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The Civilization of the Renaissance in Italy
- Narrado por: Geoffrey Howard
- Duración: 14 h y 9 m
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Resumen del Editor
Within the late Middle Ages and the Renaissance, Burckhardt finds the first stirrings of the modern world and, in the Renaissance Italian, the first modern man. His book-length essay includes discussions of all aspects of Italian civilization: art, fashion, literature, and the music of the time, as well as the flourishing of intellectual and spiritual life.
Reseñas de la Crítica
"An engrossing world of politics and popes, religion and renegades, lifestyles and literature that few historical works encompass....a joy for devotees of the Renaissance." (AudioFile)
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- Duración: 28 h y 42 m
- Versión completa
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The Civilization of the Middle Ages incorporates current research, recent trends in interpretation, and novel perspectives, especially on the foundations of the Middle Ages and the Later Middle Ages of the fourteenth and fifteenth centuries. A sharper focus on social history, Jewish history, women’s roles in society, and popular religion and heresy distinguish the book.
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Recommended for students
- De Delano en 12-18-11
De: Norman F. Cantor
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The Renaissance
- Studies in Art and Poetry
- De: Walter Pater
- Narrado por: Wanda McCaddon
- Duración: 6 h y 24 m
- Versión completa
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Published to great acclaim in 1873, Walter Pater’s compendium of idiosyncratic, impressionistic essays on the Renaissance gained him a reputation as a daring modern philosopher. Oscar Wilde called it the “holy writ of beauty.” It was Pater’s cry of “art for art’s sake” that became the manifesto for the aesthetic movement. He believed that art should be sensual and that beauty should rank as the highest ideal. Marked by elegant fluency, Pater’s essays discuss Botticelli, Michelangelo, Leonardo da Vinci, and other artists who, for him, embodied the spirit of the Renaissance.
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Wanda McCaddon and Pater = 😍
- De Tyler en 02-01-21
De: Walter Pater
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The House of Medici
- Its Rise and Fall
- De: Christopher Hibbert
- Narrado por: Michael Page
- Duración: 11 h y 16 m
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This enthralling book charts the family's huge influence on the political, economic, and cultural history of Florence. Beginning in the early 1430s with the rise of the dynasty under the near-legendary Cosimo de Medici, it moves through their golden era as patrons of some of the most remarkable artists and architects of the Renaissance, to the era of the Medici Popes and Grand Dukes, Florence's slide into decay and bankruptcy, and the end, in 1737, of the Medici line.
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Laundry list of names
- De Elizabeth W en 01-02-17
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Studies in the History of the Renaissance
- De: Walter Pater
- Narrado por: Leighton Pugh
- Duración: 5 h y 40 m
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Published in 1873, Studies in the History of the Renaissance is considered one of the most influential works in the field of aestheticism. The book is a collection of essays that explore various artists of the Renaissance period, focusing primarily on the art, culture, and philosophy of the time.
De: Walter Pater
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The Judgment of Paris
- The Revolutionary Decade that Gave the World Impressionism
- De: Ross King
- Narrado por: Tristan Layton
- Duración: 14 h y 47 m
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While the Civil War raged in America, another very different revolution was beginning to take shape across the Atlantic, in the studios of Paris. The artists who would make Impressionism the most popular art form in history were showing their first paintings amid scorn and derision from the French artistic establishment. Indeed, no artistic movement has ever been, at its inception, quite so controversial.
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Try this!
- De Robert en 10-28-08
De: Ross King
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Defenders of the Faith
- Charles V, Suleyman the Magnificent, and the Battle for Europe, 1520-1536
- De: James Reston Jr.
- Narrado por: Jim Meskimen
- Duración: 14 h y 48 m
- Versión completa
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In the best-selling Warriors of God and Dogs of God, James Reston Jr. limned two epochal conflicts between Islam and Christendom. Here he examines the ultimate battle in that centuries-long war, which found Europe at its most vulnerable and Islam on the attack. This drama was propelled by two astonishing young sovereigns: Holy Roman Emperor Charles V and Turkish sultan Suleyman the Magnificent. Though they represented two colliding worlds, they were remarkably similar.
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Good account of interesting period of history
- De ItalCali en 03-11-22
De: James Reston Jr.
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Michelangelo, God's Architect
- The Story of His Final Years and Greatest Masterpiece
- De: William E. Wallace
- Narrado por: Simon Callow
- Duración: 8 h y 44 m
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Michelangelo, God's Architect is the first book to tell the full story of Michelangelo's final two decades, when the peerless artist refashioned himself into the master architect of St. Peter’s Basilica and other major buildings. When the Pope handed Michelangelo control of the St. Peter’s project in 1546, it was a study in architectural mismanagement, plagued by flawed design and faulty engineering.
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Michelangelo, architect, urban designer, artist
- De Marco en 09-16-20
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The Lives of the Artists
- De: Giorgio Vasari, Julia Conway Bondanella - Translated by, Peter Bondanella - Translated by
- Narrado por: James Cameron Stewart
- Duración: 22 h y 26 m
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These biographies of the great quattrocento artists have long been considered among the most important of contemporary sources on Italian Renaissance art. Vasari, who invented the term "Renaissance", was the first to outline the influential theory of Renaissance art that traces a progression through Giotto, Brunelleschi, and finally the titanic figures of Michaelangelo, Da Vinci, and Raphael.
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Awesome
- De Daniel en 05-17-19
De: Giorgio Vasari, y otros
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Europe Between the Oceans
- 9000 BC-AD 1000
- De: Barry Cunliffe
- Narrado por: James Cameron Stewart
- Duración: 18 h y 48 m
- Versión completa
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In this magnificent book, distinguished archaeologist Barry Cunliffe reframes our entire conception of early European history, from prehistory through the ancient world to the medieval Viking period. Cunliffe views Europe not in terms of states and shifting political land boundaries but as a geographical niche particularly favored in facing many seas. These seas, and Europe's great transpeninsular rivers, ensured a rich diversity of natural resources while also encouraging the dynamic interaction of peoples across networks of communication and exchange.
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Books like these give the history genre a bad rep
- De Amazon Customer en 07-21-24
De: Barry Cunliffe
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The Family Medici
- The Hidden History of the Medici Dynasty
- De: Mary Hollingsworth
- Narrado por: Anne Flosnik
- Duración: 12 h y 53 m
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Having founded the bank that became the most powerful in Europe in the 15th century, the Medici gained massive political power in Florence, raising the city to a peak of cultural achievement and becoming its hereditary dukes. Mary Hollingsworth argues that the idea that the Medici were enlightened rulers of the Renaissance is a fiction that has now acquired the status of historical fact. In truth, the Medici were as devious and immoral as the Borgias - tyrants loathed in the city they illegally made their own.
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Good story, bad narrator.
- De EC en 01-07-19
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The History of the Ancient World
- From the Earliest Accounts to the Fall of Rome
- De: Susan Wise Bauer
- Narrado por: John Lee
- Duración: 26 h y 20 m
- Versión completa
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Historia
This is the first volume in a bold new series that tells the stories of all peoples, connecting historical events from Europe to the Middle East to the far coast of China, while still giving weight to the characteristics of each country. Susan Wise Bauer provides both sweeping scope and vivid attention to the individual lives that give flesh to abstract assertions about human history. This narrative history employs the methods of "history from beneath" - literature, epic traditions, private letters, and accounts - to connect kings and leaders with the lives of those they ruled.
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An Historic Achievement
- De Ellen S. Wilds en 04-25-14
De: Susan Wise Bauer
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Journey to the End of the Night
- De: Louis-Ferdinand Celine
- Narrado por: David Colacci
- Duración: 19 h y 35 m
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Historia
Louis-Ferdinand Celine's revulsion and anger at what he considered the idiocy and hypocrisy of society explodes from nearly every minute of this novel. Filled with slang and obscenities and written in raw, colloquial language, Journey to the End of the Night is a literary symphony of violence, cruelty, and obscene nihilism. This book shocked most critics when it was first published in France in 1932, but quickly became a success with the public in Europe, and later in America.
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Miserable Ride with Cynic Supreme
- De W Perry Hall en 03-15-17
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Sailing the Wine-Dark Sea
- Why the Greeks Matter
- De: Thomas Cahill
- Narrado por: John Lee
- Duración: 7 h y 35 m
- Versión completa
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Best selling history writer Thomas Cahill continues his series on the roots of Western civilization with this volume about the contributions of ancient Greece to the development of contemporary culture. Tracing the origin of Greek culture in the migrations of armed Indo-European horsemen into Attica and the Peloponnesian peninsula, he follows their progress into the creation of the Greek city-states, the refinement of their machinery of war, and the flowering of intellectual and artistic culture.
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Super super
- De Richard en 12-28-03
De: Thomas Cahill
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The Medici
- Power, Money, and Ambition in the Italian Renaissance
- De: Paul Strathern
- Narrado por: Derek Perkins
- Duración: 16 h y 21 m
- Versión completa
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Against the background of an age that saw the rebirth of ancient and classical learning, Paul Strathern explores the intensely dramatic rise and fall of the Medici family in Florence as well as the Italian Renaissance, which they did so much to sponsor and encourage. Interwoven into the narrative are the lives of many of the great Renaissance artists with whom the Medici had dealings, including Leonardo, Michelangelo, and Donatello as well as scientists like Galileo and Pico della Mirandola.
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Fun Story Bad History
- De Elizabeth Barrett en 05-09-16
De: Paul Strathern
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The History of Sexuality, Vol. 1
- An Introduction
- De: Michel Foucault
- Narrado por: Michael Page
- Duración: 5 h y 11 m
- Versión completa
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Why has there been such an explosion of discussion about sex in the West since the 17th century? Here, one of France's greatest intellectuals explores the evolving social, economic, and political forces that have shaped our attitudes toward sex. In a book that is at once controversial and seductive, Michel Foucault describes how we are in the process of making a science of sex which is devoted to the analysis of desire, rather than the increase of pleasure.
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Incisive production
- De Book Lover en 03-03-17
De: Michel Foucault
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A World Lit Only by Fire
- The Medieval Mind and the Renaissance: Portrait of an Age
- De: William Manchester
- Narrado por: Barrett Whitener
- Duración: 11 h y 36 m
- Versión completa
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From tales of chivalrous knights to the barbarity of trial by ordeal, no era has been a greater source of awe, horror, and wonder than the Middle Ages. In handsomely crafted prose and with the grace and authority of his extraordinary gift for narrative history, William Manchester leads us from a civilization tottering on the brink of collapse to the grandeur of its rebirth, the Renaissance.
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Ruined by the narrator
- De Wallen en 02-28-09
Lo que los oyentes dicen sobre The Civilization of the Renaissance in Italy
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- Coug Dude
- 05-06-18
Reads more like a dissertation,
very factual but without any flow, could be a good reference source for students and scholars.
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- Jake
- 12-16-21
Difficult for listening
This is a difficult book to enjoy in audio format. The somewhat archaic prose is difficult to follow if you use audiobooks as I do, which is often during some other menial task (driving, cleaning, ect) that doesn't require my full attention. Books like this are more suited towards the concentration that comes from reading. Also, this book assumes you already know a lot of the fundamentals of renaissance and medieval Italy. For example one is assumed to already know and understand the conflict between Guelph and Ghibelline, as well as what the Condottieri are and their role. Without some prior knowledge this book will be confusing, and for most it would be better read than listened to.
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- Jefferson
- 06-01-24
Too Much Labor Listening Without Enough Learning
In The Civilization of the Renaissance in Italy (1860), Jacob Burckhardt relates the causes, nature, culture, and effects of the Renaissance in Italy—in exhausting detail. The best part for me was Part One, The State as a Work of Art, a grim but witty survey of 14th- and 15th-century Italian despotism and mayhem: feuding families, bastard inheritors, Condottieri rulers, nephews assasinating uncles, popes inviting rivals to Rome and then beheading them, and suffering commoners. Interestingly, the leaders of such tyrannical and chaotic Italian states lavishly patronized the arts, as in Petrarch’s poetry and Raphael’s paintings.
In addition to The State as a Work of Art, Burckhardt covers the following major topics:
Part Two: The Development of the Individual
Part Three: The Revival of Antiquity
Part Four: The Discovery of the World and of Man
Part Five: Society and Festivals
Part Six: Morality and Religion
Although it doesn’t directly and detailedly talk much about particular works of art or their creators, the book indeed contains much interesting information and many interesting ideas about the Renaissance and related matters. Like the following:
--The Reformation led to the salvation of the Catholic church in the Counter Reformation.
--Copiests were in great demand to help disperse the writings of the ancients.
-- In Italy, poetry was a hundred years ahead of painting in becoming more observant of and admiring of the world and humanity.
--“…women stood on a footing of perfect equality with men” and mixed in intellectual circles as participants and patronesses and were permitted as much adultery as their husbands.
--The excessive crime and lawlessness (murder of passion, murder for hire, vendetta, rape, brigandage, destruction, etc.) of Italy derived from its virtues as the leading land of the individual (excessive independence and egoism), as well as from the corruption of the church, which offered no moral compass to the people.
Burckhardt does occasionally reveal his 19th-century European Christian prejudices by, for instance, commenting that women wearing too much make up in the Renaissance were equivalent to “the painting of savages” or by referring to Muslims as barbarians. At the same time, he also often transcends his era by, for example, revealing that it’s unfair to condemn women for committing the same sins as those committed by men.
And Burckhardt is often engaging, even entertaining. Here’s an example of what I like about his writing when he’s on his game:
“Compared with the sharp pens of the eighteenth century, Aretino had the advantage that he was not burdened with principles, neither with liberalism nor philanthropy nor any other virtue, nor even with science; his whole baggage consisted of the well-known motto, ‘Veritas odium parit.’ He never, consequently, found himself in the false position of Voltaire, who was forced to disown his ‘Pucelle’ and conceal all his life the authorship of other works. Aretino put his name to all he wrote, and openly gloried in his notorious ‘Ragionamenti.’ His literary talent, his clear and sparkling style, his varied observation of men and things, would have made him a considerable writer under any circumstances destitute as he was of the power of conceiving a genuine work of art, such as a true dramatic comedy; and to the coarsest as well as the most refined malice he added a grotesque wit so brilliant that in some cases it does not fall short of that of Rabelais… The tone in which he appealed to Clement VII not to complain or to think of vengeance, but to forgive, at the moment when the wailings of the devastated city were ascending to the Castle of St. Angelo, where the Pope himself was a prisoner, is the mockery of a devil or a monkey.”
Granted, I don’t know quite what “Veritas odium parit” and “Ragionamenti” mean and had never heard of Aretino, I love Burckhardt’s character sketch of the notorious satirist.
But there are also too many passages with too many names and titles etc. that go in one eye and out the other, like this one:
“By the side of these local temples of fame, which myth, legend, popular admiration, and literary tradition combined to create, the poet-scholars built up a great Pantheon of worldwide celebrity. They made collections of famous men and famous women, often in direct imitation of Cornelius Nepos, the pseudo-Suetonius, Valerius Maximus, Plutarch (Mulierum virtutes), Hieronymus (De Viris Illustribus), and others: or they wrote of imaginary triumphal processions and Olympian assemblies, as was done by Petrarch in his ‘Trionfo della Fama,’ and Boccaccio in the ‘Amorosa Visione,’ with hundreds of names, of which three-fourths at least belong to antiquity and the rest to the Middle Ages. By-and-by this new and comparatively modern element was treated with greater emphasis; the historians began to insert descriptions of character, and collections arose of the biographies of distinguished contemporaries, like those of Filippo Villani, Vespasiano Fiorentino, Bartolommeo Facio, Paolo Cortese, and lastly of Paolo Giovio.”
Eek! Such passages soon started numbing me to the interesting information and ideas elsewhere in the book. I retained so little of what I heard. I didn’t learn enough to offset the eye-glazed labor of listening to it. Gods! I’ve never felt so relieved to have a book finally end than I did with this one.
Even the normally splendid Ralph Cosham (who does perfect Louise Penny, Watership Down, A Little History of the World, the Alice books, and so on) couldn’t help here. In fact, I even wearied of him! Burckhardt’s book became the perfect storm of a monotonous reader and a dryly (if wittily) written subject with myriad unfamiliar names as examples. I’m not sure if a different reader would have improved it or worsened it.
A special shout out to the producers of the Blackstone audiobook, for putting on the “cover” the *egregiously* anachronistic painting by William-Adolphe Bouguereau (1825-1905) The Birth of Venus (1879). It is a lovely, realistic, sexy painting, but it is a 19th-century Academy painting, not a 14th- or 15th-century Renaissance painting. Far better to have used Botticelli's much more charming RENAISSANCE painting of the same scene.
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- Darwin8u
- 07-12-14
A nest as beautiful as the bird(s) it bore
Often, when writing about the Renaissance there is tendency among experts/writers/historians to focus on the well-plumed bird and ignore the nest. Burckhardt spends nearly 400 pages carefully detailing the Tuscan nest of the Renaissance that embraced, protected, and incubated the great Italian artists of the Rinascimento (Giotto to Michelangelo, etc).
Burckhardt first describes the state in Italy and carefully describes the rise of the despots, the energy of the republics, and the push and the pull of the papacy. He builds on this, describing the development of the individual, Italy's relationship with its Classical past. Finally, Burckhardt details the science, society and religion of Italy during those impressive years between 1350 and 1550.
I think Daniel J. Boorstin summarized it best when he said Burckhardt "offered a classic portrait of the men and institutions that gave the era its characters and made it the mother of modern European civilization."
Like Gibbon's fantastic 'Decline and Fall of the Roman Empire' it is tempting to gloss over how drastically the craft of history was changed by this book. Burckhardt wasn't interested in a stale or utilitarian history. He wanted a nest that was just as beautiful as the bird it bore.
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- Henry
- 09-01-10
A Learned Book from 150 Years Ago
For a contemporary author of history to write a book of real merit it is required that the author have mastered the material that is the subject of the book, found wisdom in those studies, and most importantly must be able to present his work in a style that renders the material comprehensible and appealing to a wide readership.
When reading a work penned 150 years ago, one must allow for the change in writing styles from then to now. For example just try reading On War by Carl von Clausewitz or even Geoffrey Chaucer or even William Shakespeare in their original wordings. It should also go without saying that when the author refers to now he means his contemporary now of a 150 years ago, which means, his ideology reflect his era not ours.
Thus, Jacob Burckhardt's The Civilization of the Renaissance in Italy like The Prince by Niccol?? Machiavelli or The Inferno by Dante Alighieri needs some knowledge of the era to be truly appreciated. Because of the arcane style of this book, if you don't already have knowledge of both the Renaissance in Italy and the author's 1800's this work may not be the best place to acquire it.
Geoffrey Howard did an able job in his narration.
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- Ingelin
- 07-16-10
Like a questionnaire
I regret purchasing this book. I gave it up after listening for close to 3 hours because I feel that it reads like a questionnaire. A long list of names and accompanaying each: Was he gruesome? Yes, no. Did he try to grab wealth wherever possible? Yes, no. Did he have a wife renowned for her beauty and devotion to the local church? Yes, no. Did he murder someone? Yes, no. Was he murdered? But no presentation, and no future promise of one, on what these facts may possibly relate to use about the renaissance in Italy. Extremely boring in my opinion.
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