The Leavenworth Case
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Narrated by:
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Steve Marvel
About this listen
The classic genre-defining whodunit, by the mother of the detective novel. Introducing the first American series detective, Ebenezer Gryce, The Leavenworth Case was published nine years before the debut of Sherlock Holmes, and made author Anna Katharine Green an enormously popular and influential writer who changed the mystery genre forever.
Showcasing Green's verve and style, The Leavenworth Case opens with the shocking murder of Horatio Leavenworth, a wealthy New York merchant, philanthropist, and well-known member of the community. His favorite niece, Mary, is to inherit his fortune, and all of the evidence seems to implicate her or her sister. Yet surprises greet Gryce at every turn - even before the second murder.
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The Jewel of Seven Stars
- By: Bram Stoker
- Narrated by: Simon Vance
- Length: 8 hrs and 6 mins
- Unabridged
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The warning was inscribed on the entrance of the hidden tomb, forgotten for millennia in the sands of mystic Egypt. Then the archaeologists and grave robbers came in search of the fabled Jewel of Seven Stars, which they found clutched in the hand of the mummy. Few heeded the ancient warning, until all who came in contact with the Jewel began to die in a mysterious and violent way, with the marks of a strangler around their neck.
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Mother of all Mummy-Stories
- By Dorothea on 03-15-08
By: Bram Stoker
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The Count of Monte Cristo
- By: Alexandre Dumas
- Narrated by: Bill Homewood
- Length: 52 hrs and 41 mins
- Unabridged
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On the eve of his marriage to the beautiful Mercedes, having that very day been made captain of his ship, the young sailor Edmond Dantès is arrested on a charge of treason, trumped up by jealous rivals. Incarcerated for many lonely years in the isolated and terrifying Chateau d'If near Marseille, he meticulously plans his brilliant escape and extraordinary revenge.
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This is the one to spend 50 hours listening to!
- By james on 03-05-13
By: Alexandre Dumas
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Lady Audley's Secret
- By: Mary Elizabeth Braddon
- Narrated by: Olivia Poulet
- Length: 13 hrs and 11 mins
- Unabridged
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From the author of The Christmas Hirelings comes this Audible Exclusive production of Mary Elizabeth Braddon’s classic sensation novel Lady Audley’s Secret. English actress Olivia Poulet gives an assured and captivating narration; a cornerstone of the genre and a scandal at the time of its publication, Lady Audley’s Secret is an entertaining and shocking tale of high drama and shifting perceptions.
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Classic 19th Century “sensation novel”
- By Susan on 08-20-19
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The Best Man
- By: Grace Livingston Hill
- Narrated by: Anne Hancock
- Length: 6 hrs and 29 mins
- Unabridged
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Cyril Gordon, an intrepid Secret Service Agent, has completed part of his mission in obtaining a coded message vital to the nation's security. But desperate men are pursuing him and with the help of a handy cab and a disguise, he makes his escape. The cab deposits him at a church where, astoundingly, everyone seems to be waiting for him to complete a wedding party, certain he's the missing best man.
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Art Deco Romance
- By Miss Right on 12-12-18
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The Idiot
- By: Fyodor Dostoevsky
- Narrated by: Jefferson Mays
- Length: 27 hrs and 56 mins
- Unabridged
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In The Idiot, Prince Myshkin possesses a childlike innocence and trusting nature that leave him vulnerable to abuse by those around him. Returning to St. Petersburg to collect an inheritance, Myshkin realizes he is a stranger in a society obsessed with wealth, manipulation and power.
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Avoid Constance Garnett
- By Anthony on 04-09-17
What listeners say about The Leavenworth Case
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- C. B. Consumer
- 05-31-16
As we traveled.
Would you listen to The Leavenworth Case again? Why?
Four adults, including myself, recently took off across the country for a week of vacation. When conversation got a bit slack, I suggested a recorded book. We settled on this one because it was shorter than my other offerings. I loved the story. The mystery was very well spun and especially that little twist at the end. The 19th century vocabulary was funny. One of the men commented that he needed a dictionary quite often throughout the narration. But, that said, the outdated language, while sometimes funny, didn't make us lose our way throughout the story. It made our days of travel through South Dakota and eastern Colorado a bit more interesting.
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1 person found this helpful
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- joanie
- 01-26-22
too long
not my kind of book it got a little boring at times I am happy things and time chances how we investigate
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- Ijw
- 07-08-19
Melodrama
A melodrama without the humor that you would need to actually stick to the story. if you get tired of the whole thing you can skip to the last chapter where it's all explained.
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1 person found this helpful
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- Anna Zaigraeva
- 11-23-23
Well-crafted mystery suffers from dated prose
This book is a little too much of the period, and the author, even as she breaks new ground with respect to the detective novel, is very much of her time and class and place. The dialogue is stilted and unnatural, with every utterance verging on melodrama, which is typical of popular literature at the time. Interestingly, the detective - not the lawyer, but the actual detective, of whom there is surprisingly little in the story - is much more recognizable, and even foreshadows the "defective detective" trope by giving him a quirk: Gryce does not make eye contact with his interlocutors.
That being said, the mystery has a lot to recommend itself, and despite a few minor contrivances and coincidences, is largely put together in a way that, on re-reading, shows it to be traceable by the attentive reader. There isn't this tendency that Conan Doyle had, for instance, to have the base his far-fetched but invariably correct deduction on a clue denied to the reader until the end. Gryce works hard for his victory, and he earns the conclusions he comes to.
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1 person found this helpful
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- Maggie
- 02-10-14
Great Victorian 'whodunnit'
Would you recommend this audiobook to a friend? If so, why?
If you like a good old-fashioned victorian mystery, you'll love this book. The characters are so detailed.
Who was your favorite character and why?
I like the lead character best - he could be anybody, and you feel for him! Like Alice stepping through the looking glass, he had no idea what he was getting himself into.
What about Steve Marvel’s performance did you like?
Mr Marvel really captured the characters - they were all so different, and his interpretation really adds depth to the story and the suspense. I love it when the narration makes the book better, and that is the case here.
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4 people found this helpful
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- Customer
- 06-07-15
Too dated
Unlike Mary Roberts Rinehart's books, Anna Catherine Green's prose doesn't stand up up to test of time. This is the second book I've read/listened to, and the mystery gets lost in the flowery, artificial language. The first book I tried I actually read. The narration gave this book an added depth it wouldn't have had in print.
I don't recommend this writer to anyone who reads just for pleasure. Stripped of the artifice, the motives and killer were obvious immediately.
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4 people found this helpful
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- nancy
- 08-31-16
worst book i have EVER listened to in Audible
What could have made this a 4 or 5-star listening experience for you?
This book is terrible from start to finish. The idea of the book is flawed and contrived. The language supposedly used by mid-late-19th-century americans is stupid (I am a ph.d. 19th-century u.s. historian). this book is terrible on every measure.
What didn’t you like about Steve Marvel’s performance?
The performer tried to do a good job with a very poor script. i don't hold him accountable for the terrible book. He did the best he could with very bad material.
Any additional comments?
Save your credits or money. Don't choose this book!
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1 person found this helpful
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- Lynn L.
- 01-26-23
Overwrought
I wanted to like Green’s work as she is one of the earliest American writers of detective fiction but I found this one annoying and the writing overly dramatic. I found myself rolling my eyes and saying “such drama” much as I sometimes think in my head when my teenage students are being, well teenagers. I may try another of her books to see if it is just this one or I don’t like her style.
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