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Museum Worthy
- Nazi Art Plunder in Postwar Western Europe
- Narrated by: Holly Adams
- Length: 12 hrs and 3 mins
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Publisher's summary
Art looting is commonly recognized as a central feature of Nazi expropriation. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories. Well-publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners?
In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in various public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century. The custodianships included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day.
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Performance
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Story
What made the Romans laugh? Was ancient Rome a carnival, filled with practical jokes and hearty chuckles? Or was it a carefully regulated culture in which the uncontrollable excess of laughter was a force to fear-a world of wit, irony, and knowing smiles? How did Romans make sense of laughter? What role did it play in the world of the law courts, the imperial palace, or the spectacles of the arena?
By: Mary Beard
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The Soviet Century
- By: Moshe Lewin, Gregory Elliott - editor
- Narrated by: Rich Miller
- Length: 16 hrs and 51 mins
- Unabridged
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Overall
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Performance
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Story
Departing from a simple linear history, The Soviet Century traces all the continuities and ruptures that led from the founding revolution of October 1917, to the final collapse of the late 1980s and early 1990s, passing through the Stalinist dictatorship, the impossible reforms of the Khrushchev years, and the glasnost and perestroika policies of Gorbachev.
By: Moshe Lewin, and others
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Final Verdict
- The Holocaust on Trial in the 21st Century
- By: Tobias Buck
- Narrated by: Leighton Pugh
- Length: 10 hrs and 28 mins
- Unabridged
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Overall
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Performance
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Story
The gripping narrative of one of the last Nazi criminal trials in Germany—that of Bruno Dey, a 93-year-old former concentration camp guard charged with aiding the murder of more than 5,000 people—and a larger exploration of Germany's reckoning with the Holocaust, from silence to memory to today's rising tide of fascism and antisemitism.
By: Tobias Buck
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What the Ermine Saw
- The Extraordinary Journey of Leonardo da Vinci's Most Mysterious Portrait
- By: Eden Collinsworth
- Narrated by: Cassandra Campbell
- Length: 5 hrs and 45 mins
- Unabridged
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Overall
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Performance
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Story
Five hundred and thirty years ago, a young woman sat before a Grecian-nosed artist known as Leonardo da Vinci. Her name was Cecilia Gallerani, and she was the young mistress of Ludovico Sforza, duke of Milan. Sforza was a brutal and clever man who was mindful that Leonardo’s genius would not only capture Cecilia’s beguiling beauty but also reflect the grandeur of his title. But when the portrait was finished, Leonardo’s brush strokes had conveyed something deeper by revealing the essence of Cecilia’s soul.
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So Many Names
- By Sue Solomon on 12-13-22