The Secret History of Moscow

De: Ekaterina Sedia

Narrado por: Eileen Stevens

Duración: 9 h y 36 m

Resumen del Editor

Every city contains secret places. Moscow in the tumultuous 1990s is no different, its citizens seeking safety in a world below the streets - a dark, cavernous world of magic, weeping trees, and albino jackdaws, where exiled pagan deities and faery-tale creatures whisper strange tales to those who would listen.

Galina is a young woman caught, like her contemporaries, in the seeming lawlessness of the new Russia. In the midst of this chaos, her sister Maria turns into a jackdaw and flies away - prompting Galina to join Yakov, a policeman investigating a rash of recent disappearances. Their search will take them to the underground realm of hidden truths and archetypes, to find themselves caught between reality and myth, past and present, honor and betrayal... the secret history of Moscow.

©2007 Ekaterina Sedia (P)2010 Audible, Inc.

Reseñas de la Crítica

"A lovely, disconcerting book that does for Moscow what I hope my own Neverwhere may have done to London...the prose and the atmosphere is beautiful and decaying, and everyting's greyy with astonishing little bursts of unforgettable colour...deep, dark, remarkable stuff." (Neil Gaiman)
"Sedia's beautifully nuanced prose delivers both a uniquely enchanting fantasy and a thoughtful allegory that probes the Russian national psyche." ( Booklist)

It’s THAT book.

The book you are fascinated with but keep have you restart it. I am intrigued by the story but, while there isn’t anything substantially wrong with the narrator, I don’t think she was really the best choice for this book. The ideas are fascinating and the adventure engaging but I have had to restart it something like 10 times. I am going to keep trying though because I want to know what happens. Xd

Urban fantasy from a new-to-me viewpoint

I being exposed to a different culture drawn with such care, and not over romanticized. The folklore characters were mostly new to me, so I didn’t know what to expect, which is good. The story kept my interest, and the people each had both positive and negative character traits, which made them more believable. While there was a clear protagonist, the book had more of an ensemble cast feeling, with the supporting characters being as well developed as the main one.

The reader was good, with good pacing and clearly defined characters. The only problem was several mispronunciations, which I found distracting. They were few, however, and no reason not to listen.

I recommend it.

A World Exists Below Moscow

An ingenious twist on traditional urban fantasies introduces listeners to a world below Moscow that is populated by lost souls and creatures from Russian folklore. People are turning into crows, and there's a connection between the underworld and these bizarre happenings. While the main characters were not particularly likeable, the ones from folklore tales like Koschey the Deathless and Zemun the Celestial Cow more than made up for that. The narrator did an adequate job and I think it may have been a difficult book to narrate because of the writing style of the author. The entire work has a melancholy feel and the ending fits the story perfectly, which is what made this a very satisfying listen.

Almost but not quite...

This book introduced me to the mythical Russian figures but failed to connect me to the myths and landscape of Moscow in as meaningful way as I had hoped. The narrator did well changing for characters but I found her voice as the main character was flat and gloomy. The story was also gloomy and I feel it could have had more sparkle if I knew more about the myths. I did listen to the whole story and it did resolve in a satisfactory way. I suppose it did reflect the beaten quality of the Russian people that I have witnessed in immigrants. I'll let you know when I get back from Moscow!

Absolutely horrible

The only reason I gave it 1 star is because there was no option available for a negative star rating.

Good story, but

The narrator needs more emotion and inflection for this subject. It was grating and almost jarringly boring reading for a fantasy novel. I didn’t finish and will check out a text version after a while.

Great book, terrible narrator

This narrator seems to have gotten bizarre direction. There are crazy long pauses after every line of dialogue. Someone speaks and then several seconds later you hear, "......she said," over and over again with each and every line. And they seem to have edited out every breath the narrator takes so that she sounds like a robot who does not require air to speak. You can hear the strange silences created where every breath should be. She also does a terrible job of male voices, and older male voices are just intolerable, ludicrous, like she's doing the big bad wolf: "I'll huff, and I'll puff.. and break my larynx!" It is a book well worth reading, but I could not make it through that narrator.

It's okay

This book is a modern take in the vein of Alice in Wonderland. It seems like a poor man's "Un Lun Dun" by China Miéville, where "The Secret History of Moscow" is missing something that I can't quite put into words. I didn't hate the story, but I didn't love it either. The initial setup was interesting and the ending was satisfying, but I didn't find the middle story quite as engaging as other works in the genre.

This book is inferior to Sedia's "The Alchemy of Stone" (average rating of 4/5 stars), which I've read twice. It's more-or-less just as interesting as Sedia's "The House of Discarded Dreams" (average rating of 3.5/5 stars).