris explores, with brilliantly vivid detail and insight, the life, work, struggle, and passion of an artist and man in constant motion.
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Loved the book, but driven nuts my mispronounced names.
- De Amazon Customer en 02-14-21
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Christina Crawford's book was an immediate bestseller, addressing the infrequently discussed topic of child abuse. When Paramount Pictures released the film, starring Faye Dunaway as Crawford, it was critically panned, and remains one of the most legendary critical bombs in film history. The lavish, big-screen adaptation drew unexpected laughter in the scenes depicting life in the Crawford household. Rarely have such good intentions been met with such ridicule.
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AMAZING narrator for a wonderful book!
- De A. Diozzi en 06-16-24
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Dubbed a voice of her generation, poet and writer Morgan Parker has spent much of her adulthood in therapy, trying to square the resonance of her writing with the alienation she feels in nearly every aspect of life, from her lifelong singleness to a battle with depression. She traces this loneliness to an inability to feel truly safe with others and a historic hyperawareness stemming from the effects of slavery.
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An Inspiring Listen
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From its debut in 1962, Edward Albee’s Who’s Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalized critics but magnetized audiences. Across 644 sold-out Broadway performances, the drama demolished the wall between what could and couldn’t be said on the American stage and marked a definitive end to the I Love Lucy 1950s.
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Another Bad Narration
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By the acclaimed author of Pictures at a Revolution and Five Came Back comes a magnificent biography of one of the most protean creative forces in American entertainment history, a life of dazzling highs and vertiginous plunges - some of the worst largely unknown until now. Mark Harris explores, with brilliantly vivid detail and insight, the life, work, struggle, and passion of an artist and man in constant motion.
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Alice Carrière tells the story of her unconventional upbringing in Greenwich Village as the daughter of a remote mother, the renowned artist Jennifer Bartlett, and a charismatic father, European actor Mathieu Carrière. From an early age, Alice is forced to navigate her mother’s recovered memories of ritualized sexual abuse, which she turns into art, and her father’s confusing attentions—her childhood is spent in an adult’s world, with little-to-no boundaries or supervision.
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This book is awful.
- De af_90 en 12-17-23
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In her writing for Harper’s, the London Review of Books, The New Yorker, and elsewhere, Lauren Oyler has emerged as one of the most trenchant and influential critics of her generation, a talent whose judgments on works of literature—whether celebratory or scarily harsh—have become notorious. But what is the significance of being a critic and consumer of media in today’s fraught environment?
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In When Women Ran Fifth Avenue, journalist Julie Satow draws back the curtain on three visionaries who took great risks, forging new paths for the women who followed in their footsteps. This stylish account, rich with personal drama and trade secrets, captures the department store in all its glitz, decadence, and fun, and showcases the women who made that beautifully curated world go round.
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Read like a text book for fashion students.
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Debbie Harry defined iconic band Blondie’s look. Chris Stein—her performing partner, lover, and lifelong friend—was its architect and defined its sound. “Parallel Lines”, their third album, catapulted to #1, sold 20 million copies, and launched singles like “Heart of Glass”, "Hangin' On the Telephone," and “One Way or Another”, providing the beat when Bianca Jagger and Halston danced at Studio 54 and the soundtrack to every 1970’s punk-soundtracked romance.
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This Blondie fan LOVED IT
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The Editor
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When twenty-five-year-old Judith Jones began working as a secretary at Doubleday’s Paris office in 1949, she spent most of her time wading through manuscripts in the slush pile and passing on projects—until one day, a book caught her eye. She read it in one sitting, then begged her boss to consider publishing it. A year later, Anne Frank: The Diary of a Young Girl became a bestseller. It was the start of a culture-defining career in publishing. Legendary editor Judith Jones finally gets her due in this intimate biography.
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Gorgeous writing, perfect reader
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Though there are many factors behind such success, including luck and the contributions of his creative partner Marshall Herskovitz, he’s known to have a special talent for bringing out the best in the people he’s worked with, notably the actors. In those intense collaborations, he seeks to discover the small pieces of connective tissue, vulnerability, and fellowship that can help an actor realize their character in full.
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Authentic, Sobering & Full of Grace
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At nine, Sean Connery saved him from drowning. At thirteen, desperate to hook up with Janis Joplin, he attended his aunt Joan Didion and uncle John Gregory Dunne’s legendary LA launch party for Tom Wolfe’s The Electric Kool-Aid Acid Test. At sixteen, he got kicked out of boarding school, ending his institutional education for good.
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Not funny but still worthy
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Growing up on Long Island, lonely and quiet and queer, she was enchanted by Hollywood starlets like Kim Novak. She found her turn in New York’s early Off-Off-Broadway theater scene, in Warhol’s films Flesh and Women in Revolt, and at the famed nightclub Max's Kansas City. She inspired songs by Lou Reed and the Rolling Stones. She became friends with Jane Fonda and Lily Tomlin, borrowed a dress from Lauren Hutton, posed for Richard Avedon, and performed alongside Tennessee Williams in his own play.
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Thee candy darling’s bibile
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Fosse
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The only person ever to win Oscar, Emmy, and Tony awards in the same year, Bob Fosse revolutionized nearly every facet of American entertainment. His signature style would influence generations of performing artists. Yet in spite of Fosse’s innumerable—including Cabaret, Pippin, All That Jazz, and Chicago, one of the longest-running Broadway musicals ever—his offstage life was shadowed by deep wounds and insatiable appetites.
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The Friedkin Connection
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Friedkin Connection takes listeners from the streets of Chicago to the suites of Hollywood and from the sixties to today. William Friedkin offers a candid look at a thrilling era of Hollywood cinema, when traditional storytelling gave way to the rebellious and alternative; when filmmakers like him captured the paranoia and fear of a nation undergoing a cultural nervous breakdown.
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The Wall of Life
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With more than seventy years on the silver screen, Shirley MacLaine has, as she says, seen it all, done it all, been everywhere, and met everyone. Since making her Hollywood debut in 1955, her popularity has only grown as she’s amassed a stunning collection of awards and written multiple bestselling memoirs. Now, at ninety years old, MacLaine has more stories to tell and the pictures to bring them to life.
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The blunt and honest memoirs of Emmy-winning actress Bonnie Bartlett Daniels. It’s the story of her 70-plus year career, and her struggles in the pre-#metoo and pre-feminist world. It’s also the rare and unique story of a 70-plus year marriage (with film, theatre and TV icon William Daniels.) In a full telling of her life, we learn that through years of psychoanalysis and, ultimately, thanks to motherhood, she was able to heal the scars left by her abusive father and learn to love her life as if it were a rainbow “with a pot of gold at both ends.”
De: Bonnie Bartlett Daniels, y otros
Lo que los oyentes dicen sobre Miss May Does Not Exist
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- SoFlaGal
- 07-28-24
Miss May indeed exists
Fascinating biography of a woman who beat the system but didn’t want anything to do with it - Hollywood and Broadway. Excellent listen.
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- Yenrab Namrehs
- 06-30-24
A Rose-Colored Apologia for Elaine May
There is no question Elaine May is a gifted, briliiant writer born with a sense of story denied to other mere mortals. Equally, she is a talented performer and actress. Her contribution to improvisation is seminal. She was, at times, a great theater director. She can't direct movies worth a lick.
And therein lies the problem with this book. It takes no critical eye. Worse, the author cannot get the stars out of her eyes. Everything Elaine May does is great. If it isn't great--Ishtar, for example--the author raises a rousing defense that the cost of a movie and/or its commercial success should not be barometer of a film's value or success. That precious few of the movies--if any--that Elaine May directed enjoyed either needs to be looked at objectively, not pollyanna-ish as the author does here. By failing any semblence of objectivity (apparently May can do no wrong), she undercuts the creative force May was in so many other areas.
Even May's well-known and maybe well deserved reputation as a script doctor needs more scrutiny. Many of her script-doctored scripts were movies directed by Mike Nichols. It does May no disservice that she worked better as a team with Nichols than she did independently (which is blatently obvious to even the most casual observer), but the author doesn't touch that. If she had, it would mean conceding that May wasn't flawlessly brilliant constantly.
In retrospect, the influence Elaine May had on entertainment, television, the theater, and Hollywood is unquestionable. Maybe another book will be written with a more cooler assessment--which will give Elaine May the true credit she richly deserves.
It would sure make this book better.
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- Barb
- 07-26-24
Interesting
Slow in the beginning but became very interesting as it went on. I remember her and the repartee.
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- The Book Fairy
- 06-15-24
THE DEFINITIVE!
I just finished reading an incredible bio on the brilliant #ElaineMay. I was so excited when I discovered this book was being published because there really hasn’t been any biography written on her - if any! @carriecourogen holds nothing back here. She dives deeper than deep in bringing out the creative and comedic psychosis of Elaine May in all her idiosyncrasies which ultimately culminates into her “hidden genius”. Miss May is one of the true greats of comedy and film. She’s intensely private so I’m not surprised she didn’t/wouldn’t meet with Carrie and since we probably will never ever get a personal memoir from Elaine May, I am throwing this book into the ring to be classified as the DEFINITIVE Elaine May biography!
Since I like to listen to the audiobook as I read along, I was even more excited when @erinbennettnarrates’s voice came across my laptop/phone again. She’s my favorite narrator and her voice feels like a dear old friend. It felt good to sip some tea and catch up!!🥰 THANK YOU, Carrie & Erin for this marvelous work… and Thank you to Elaine May, Hollywood’s hidden genius and one of my Sheroes! ✨🎬✍🏼
P.S: This book NEEDS to be adapted into a documentary film! HBO better be calling you soon, Carrie!!! (I’m serious) let’s get this made! 🫶🏼
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- Barry Cutler
- 06-22-24
Great Talent With Author's Agenda Interfering Some
I highly recommend this biography to learn about the life of one of the greatest talents, Elaine May. Unfortunately, the author's feminist agenda interferes when she attempts to make that May's story. No doubt, May suffered many of the prejudices many or all women suffer. But that's the author's spin. While the book is well-worth reading, the author should have stuck with May's life rather than muddying matters with her agenda.
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- M. Skinner
- 08-17-24
The sadness of genius
Learning about her past and remembering the work I had seen and loved on tv, at age snd film was interesting but an overall sense of gloom was not what I needed in 2024.
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- john burke
- 06-25-24
Genius missing in action.
I hate to ask the question because by all accounts Elaine May was truly fascinating, intelligent and supremely complicated. I do think genius is thrown around way too often. Even with the most difficult of geniuses we can still point to a work that is their own, not only their own but some consistent output. The screenplay that she appears to have written almost entirely herself would be The Birdcage and that was an adaptation already. I love the film but I would definitely never call it a work of genius. There's of course the many projects she kept her name off of but those were her coming in and changing what was already there. In the instances where she created her own plays those relied heavily on improv and the plays seem to have gone nowhere or referred to as sketches. With this book i get a sense that Elaine May is a genius missing in action....more of a spectre of it than the embodiment. Either way great listen.
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- Cathy
- 09-25-24
My inspiration since I was 8 years old
Beautifully written, beautifully read, beautifully lived. Well worth the time you’ll invest. Truly an inspiration.
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