-
The Girl Who Fell Beneath Fairyland and Led the Revels There
- Fairyland, Book 2
- Narrado por: S. J. Tucker
- Duración: 8 h y 18 m
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Historia
For nearly a century, Victorian London relied on “climbing boys” - orphans owned by chimney sweeps - to clean flues and protect homes from fire. The work was hard, thankless, and brutally dangerous. Eleven-year-old Nan Sparrow is quite possibly the best climber who ever lived - and a girl. But when Nan gets stuck in a deadly chimney fire, she fears her time has come. Instead, she wakes to find herself in an abandoned attic. And she is not alone. Huddled in the corner is a mysterious creature - a golem - made from ash and coal. This is the creature that saved her from the fire.
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Thank you.
- De Tim Smith en 01-20-19
De: Jonathan Auxier
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Egg & Spoon
- De: Gregory Maguire
- Narrado por: Michael Page
- Duración: 12 h y 43 m
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Elena Rudina lives in the impoverished Russian countryside. Her father has been dead for years. Her brothers have been conscripted into the Tsar's army and taken as servants in the house of the local wealthy landowner. Her mother is dying, slowly, in their tiny cabin. And there is no food. But then a train arrives in the village, a train carrying untold wealth, a cornucopia of food, and a noble family destined to visit the Tsar in St. Petersburg - a family that includes Ekaterina, a girl of Elena's age.
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Best Book Ever!!!
- De Kindle Customer2 en 10-15-14
De: Gregory Maguire
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The Book Jumper
- De: Mechthild Glaser
- Narrado por: Mary Sarah
- Duración: 8 h y 15 m
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Amy's grandmother, Lady Mairead, insists that Amy must read while she resides at Lennox House - but not in the usual way. It turns out that Amy is a book jumper, able to leap into a story and interact with the world inside. As thrilling as Amy's new power is, it also brings danger: someone is stealing from the books she visits, and that person may be after her life. Teaming up with fellow book jumper, Will, Amy vows to get to the bottom of the thefts - at whatever cost.
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Beautiful 🥲
- De DOMINIQUE en 06-22-21
De: Mechthild Glaser
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Other Voices, Other Rooms
- De: Truman Capote
- Narrado por: Cody Roberts
- Duración: 6 h y 29 m
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At the age of 12, Joel Knox is summoned to meet the father who abandoned him at birth. But when Joel arrives at the decaying mansion in Skully's Landing, his father is nowhere in sight. What he finds instead is a sullen stepmother who delights in killing birds; an uncle with the face - and heart - of a debauched child; and a fearsome little girl named Idabel who may offer him the closest thing he has ever known to love.
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Capote’s coming of age story
- De Daniel Diffin en 11-08-23
De: Truman Capote
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Liesl & Po
- De: Kei Acedera, Lauren Oliver
- Narrado por: Jim Dale
- Duración: 5 h y 55 m
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Liesl lives in a tiny attic bedroom, locked away by her cruel stepmother. Her only friends are the shadows and the mice - until one night a ghost appears from the darkness. It is Po, who comes from the Other Side. Both Liesl and Po are lonely, but together they are less alone. That same night, an alchemist's apprentice, Will, bungles an important delivery. He accidentally switches a box containing the most powerful magic in the world with one containing something decidedly less remarkable. Will's mistake has tremendous consequences for Liesl and Po....
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Great story made better by a great narrator
- De Marie en 09-16-12
De: Kei Acedera, y otros
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The Woodcutter
- De: Kate Danley
- Narrado por: Sarah Coomes
- Duración: 7 h y 41 m
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Deep within the Wood, a young woman lies dead. Not a mark on her body. No trace of her murderer. Only her chipped glass slippers hint at her identity. The Woodcutter, keeper of the peace between the Twelve Kingdoms of Man and the Realm of the Faerie, must find the maiden’s killer before others share her fate. Guided by the wind and aided by three charmed axes won from the River God, the Woodcutter begins his hunt, searching for clues in the whispering dominions of the enchanted unknown. But quickly he finds that one murdered maiden is not the only nefarious mystery afoot....
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Fantasy for fairy tale lovers
- De A. Sines en 03-25-15
De: Kate Danley
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Beauty and the Beast: Lost in a Book
- De: Jennifer Donnelly
- Narrado por: Jenna Augen
- Duración: 7 h y 20 m
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Hidden in the Beast's library is a very mysterious book. Belle is about to discover it and visit a glittering new world. But is everything in that world what it seems? And will Belle be able to find her way home? Or will the story take hold of her - and never let her go?
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Naive Belle
- De De-Anna en 08-02-18
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Arcadia
- De: Lauren Groff
- Narrado por: Andrew Garman
- Duración: 11 h y 8 m
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Lauren Groff’s acclaimed debut novel The Monsters of Templeton was short-listed for the Orange Prize. Her second novel, Arcadia opens in the late 1960s with a group of young idealists forming a commune in western New York State. Into this group is born Bit, who grows into a quiet, distant man. Over the course of 50 years, Bit witnesses the utopia crumble and the world change in unimaginable ways.
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Luscious prose, intimate and realistic
- De Kathleen en 03-22-12
De: Lauren Groff
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The Cabinet of Wonders
- The Kronos Chronicles: Book I
- De: Marie Rutkoski
- Narrado por: Lorelei King
- Duración: 7 h y 9 m
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Petra Kronos has a simple, happy life. But it's never been ordinary. She has a pet tin spider named Astrophil who likes to hide in her snarled hair and give her advice. Her best friend can trap lightning inside a glass sphere. Petra also has a father in faraway Prague who is able to move metal with his mind. Petra's life is forever changed when, one day, her father returns home - blind.
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It was okay
- De Robbin Sutherland en 05-29-12
De: Marie Rutkoski
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Grim
- De: Ellen Hopkins, Julie Kagawa, Amanda Hocking, y otros
- Narrado por: Christine Johnson
- Duración: 13 h y 7 m
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Inspired by classic fairy tales, but with a dark and sinister twist, Grim contains short stories from some of the best voices in young adult literature today: Ellen Hopkins, Amanda Hocking, Julie Kagawa, Claudia Gray, Rachel Hawkins, Kimberly Derting, Myra McEntire, Malinda Lo, Sarah Rees-Brennan, Jackson Pearce, Christine Johnson, Jeri Smith Ready, Shaun David Hutchinson, Saundra Mitchell, Sonia Gensler, Tessa Gratton, Jon Skrovron.
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amazing
- De Anonymous User en 10-04-17
De: Ellen Hopkins, y otros
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The Saturdays
- De: Elizabeth Enright
- Narrado por: Pamela Dillman
- Duración: 4 h y 7 m
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The four Melendy children live with their father and Cuffy, their beloved housekeeper, in a worn but comfortable brownstone in New York City. There's thirteen-year-old Mona, who has decided to become an actress; twelve-year-old mischievous Rush; ten-year-old Randy who loves to dance and paint; and thoughtful Oliver, who is just six-years-old.
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Excellent for children and adults
- De Dale en 05-15-04
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Alice
- De: Christina Henry
- Narrado por: Jenny Sterlin
- Duración: 8 h y 28 m
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In a warren of crumbling buildings and desperate people called the Old City, there stands a hospital with cinderblock walls that echo the screams of the poor souls inside. In the hospital, there is a woman. Her hair, once blond, hangs in tangles down her back. She doesn't remember why she's in such a terrible place. Just a tea party long ago, and long ears, and blood.
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Superb writing and narration
- De Jennifer Wadsworth en 08-27-16
De: Christina Henry
Lo que los oyentes dicen sobre The Girl Who Fell Beneath Fairyland and Led the Revels There
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- Francois
- 03-13-15
It was a good story but...
It was a good story it was a bit difficult to follow the characters. I also dragged on many chapters.
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- Sarah
- 02-15-23
Complex and Beautiful
I wish I could go back and read this series as a tween or teen, but I do very much love reading it as an adult
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- Claudia
- 01-07-14
Enchanting!
Have you listened to any of S. J. Tucker’s other performances before? How does this one compare?
S.J. Tucker is a true performer. Every character was brought to life with his or her own nuances. Truly an enjoyable listen.
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- Bonnie
- 08-11-19
One of my favorites series
i love this series. the narration was really good, but different from all the other books.
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- Sarah Prentice
- 12-09-15
Loved it!
Excellent book, I'm excited to read more in the series and this is one I can listen to again and again. Great for all ages.
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- Tami
- 02-14-22
A great listen
Personally, I preferred the author as narrator, but this second book was very well done.
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- Nin
- 03-07-19
My favorite fairytale
These books are the greatest stories written in a very long time. Timeless and ageless, a story who sits beside Alice in Wonderland, and The Wizard of Oz for tea time. Where they sit and talk about their heroines.
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- Shannon
- 02-17-24
Wonderful story but I liked the author’s narration better
The second September book is just as good, if not better, than the first. I just wish the author was narrating again. This voice sounds kind of breathy. Still, overall wonderful!
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- Charles
- 10-15-12
Beauiful, playful, dark, and dreamy.
Would you listen to The Girl Who Fell Beneath Fairyland and Led the Revels There again? Why?
I will definitely listen to this book again. It was perfect squeal to the first fairyland book!
Did you have an extreme reaction to this book? Did it make you laugh or cry?
Several times toward the end of the book I was pleasantly surprised by what was revealed. It was like the magician revealing the rabbit was under the cloth the whole time and you were so sure he put it in the hat. It was amazing. SJ tuckers narration was prefect!
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- Jefferson
- 10-22-16
Faeries, Shadows, Halloween--and September Again!
September again! I loved Catherynne M. Valente's first book about her intrepid, heartless 12-year-old heroine (hey--all children are heartless), The Girl Who Circumnavigated Fairyland on a Ship of Her Own Making (2011). It effervesces with the joys of language, imagination, story, and Faerie, while staying grounded in the depth of life. Valente's second book featuring September, The Girl Who Fell Beneath Fairyland and Led the Revels There (2012) is almost as exuberant and extravagant as the first. September's father is still away at war in Europe, and she's still an outsider at school, especially now that she has a big secret--her first trip to Fairyland--that she can't tell for fear of making it evaporate into dream, when, celebrating her 13th birthday, September runs after a rowboat flying over the Nebraska wheat fields back into Fairyland.
She quickly learns that all is not well in Fairyland, thanks to her decision early in her first adventure to give up her shadow to save a Pooka girl. September's independent shadow, Halloween "the Hollow Queen," rules Fairyland-Below (the underworld of Fairyland), leading too many revels there, and working on a scheme that may end up separating Fairyland from our real world. And it's September's responsibility to put things right.
The plot is episodic, with September traveling through Fairyland-Below on an impossible quest, meeting a series of outre and charming characters, from fairies in some distress to unattached and wild shadows. Valente inserts into her Faerie elements of science fiction (or steampunk), like a Fairy Queer Physickist (AKA a Mad Scientist), who has invented a Squid Hole (more versatile than a Worm Hole) and a Sameness Engine, among other machines that find their own uses.
Valente ties it all together around quests, shadows, and hearts. She creates a Questing Physicks, full of apt laws, grail equations, field studies on "free-range treasure," classifications of quest types (e.g., a Theseus Quest) and quest objects (e.g., Useful, Deceitful, Mutable), an explanation of the E.K.T. (Everyone Knows That) Field, and even an elusive GUT (Grand Unified Tale).
As for shadows, Valente exploits the idea that our shadows embody our hidden innermost selves, so that shy people have bold shadows, wicked people good ones, and so on. She also explores the degrees to which our freed shadows would be our siblings, our selves, or independent entities. The relationship between shadow, id, and magic is interestingly developed: "The body does the living; the shadow does the dreaming."
As for hearts, September is growing one as she begins the fraught process of becoming an adult, experiencing kissing, wondering what she'll do when she grows up, and learning about loss. As a result, "Like a branch that seems one day to be bare and hard, and the next explodes with green buds and pink blossoms, her heart, which as we have said was very new and still growing, put out a long tendril of dark flowers."
The virtues of September's first book are on full display in her second: The vivifying of inanimate objects (dresses, rivet guns, books, etc.), the fresh takes on typical fairyland/fantasy elements (minotaurs, sibyls, sleeping royalty, etc.) and obscure ones (Glashtyns, Monaciellos, Bakus, etc.) and new ones (the Onion-Man, the Jarlhopp, the Hreinns, etc.), the plays on language (a Goblin Market sells your Bone's Desire, "Necessity is the Mother of Temptation," and Questing, Queer, and Quiet Physicks are the ps and qs you should mind, etc.), the cool concepts (the Mines of Memory, the Narrative Barometer, operating slantwise like a chess bishop, etc.), and the witty statements on life ("Children are natural practitioners of the Queer and the Questing, for childhood is nothing less than a quest through a queer country" and "a labyrinth, when it is big enough, is just the whole world").
And the vivid descriptions and potent similes:
--It made a frightful sound that echoed all through the wood, like a bone bursting.
--It tasted like the thing other carrots meant to copy.
--Flight was not a thing she did, it was a thing happening inside her, a thing thrilling through her reptile blood and her armored skin, a thing jumping in her bones and reaching up to catch the heels of the air.
Other things to admire about the book(s). September might not be a pure-white child, with her chocolaty brown curls and her father's black eyes and dark hand. Valente reverses typical genre gender roles, presenting a sleeping prince and male and female same-sex loving characters. She avoids setting up one-dimensional evil antagonists, but is at pains to show that, as a female Minotaur librarian says, we are all monsters of one kind or another. The worst things people do tend to be from acting without thinking about the consequences (one of Halloween's nicknames is "Princess of Doing What You Please").
Sometimes I felt that Valente's imagination, prose, and "sly narrator" wax a bit too rich, like a dinner of chocolate truffles, mousse, and cake. Perhaps the second book is a bit talkier than the first. The interludes with two crows feel unnecessary. And at times I nearly thought, "Is it possible that the rules from traditional fairy tales etc. that Valente gleans and codifies make her otherwise original play with the genre seem less fresh?
Although I missed Valente reading her book in her appealingly ironic and sympathetic drawl, as she did with the first one, the professional reader of this second book, S. J. Tucker, is fine, doing a nice base narration voice plus appealing voices for Saturday, Ell, September, Avogadra, Aubergine, Iago, etc. And people who disliked Valente's reading style should like Tucker's.
Readers interested in self-aware, richly-written, densely imagined contemporary fantasy that plays with genre conventions and stays unpredictable, funny, moving, beautiful, and disturbing by turns should like this novel (though they should start with the first book in the series).
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