
The Refugee Ocean
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Narrado por:
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Ali Andre Ali
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Suehyla El-Attar Young
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Jackie Sanders
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De:
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Pauls Toutonghi
Acerca de esta escucha
Two refugees find that their lives are inextricably linked—over time and distance—by the perils of history and a single haunting piece of music in this “breathtaking and simultaneously heartbreaking” (The Montecito Journal) story.
Born in Beirut in 1922, Marguerite Toutounghi lives a life of loss and sacrifice. She dreams of traveling Europe and studying music at the Conservatoire de Paris but her family—and her society—hold her back. When she meets the son of a Cuban tobacco farmer at a formal dance, love transforms her life. Together with him, she flees across the Atlantic Ocean. She’s hoping for a new beginning, she finds revolution and chaos.
Over fifty years later, Naïm Rahil is a teenage refugee from Aleppo, Syria. A former piano prodigy who struggles to thrive in America—and who has lost part of his hand in the war—he dreams of a simple normal life.
Moving from Aleppo on the brink of civil war, to Lebanon in the late 1940s, to Havana during the Cuban Revolution, to the suburbs of Washington, DC, The Refugee Ocean “is an exquisite…poignant, and layered novel” (Eleanor Shearer, author of River Sing Me Home) that grapples with what it means to be an immigrant, shows how wounds can heal, and highlights the role of music and art in the resilience of the human spirit.
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The actual book The Art of War, not a commentary
- De Nemo71 en 12-31-19
De: Sun Tzu
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The Answer Is No
- A Short Story
- De: Fredrik Backman, Elizabeth DeNoma - translator
- Narrado por: Stacy Gonzalez
- Duración: 1 h y 49 m
- Versión completa
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Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.
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Narrator doesn’t get Backman’s satire or rhythm
- De joey1603 en 12-01-24
De: Fredrik Backman, y otros
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Say No More
- De: Caroline Overington
- Narrado por: Anna Skellern
- Duración: 5 h y 47 m
- Grabación Original
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Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.
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Seriously, that was the ending?
- De alicia in athens en 02-13-25
Lo que los oyentes dicen sobre The Refugee Ocean
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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- Amazon Customer
- 07-18-24
Good moments, especially for music lovers—but storytelling lapses
This book starts off so well. We meet two piano-loving protagonists: one a Lebanese woman at midcentury; another a Syrian refugee in the 2010s. We know their stories must meet, but how? After so much development of young Marguerite’s inner life, the second half of the book does her an injustice by rushing to the end of her melodramatic storyline. The characterization of Annabel, a pivotal figure in the second half, is also rushed and unsatisfying (why, again, is she so devoted to refugees; how does she suddenly understand so much Spanish?). The episode in 1958 Cuba is unconvincing—it feels lifted from a right-wing telenovela—and it doesn’t help that the voice actors can’t pronounce Spanish words and put on comically stereotypical accents. Naim and Fatima are well drawn, but there’s no transcendent insight to be drawn from the way their lives link back to Marguerite’s. It feels like two partial novels unsatisfactorily pieced together.
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