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Victims
- An Alex Delaware Novel
- Narrated by: John Rubinstein
- Length: 11 hrs and 44 mins
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Publisher's summary
Unraveling the madness behind L.A.’s most baffling and brutal homicides is what sleuthing psychologist Alex Delaware does best. And putting the good doctor through his thrilling paces is what mystery fiction’s #1 best-selling master of psychological suspense Jonathan Kellerman does with incomparable brilliance. Kellerman’s universally acclaimed novels blend the addictive rhythms of the classic police procedural with chilling glimpses into the darkest depths of the human condition. For the compelling proof, look no further than Victims - Kellerman at his razor-sharp, harrowing finest.
Not since Jack the Ripper terrorized the London slums has there been such a gruesome crime scene. By all accounts, acid-tongued Vita Berlin hadn’t a friend in the world, but whom did she cross so badly as to end up arranged in such a grotesque tableau? One look at her apartment–turned–charnel house prompts hard-bitten LAPD detective Milo Sturgis to summon his go-to expert in hunting homicidal maniacs, Alex Delaware. But despite his finely honed skills, even Alex is stymied when more slayings occur in the same ghastly fashion... yet with no apparent connection among the victims. And the only clue left behind - a blank page bearing a question mark - seems to be both a menacing taunt and a cry for help from a killer baffled by his own lethal urges.
Under pressure to end the bloody spree and prevent a citywide panic, Milo redoubles his efforts to discover a link between the disparate victims. Meanwhile, Alex navigates the secretive world of mental health treatment, from the sleek office of a Beverly Hills therapist to a shuttered mental institution where he once honed his craft - and where an unholy alliance between the mad and the monstrous may have been sealed in blood. As each jagged piece of the puzzle fits into place, an ever more horrific portrait emerges of a sinister mind at its most unimaginable - and an evil soul at its most unspeakable. “This one was different,” Alex observes at the start of the case. This one will haunt his waking life, and his darkest dreams, long after its end.
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Marshall Karp is an acclaimed playwright known for his witty sense of humor and crackling dialogue. His debut novel The Rabbit Factory stars the irreverent LAPD detective duo of Mike Lomax and Terry Biggs. Dean Lamaar is the architect of an entertainment empire and the creator of iconic characters like Rambunctious Rabbit and McGreedy the Moose.
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Bizarre but engaging mystery.1st-rate performance.
- By MidwestGeek on 12-19-12
By: Marshall Karp
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Faces of the Gone
- Carter Ross, Book 1
- By: Brad Parks
- Narrated by: MacLeod Andrews
- Length: 10 hrs and 9 mins
- Unabridged
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Four bodies, each with a single bullet wound in the back of the head, stacked like cordwood in a weed-choked vacant lot: That's the front-page news facing Carter Ross, investigative reporter with the Newark Eagle-Examiner. Immediately dispatched to the scene, Carter learns that the four victims - an exotic dancer, a drug dealer, a hustler, and a mama's boy - came from different parts of the city and didn't seem to know one another.
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Wish Brad Parks were more prolific!!!!
- By shelley on 02-16-18
By: Brad Parks
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The Chicago Way
- By: Michael Harvey
- Narrated by: Stephen Hoye
- Length: 8 hrs and 10 mins
- Unabridged
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Chicago private investigator Michael Kelly is hired by his former partner, John Gibbons, to help solve an eight-year-old rape and battery case, a case it turns out his old friend was once ordered to forget. When Gibbons turns up dead on Navy Pier, Kelly enlists a team of his savviest colleagues to connect the dots between the recent murder and the cold case it revived.
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A wicked good storm of cliches
- By Logan Kedzie on 09-24-10
By: Michael Harvey
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The 7th Victim
- Karen Vail Novel, Book 1
- By: Alan Jacobson
- Narrated by: Lila Wellesley
- Length: 12 hrs and 58 mins
- Unabridged
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The Dead Eyes killer lurks in the backyard of the FBI's famed Behavioral Analysis Unit. His brutal murders, unlike any others previously encountered, confound the local task force, despite the gifted skills of Special Agent Karen Vail, the first female ever promoted to the profiling unit. But along with her keen insight, Vail brings considerable personal and professional baggage—both of which threaten to derail the investigation, destroy her storied career and get her killed.
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It seemed like it took forever to get through this
- By Lia on 10-09-12
By: Alan Jacobson
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Dead Connection
- Ellie Hatcher, Book 1
- By: Alafair Burke
- Narrated by: Christopher Lane
- Length: 9 hrs and 21 mins
- Unabridged
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Homicide detective Flann McIlroy is convinced that someone is using the lure of the internet and the promise of love to launch a killing spree against the women of New York City. To catch the killer, he calls up Detective Ellie Hatcher. She must enter a high-tech world where no one is who they appear to be. When the FirstDate killer begins to mimic the monster who destroyed her father, Ellie knows the game has become personal for him.
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Good introduction to author and character
- By bonnie on 09-01-09
By: Alafair Burke
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Kiss Her Goodbye
- A Fourth Dimension Thriller
- By: Robert Gregory Browne
- Narrated by: Scott Brick
- Length: 10 hrs and 27 mins
- Unabridged
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All ATF Agent Jack Donovan wants out of life is to do his job and work on his strained relationship with his daughter Jessie after a nasty divorce. But in a ruthless act of revenge by a charismatic madman, Jessie is kidnapped and buried alive, with barely enough oxygen to sustain her. Now the only man who can save her, the only man who knows where to find her, has just been shot dead - and the clock is ticking... So what's a father to do?
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Super supernatural thriller
- By shelley on 02-02-14
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Cold City
- Repairman Jack: Early Years Trilogy, Book 1
- By: F. Paul Wilson
- Narrated by: Alexander Cendese
- Length: 11 hrs and 16 mins
- Unabridged
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If you've never read a Repairman Jack novel, this is the place to begin. It's 1990. A twenty-one-year-old named Jack has dropped out of college, leaving his old life behind to build a new one in New York City. Manhattan's rough edges are jagged enough to shred any unwary newcomer, but perhaps not one who is determined to stay off the grid, at any cost, in the busiest metropolis on earth. And to do so, he'll have to take jobs of a less than legal nature.
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Fun, as long you don't think too much
- By Andrew Pollack on 01-17-14
By: F. Paul Wilson
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The Last Place You Look
- By: Kristen Lepionka
- Narrated by: Allyson Ryan
- Length: 10 hrs and 25 mins
- Unabridged
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Nobody knows what happened to Sarah Cook. The beautiful blonde teenager disappeared 15 years ago, the same night her parents were brutally murdered in their suburban Ohio home. Her boyfriend, Brad Stockton - black and from the wrong side of the tracks - was convicted of the murders and is now on death row. Though he's maintained his innocence all along, the clock is running out. His execution is only weeks away when his devoted sister insists she spied Sarah at an area gas station.
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Alcoholic PI
- By Karwyn on 05-17-18
By: Kristen Lepionka
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The Man from Primrose Lane
- By: James Renner
- Narrated by: L. J. Ganser
- Length: 13 hrs and 55 mins
- Unabridged
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A mind-bending, genre-twisting debut novel. In West Akron, there lived a reclusive elderly man who always wore mittens, even in July. He had no friends and no family; all over town, he was known only as The the Man from Primrose Lane. And on a summer day in 2008, someone murdered him.
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Good read, despite, not because of sci fi twist
- By Lulu W. on 07-18-12
By: James Renner
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Nowhere to Run
- Rafferty Family Series, Book 1
- By: Nancy Bush
- Narrated by: Kate Udall
- Length: 12 hrs and 1 min
- Unabridged
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When Liv Dugan ducks out of work for lunch, it's just an ordinary day. When she returns, she stumbles onto a massacre. All her colleagues at Zuma Software have been shot. Only luck has left Liv unscathed, and that might be running out....
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Good Story and Naration
- By Hogan14 on 07-31-24
By: Nancy Bush
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The Blue Hour
- Merci Rayborn, Book 1
- By: T. Jefferson Parker
- Narrated by: Tavia Gilbert
- Length: 12 hrs and 11 mins
- Unabridged
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Tim Hess is a semiretired veteran cop staring at a death sentence - his own. Detective Merci Rayborn, young enough to be his daughter, is brash, impatient, and not someone from whom Hess wants to be taking orders. He certainly isn't planning on falling in love with her. Together, they must track down a psychopathic killer who's been abducting beautiful young women from the malls of Orange County.
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Outstanding book, exceptional reader
- By Jan on 03-24-10
What listeners say about Victims
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- P. Giorgio
- 03-06-12
Predictable. Good characters. Worth the credit.
A copy of my Amazon Review
While just as riveting as some of his others-- the crime details that is -- this one falls flat for the aspects that are not concerned with the crime(s). For those of us dedicated to the series, there are unanswered questions. Are Milo and Rick no longer together? Why was Rick so obviously absent? Just a passing reference to his name and "surgery" in general. Milo makes a sandwich from ingredients that would have not been present in their refrigerator if Rick had been living with him. No mention of Milos' being gay. No, it's not important to the story, but it is to the series and to those of us who "know" him.
Re Robin & Alex... too light, though okay. I wonder how this reads for new readers. I don't think there was mention of how Robin refurbishes band instruments (which I think is a really unique skill to give to a character).
And about the **victims** in the book. The beginning held me close, but I have to say that as Alex (more than Milo) got closer to discovering the connections, history and identities of everyone involved, the prose became boring. it was more like reading "the file" than being entertained by the story. It is as if the story was so complex (it was) that it needed long passages of explanation -- not because the reader is stupid -- but because all the stuff Kellerman had in his head had not made it into the text.
The victims of the book (and there are plenty of them) eventually lose specificity. The first victim is drawn big and bold, with a supporting history and other ancillary (and ultimately connecting) co-characters -- all of which make the reader like/love/hate her. The 2nd-4th victims begin to blur. There are pets thrown in for good emotional measure, and in the end there is some redemption for some victims and survivors. Not formulaic, but predictable. The horror involved in the commissions of the crimes is soon diluted by predictability.
I liked this one. I might recommend it if asked by a fan of the series. I would NOT recommend it to a person first taking on the Delaware books. Another reviewer here asked "who is Alex Delaware?" I have to agree that there is too little personality in all the characters to generate a real interest. Again, more like a procedural or a psych report, it was reportage more than tale-spinning.
**SPOILER ALERT** I think JK came up later with and then added a co-conspirator. It didn't feel natural or inevitable. I think the story would have been stronger if the bad guy had masterminded all of it alone -- He certainly had enough time and practice. By adding a sponsor/guardian to the equation, Grant is reduced to an accidental criminal (another victim). If JK is making a point here about the failure of "the system" to care for people when signs of insanity are first emerging, and if he is trying to advertise the existence and damage caused by incompetents in the medical and psych fields, I wish he would do it in nonfiction. For this, a crime story of major magnitude, let's keep it real and gritty.***
But I did like it, and I am glad I got it and I can't wait for the next one because I am optimistic that JK will come back down to earth and write a thriller not a treatise.
An aside: It occurs to me when I read Kellerman and Grisham (lately) that popular writers who have gained much popularity and financial success seem to strut their stuff in their books. Naming designer labels and the prices of clothing and "possessions" is frequent. Trips taken by the characters (in this book through the Panama Canal) are not the vacations of the average book buyer. I get the feeling, though I have no proof of this, that the writers are flaunting the knowledge they have acquired by their own experiences. And there is nothing wrong with writing about things and travels that the average reader will not acquire. However, I think there is a problem with it when the majority characters in the book are also "average." In the above example, a retired psych recounts his former riches, travels, cars and houses. I felt as if Kellerman invented that character to talk about what HE owns, what he does and what he values. I am not sure there is anything inherently wrong with that, but it's sort of like an intrusion.
I have felt the same way about Gresham's novels for years. That does not detract from a good story, nor does it enhance a poor one, but it is abrupt in the reading and sort of causes a displacement from the people in the book. Yes there are rich lawyers in Clanton and in L.A., but the people that we care about (in the stories) seldom get to experience life on that side of the tracks.
So, it's a rhetorical complaint. There is nothing wrong with showing a contrast between characters' lots in life, and that's a good device to accentuate the "downtrodden" aspect of the victimized, I'm just saying that there is some sense of its being "added on," like an extra-rich frosting to a creation that would stand quite well on its own basic ingredients. We KNOW the lawyers and doctors and psychs are wealthier than most of their clients. We KNOW the old saw about police being terribly underpaid. I am questioning why the writers go so far to separate the high from the lower economic characters. It feels like the writer is separating himself from "those people," regardless of how benevolently he seems to treat them in the text. For the perpetrators of terrible things, as in Kellerman's **Victims** there is the requisite story of the abandoned and befuddled pre-adolescent whose life went whacko and pushed him into insanity. That's what we need to know about in detail. The other is filler.
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2 people found this helpful
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- LINDA
- 03-27-12
Ah Alex! You have been the best for 20 years!
Alex and Milo are my favorite characters! Once again, great story!
We need something with more Robin in it next time! And dont forget Blanche!
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- greg
- 03-15-12
Alex and Milo ride again
You can't miss with Kellermans duo. Always well written dialoge and a fun romp.
Recommended
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- Linda
- 04-23-12
You don't need a theater to see this story
What did you love best about Victims?
The author writes an entertaining AND believable story. The sadness really ebbed and flowed through the story line. The ending was subtle and powerful.
What other book might you compare Victims to and why?
I can't think if any other book that compares. I tend to read mysteries and thrillers from certain authors, and the characters and settings are distinct from author to author.
Which character – as performed by John Rubinstein – was your favorite?
I really enjoy the Milo character.
Did you have an extreme reaction to this book? Did it make you laugh or cry?
The book is funny in parts, because Milo and Alex have a particular rapport. I really felt the book had an underlying sadness that overshadowed any sort of horror that the description of the murder evoked.
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- Scotty
- 08-19-21
Outstanding read
Love the narrator, e got Milo down go a "T". loved the, even although I read the hoodie still kept me on my toes.
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- Katherine
- 04-03-12
could not sit through this one
I knew that I was not buying anything better than formula pulp, but was in the mood for some junk food so I went ahead and bought this one. I like the psych / crime genre. Unfortunately, this book was so poorly written, and even more poorly read that I could not get through more than about two hours. I probably could have gotten through it if the reader had not grated on my nerves so intensely. Every character sounded like my great aunt Phylis - too many cigarettes, and a weirdly misplaced Staten Island accent. Male, female, macho or retiring - they all sounded the same! Anyway, save your credit for something bearable....
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- Kim
- 02-18-13
Maybe enough
Maybe I have read enough Kellerman. I have to say that the last one I thoroughly enjoyed was Billy Straight. Maybe I am just tired of the trio. But the plot seemed to be way way way out there and halfway through the second part I realised I just didn't care anymore. Certainly not enough to listen to the end. This was the first time I found the narration a little off. I think narration is quite subjective so that is only my perception. All in all, I won't waste time finishing it, not even to while away the daily commute. I am postive that there is better stuff out there.
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- Jill
- 06-11-12
Disappointing
I was expecting a great story with a narrator to bring it alive, instead this story was less than mediocre and the narrator with his short choppy almost amused style was horrific. I literally had to force myself to listen to the whole book. Painful!!!
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- Teresa
- 04-13-12
Not my cup of tea....
Has Victims turned you off from other books in this genre?
I like murder mysteries - not gore. I don't think it turned me off from the Genre, but definately turned me off from reading any more books from the Author.
What didn’t you like about John Rubinstein’s performance?
Did not like John's style of reading. Boring & very hard to listen to.
Any additional comments?
Not sure how I ended up purchasing this book. Must have thought I bought something else. I do like murder mysteries but this was awful. I really didn't like Kellerman's writing style. Now I know. Victims did not build any suspense or interest and I was not captivated by any of the characters. I hate it when I spend a credit on an awful audible experience.
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- Jim
- 01-29-13
Mediocre plotting
Not one of Mr. Kellerman's best. Characters; shallow Audio: tighter editing Good voice for Milo.
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