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The Betrayal of Thomas True
- Narrado por: Peter Kenny
- Duración: 10 h y 8 m
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Resumen del Editor
It is the year 1715, and Thomas True has arrived on old London Bridge with a dangerous secret. One night, lost amongst the squalor of London's hidden back streets, he finds himself drawn into the outrageous underworld of the molly houses.
Meanwhile, carpenter Gabriel Griffin struggles to hide his double life as Lotty, the mollie's silent guard. When the queen of all 'he-harlots', Mother Clap, confides in him about a deadly threat, he realises his friends are facing imminent execution. To the horror of all mollies, there is a rat amongst them, betraying their secrets to a pair of murderous Justices, hell-bent on punishing sinners with the noose.
Can Gabriel unmask the traitor before it's too late? Can he save hapless Thomas from peril, and their own impossible love?
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I thought I had everything figured out—until I met Jaxon. I'm dominant by nature, but Jaxon brings all that out in full force. What started as a one-night stand after his confession that he's never been with a man quickly turns into a whirlwind. Now, I want nothing more than to put my collar around his neck and ensure he's mine. Add in my best friend, Blaze, and his boyfriend, Elijah, and we're in for a hell of a ride. Blaze and I soon realize that someone has betrayed us when cops start breathing down our necks. All of this makes it hard to navigate what the four of us have started.
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Just Do It
- De Chesney Russell en 07-15-24
De: Ames Mills
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Sour Candy
- De: Kealan Patrick Burke
- Narrado por: Andrew Gibson
- Duración: 2 h y 36 m
- Versión completa
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At first glance, Phil Pendleton and his son Adam are just an ordinary father and son, no different from any other. What no one knows is that Phil is a prisoner, and that up until a few weeks ago and a chance encounter at a grocery store, he had never seen the child before in his life.
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Excellent storytelling and perfect narration!!
- De Grant Morrow en 07-08-24
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Hella Nation
- De: Evan Wright
- Narrado por: Paul Boehmer
- Duración: 14 h y 10 m
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From his work as a reporter at Hustler magazine to his National Magazine Award-winning writing for Rolling Stone and Vanity Fair, Evan Wright has always had an affinity for outsiders---what he calls "the lost tribes of America."
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Hella Yes
- De Joshua Kim en 06-10-12
De: Evan Wright
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Weird Tales Magazine No. 369
- The Bram Stoker Awards Issue
- De: Jonathan Maberry, various
- Narrado por: André Santana, Simon Vance, Chelsea Stephens, y otros
- Duración: 5 h y 52 m
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Welcome to a very special issue of Weird Tales. This issue celebrates the Bram Stoker Awards, the “Oscars” of the horror trade. They are presented every year by the Horror Writers Association (horror.org), a group founded in 1985 (and incorporated in 1987) by a collective of masters of that genre, including Joe R. Lansdale, Karen Lansdale, Robert McCammon, and Dean Koontz. This issue is packed with short stories, flash fiction, poems, and an essay—all written by past winners of the Bram Stoker Award.
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Very disappointed
- De Larry Ayers en 07-04-24
De: Jonathan Maberry, y otros
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Mandrake Manor
- De: JP Rindfleisch IX
- Narrado por: Kirt Graves
- Duración: 7 h y 3 m
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Recent graduate Mathias Mandrake’s life takes a turn when an unexpected inheritance of a distant relative’s manor falls right into his lap. However, this home across the country comes with a condition: Mat cannot live there alone. Good thing his best friend Frankie is ready to leave behind his lackluster trail of midnight trysts for a more suburban life. Eager to hone in his dilf-hunting skills, his bags are packed and ready to go before Mat can finish signing the paperwork.
Lo que los oyentes dicen sobre The Betrayal of Thomas True
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- RWG3
- 07-07-24
A piece of queer history I didn’t know, told through a compelling bit of fiction.
Gender and sexual minorities have existed in all times and place. Too many of their stories are lost to time. While this is entirely a fictional story, it uplifts an experience deeply rooted in queer history. I truly appreciated that.
The story itself is also extremely compelling. The plot moves forward at a quick pace, with moments of real tension. The “twist” was both a surprise and, in hindsight, completely obvious, which I personally find the most satisfying type of twists.
I must admit the collective of omniscient children, central to the plot, confused me. Maybe I misunderstood something, but that felt a little too fantasy-esque in a story that was otherwise solidly realistic. It really drew me out of the narrative.
The narration of the text was stellar. The performer did a great job breathing life to the text.
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