
Mouth to Mouth
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Narrado por:
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George Guidall
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De:
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Michael Kimball
Acerca de esta escucha
Michael Kimball’s work has received international acclaim from critics and authors including Stephen King, who says Kimball writes “the sort of book you think about during the day and can’t wait to settle back into at night.” In Mouth to Mouth, Kimball spins a terrifying tale of retribution, set in an idyllic, sheep-dotted countryside.
As Ellen Chambers’ marriage falls apart, her nephew Neil walks back into her life. Instead of the boy she knew 12 years ago, he is now a handsome young man. Soon, he has offered to rebuild her barn in exchange for lodging. But his offer of help and friendship is part of a larger plan that will leave a trail of deception and murder in its wake. As the barn takes shape, Ellen watches her life and her world change under the spell of forces she no longer knows how to name or control.
Narrator George Guidall’s performance highlights the mounting suspense in this gripping pause-resister that will haunt you long after the last sentence.
©2000 Michael Kimball (P)2000 Recorded BooksLo que los oyentes dicen sobre Mouth to Mouth
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Ejecución
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- L. Robertson
- 08-02-23
Wow! What a story!
Once this gets going, it’s a nail biting roller coaster! Twisty and suspenseful! Well written with a very good reader!
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- Darrick71
- 05-12-20
Gripping from start to finish
Michael Kimball is a brilliant storyteller. Couldn't stop reading once I started. Knowing the author, I could picture him telling the story and relishing the every twist and turn.
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- icaremore
- 04-24-24
One of the best mystery long reads I had in 1300 audio books!
Enteric plot and great characters. Kept me guessing. Good long read. I was so surprised I hadn’t found this incredible author.
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- Jill
- 03-22-24
Something very wrong with the pacing of this novel
George Guidall is a great reader, and makes the main character way more sympathetic than she deserves. And I don't really believe in the villain. But the real crime of this novel is the pacing, which is all over the place. Too slow, too quick, then much, much too slow. That doesn't add up to suspense, just a feeling of wishing the author would get on with it.
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