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The Book of Ayn
- A Novel
- Narrado por: Mia Barron
- Duración: 8 h y 4 m
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Resumen del Editor
An original and hilarious satire of both our political culture and those who rage against it, The Book of Ayn follows a writer from New York to Los Angeles to Lesbos as she searches for artistic and spiritual fulfillment in radical selfishness, altruism, and ego-death
After writing a satirical novel that The New York Times calls classist, Anna is shunned by the literary establishment and, in her hurt, radicalized by the philosophy of Ayn Rand. Determined to follow Rand’s theory of rational selfishness, Anna alienates herself from the scene and eventually her friends and family. Finally, in true Randian style, she abandons everyone for the boundless horizons of Los Angeles, hoping to make a TV show about her beloved muse.
Things look better in Hollywood—until the money starts running out, and with it Anna’s faith in the virtue of selfishness. When a death in the family sends her running back to New York and then spiraling at her mother’s house, Anna is offered a different kind of opportunity. A chance to kill the ego causing her pain at a mysterious commune on the island of Lesbos. The second half of Anna’s odyssey finds her exploring a very different kind of freedom–communal love, communal toilets–and a new perspective on Ayn Rand that could bring Anna back home to herself.
"A gimlet-eyed satirist of the cultural morasses and political impasses of our times" (Alexandra Kleeman), Lexi Freiman speaks in The Book of Ayn not only to a particular millennial loneliness, but also to a timeless existential predicament: the strangeness, absurdity, and hilarity of seeking meaning in the modern world.
Reseñas de la Crítica
"Exactly the book I want to be reading right now."—Literary Hub, A Most Anticipated Book of the Year
"Lexi Freiman’s The Book of Ayn is a viciously funny and precisely observed satire of creative ambition under capitalism. It made me laugh, wince, and want to quit society. I loved it."—Isabel Kaplan, author of NSFW
"The rarest type of book—smart, hilarious, and audacious. A rebuke to both cynicism and self-righteousness that takes aim at pretty much everybody."—Erin Somers, author of Stay Up with Hugo Best
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- Narrado por: Daniel Dae Kim (CK), Ashley Park, Wendell Pierce, y otros
- Duración: 1 h y 44 m
- Grabación Original
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Winner of an Obie and a finalist for the Pulitzer Prize, and directed by Tony nominee Leigh Silverman, Yellow Face is as timely as ever, wrestling with issues of cultural appropriation, complicity, and artistic freedom. It’s brought to life in this audio-only revival by a stunning all-star cast (many playing themselves) led by Daniel Dae Kim.
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Funny, great audible performance, and good dialogue.
- De Ed the Canadian en 05-04-24
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I Can't Make This Up
- Life Lessons
- De: Neil Strauss - contributor, Kevin Hart
- Narrado por: Kevin Hart
- Duración: 11 h y 15 m
- Versión completa
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Superstar comedian and Hollywood box-office star Kevin Hart turns his immense talent to the written word by writing some words. Some of those words include: the, a, for, above, and even even. Put them together and you have the funniest, most heartfelt, and most inspirational memoir on survival, success, and the importance of believing in yourself since Old Yeller.
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Best Audiobook I Ever Listened To
- De Sam Clear en 07-13-17
De: Neil Strauss - contributor, y otros
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Starting at a prestigious private Australian girls’ school, 15-year-old Ziggy Klein is confronted with an alienating social hierarchy that hurls her into the arms of her grade’s most radical feminists. Tormented by a burgeoning collection of dark, sexual fantasies, and a biological essentialist mother, Ziggy sets off on a journey of self-discovery that moves from the Sydney drag scene to the extremist underbelly of the Internet. As PC culture collides with her friends’ morphing ideology and her parents’ kinky sex life, Ziggy’s understanding of gender, race, and class begins to warp.
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This collection of nine short stories by Flannery O'Connor was published posthumously in 1965. The flawed characters of each story are fully revealed in apocalyptic moments of conflict and violence that are presented with comic detachment.
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Inextricably linked with the fatwa called against its author in the wake of the novel’s publication, The Satanic Verses is, beyond that, a rich showcase for Salman Rushdie’s comic sensibilities, cultural observations, and unparalleled mastery of language. The book begins with two Indians plummeting from the sky after the explosion of their airliner, and proceeds through a series of metamorphoses, dreams and revelations.
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Use an audiobook to really enjoy Satanic Verses
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It is 1873. Mrs. Eliza Touchet is the Scottish housekeeper—and cousin by marriage—of a once-famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years. Mrs. Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life and the next. But she is also sceptical. She suspects her cousin of having no talent; his successful friend, Mr. Charles Dickens, of being a bully and a moralist; and England of being a land of facades, in which nothing is quite what it seems.
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“Sadie Smith” is how the narrator introduces herself to her lover, to the rural commune of French subversives on whom she is keeping tabs, and to the listener. Sadie has met her love, Lucien, a young and well-born Parisian, by “cold bump”—making him believe the encounter was accidental. Like everyone Sadie targets, Lucien is useful to her and used by her. Sadie operates by strategy and dissimulation, based on what her “contacts”—shadowy figures in business and government—instruct. First, these contacts want her to incite provocation. Then they want more.
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I wish the author wasn’t the narrator
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Burn Book
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Part memoir, part history, Burn Book is a necessary chronicle of tech’s most powerful players. This is the inside story we’ve all been waiting for about modern Silicon Valley and the biggest boom in wealth creation in the history of the world. When tech titans crowed that they would “move fast and break things,” Kara Swisher was moving faster and breaking news. While covering the explosion of the digital sector in the early 1990s, she developed a long track record of digging up and reporting the facts about this new world order.
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It is 1873. Mrs. Eliza Touchet is the Scottish housekeeper—and cousin by marriage—of a once-famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years. Mrs. Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life and the next. But she is also sceptical. She suspects her cousin of having no talent; his successful friend, Mr. Charles Dickens, of being a bully and a moralist; and England of being a land of facades, in which nothing is quite what it seems.
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“Sadie Smith” is how the narrator introduces herself to her lover, to the rural commune of French subversives on whom she is keeping tabs, and to the listener. Sadie has met her love, Lucien, a young and well-born Parisian, by “cold bump”—making him believe the encounter was accidental. Like everyone Sadie targets, Lucien is useful to her and used by her. Sadie operates by strategy and dissimulation, based on what her “contacts”—shadowy figures in business and government—instruct. First, these contacts want her to incite provocation. Then they want more.
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Lo que los oyentes dicen sobre The Book of Ayn
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- Brian
- 08-02-24
Satire is difficult
When you get it satire is incredibly amusing, and insightful.
For me the satire wasn’t accessible. Maybe if you lived in New York and were surrounded by people like this it would be amusing.
For me, you might as well be satirizing citizens of mars.
It is an inside joke
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- Yona C. Riel
- 05-14-24
Very fun ride..
I like the way that this woman wrote this book. I also like the way that it was narrated. The story is funny and her words are lovely.
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- Daryl Kulak
- 08-11-24
Marvelous!
This wonderful book is like a hornier, more neurotic Eat-Pray-Love. That is high praise from me. Elizabeth Gilbert is my favorite author. Now she has competition.
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- Anonymous User
- 05-27-24
The main character is unlikable to the insufferable end...
I feel violated by The Daily Show having the author on... leading me to believe there was something good about this book. Jordan Klepper said he loves this book?! GTFOOH!
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- MB
- 01-11-24
Boring, Childish, Pointless
I was not a fan of the narrator, but that aside, the main character is dull and pathetic. The jokes are childish. The book tries to be ironic but the delivery falls flat. Way too many descriptions of poop, people pooping, and other bodily functions gone wrong. Too bored to finish.
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- James Pabst
- 09-25-24
Terminally Shallow
Another New York meta-writing kvetch that isn't particularly insightful or funny. The reader can't tell if they are in on a joke or just being laughed at.
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- Kathleen H. Gordon
- 06-03-24
How boring it was
There was not one redeeming thing about this book. I couldn’t believe I wasted all this time on a book I disliked.
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- Jules
- 12-30-23
Keep shit to yourself.
The word “shit” is overused. I had to stop listening when she actually described taking one.
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