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Near/Miss
- Narrated by: Charles Bernstein
- Length: 2 hrs and 46 mins
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Publisher's summary
Praised in recent years as a “calculating, improvisatory, essential poet” by Daisy Fried in The New York Times, and as “the foremost poet-critic of our time” by Craig Dworkin, Charles Bernstein is a leading voice in American poetry. Near/Miss, Bernstein’s first poetry collection in five years, is the apotheosis of his late style, thick with off-center rhythms, hilarious riffs, and verbal extravagance.
This collection’s title highlights poetry’s ability to graze reality without killing it, and at the same time, implies that the poems themselves are wounded by the grief of loss. Performed by the poet, the book opens with a rollicking satire of difficult poetry - proudly declaring itself “a totally inaccessible poem” - and moves on to the stuff of contrarian pop culture and political cynicism - full of malaprops, mondegreens, nonsequiturs, translations of translations, sardonically vandalized signs, and a hilarious yet sinister feed of blog comments. At the same time, political protest also rubs up against epic collage, through poems exploring the unexpected intimacies and continuities of “our united fates”. These poems engage with works by contemporary painters - including Amy Sillman, Rackstraw Downes, and Etel Adnan - and echo translations of poets ranging from Catullus and Virgil to Goethe, Cruz e Souza, and Kandinsky.
Grounded in a politics of multiplicity and dissent and replete with both sharp edges and subtle intimacies, Near/Miss is full of close encounters of every kind.
Critic reviews
"The term for two words in different languages that appear the same but have completely disparate meanings is a ‘false friend’. Flip to any page in Charles Bernstein’s mercilessly brilliant, no-holds-barred new collection, and you will encounter a friend you thought you knew, but this phrase, quotation, proverb, equation, cameo, bit of received language will have been evacuated and filled again by the poet’s constructions and reorientations. Bernstein puts words and their groupings, associations, and connotations ‘through the wringer’, submitting them to a kind of durability test, so that when we emerge from the theater of one of his poems, rubbing our eyes to adjust to the light, our ossified relationship to the language we use has been pleasantly, productively obliterated. In the genius of Bernstein, a word is a whirl is a world." (Claudia Rankine, author of Citizen: An American Lyric)
"'Nothing can be truly interesting except the exhaustive,’ Thomas Mann wrote a long time ago. Many of these poems suggest a return to that spirit, in a poetry of wit, ideas, and exploration, with both ease and elegance. These are poems you want to put down and pick up again. And when you do, you find something you hadn’t seen last time. It’s a book I’m glad to have. You’ll be glad you have it, too.” (Samuel R. Delany, author of Times Square Red, Times Square Blue)
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- Length: 54 mins
- Unabridged
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Overall
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Performance
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Story
One of the most recognizable young poets in America, Olivia Gatwood dazzles with her tribute to contemporary American womanhood in her debut book, New American Best Friend. Gatwood's poems deftly deconstruct traditional stereotypes. The focus shifts from childhood to adulthood, gender to sexuality, violence to joy. And always and inexorably, the book moves toward celebration, culminating in a series of odes: odes to the body, to tough women, to embracing your own journey in all its failures and triumphs.
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Amazing poetry, but the music
- By Keaira on 07-29-19
By: Olivia Gatwood
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Artful
- By: Ali Smith
- Narrated by: Ali Smith
- Length: 4 hrs and 6 mins
- Unabridged
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Overall
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Performance
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Story
In 2012, Ali Smith delivered the Weidenfeld lectures on European comparative literature at St. Anne’s College, Oxford. Those lectures, presented here, took the shape of discursive stories that refused to be tied down to either fiction or the essay form. Thus, Artful is narrated by a character who is haunted - literally - by a former lover, the writer of a series of lectures about art and literature. A hypnotic dialogue unfolds between storytelling and a meditation on art that encompasses love, grief, memory, and revitalization.
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#Reality/Loss/Mythology
- By Ellen K. on 11-14-18
By: Ali Smith
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Mother Tongue
- By: Demetria Martinez
- Narrated by: Alyssa Bresnahan
- Length: 3 hrs and 42 mins
- Unabridged
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Overall
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Performance
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Story
A nameless El Salvadoran man, fleeing torture and imprisonment, arrives in the United States - his only hope for asylum. The American woman who has volunteered to help him is searching for something to add meaning to her life. When these two lonely people meet, their haunting relationship fulfills their hearts' desires, but it also gives life to their darkest dreams.
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Finnegans Wake
- By: James Joyce
- Narrated by: Barry McGovern, Marcella Riordan
- Length: 29 hrs and 18 mins
- Unabridged
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Overall
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Performance
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Story
Finnegans Wake is the greatest challenge in 20th-century literature. Who is Humphrey Chimpden Earwicker? And what did he get up to in Phoenix Park? And what did Anna Livia Plurabelle have to say about it? In the rich nighttime and the language of dreams, here are history, anecdote, myth, folk tale and, above all, a wondrous sense of humor, colored by a clear sense of humanity. In this exceptional reading by the Irish actor Barry McGovern, with Marcella Riordan, the world of the Wake is more accessible than ever before.
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The keys to. Given!
- By hyand on 06-16-21
By: James Joyce
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Spring and All: Facsimile Edition
- New Directions Pearls
- By: William Carlos Williams
- Narrated by: Sean Slater
- Length: 1 hr and 47 mins
- Unabridged
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Overall
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Performance
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Story
A beautiful facsimile of the 1923 original edition which is considered "one of the greatest poems of the twentieth century" by The New York Times. Spring and All is a manifesto of the imagination - a hybrid of alternating sections of prose and free verse that coalesce in dramatic, energetic, and beautifully cryptic statements of how language re-creates the world. Spring and All contains some of Williams' best-known poetry.
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Classic!
- By Amazon Customer on 01-25-18
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Spoon River Anthology
- By: Edgar Lee Masters
- Narrated by: Patrick Fraley, Edward Asner
- Length: 4 hrs and 24 mins
- Unabridged
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Overall
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Performance
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Story
From a cemetery in a mythical small town in Illinois, the dead speak about their lives. Each free-verse monologue stands as an epitaph for the person speaking, yet the play is ultimately about life, not death. Featuring 50 performers with specially commissioned original music, this is the only audio version of this landmark classic available.
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Magnificent American poetry
- By Admiral Pike on 04-14-05
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Gravity's Rainbow
- By: Thomas Pynchon, Frank Miller - cover design
- Narrated by: George Guidall
- Length: 37 hrs and 21 mins
- Unabridged
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Overall
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Performance
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Story
Winner of the 1973 National Book Award, Gravity's Rainbow is a postmodern epic, a work as exhaustively significant to the second half of the 20th century as Joyce's Ulysses was to the first. Its sprawling, encyclopedic narrative and penetrating analysis of the impact of technology on society make it an intellectual tour de force.
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"Time to touch the person next to you"
- By Jefferson on 07-04-16
By: Thomas Pynchon, and others
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Waiting for Snow in Havana
- Confessions of a Cuban Boy
- By: Carlos Eire
- Narrated by: David Drummond
- Length: 16 hrs and 6 mins
- Unabridged
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Overall
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Performance
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Story
A childhood in a privileged household in 1950s Havana was joyous and cruel, like any other - but with certain differences. The neighbor's monkey was liable to escape and run across your roof. Surfing was conducted by driving cars across the breakwater. Lizards and firecrackers made frequent contact. Carlos Eire's childhood was a little different from most. His father was convinced he had been Louis XVI in a past life. At school, classmates were attended by chauffeurs and bodyguards. Then, in January 1959, the world changed....
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Poorly chosen narrator
- By LS on 02-10-16
By: Carlos Eire
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Poemcrazy
- Freeing Your Life with Words
- By: Susan Goldsmith Wooldridge
- Narrated by: Susan Goldsmith Wooldridge
- Length: 5 hrs and 1 min
- Unabridged
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Overall
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Performance
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Story
Following the success of several recent inspirational and practical books for would-be writers, Poemcrazy is a perfect guide for everyone who ever wanted to write a poem but was afraid to try. Writing workshop leader Susan Wooldridge shows how to think, use one's senses, and practice exercises that will make poems more likely to happen.
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Her Words, Her Voice...
- By S. Schultz on 11-21-14
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The Mountaintop
- By: Katori Hall
- Narrated by: Aja Naomi King, Larry Powell
- Length: 1 hr and 4 mins
- Original Recording
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Overall
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Performance
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Story
On April 4, 1968, Martin Luther King Jr. was assassinated outside of his room at the Lorraine Motel in Memphis. What happened inside room 306 on the evening of April 3 is the subject of Katori Hall's The Mountaintop. Hours after King's final speech, punctuated by his immortal line "I've been to the mountaintop", the celebrated reverend forms an unlikely friendship with a motel maid as they talk into the early hours of what will be his final day.
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Wow
- By OsteoRD on 10-28-17
By: Katori Hall
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Annie Dunne
- By: Sebastian Barry
- Narrated by: Caroline Lennon
- Length: 7 hrs and 52 mins
- Unabridged
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Overall
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Performance
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Story
It is 1959 in Wicklow, Ireland, and Annie and her cousin Sarah are living and working together to keep Sarah’s small farm running. Suddenly, Annie’s young niece and nephew are left in their care. Unprepared for the chaos that two children inevitably bring, but nervously excited nonetheless, Annie finds the interruption of her normal life and her last chance at happiness complicated further by the attention being paid to Sarah by a local man with his eye on the farm.
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Splendid
- By Shady on 06-21-23
By: Sebastian Barry