This week we're getting sloppy and erotic as we break down David Cronenberg's 1996 antithesis to the 90's erotic thriller, Crash, a movie about how people can't get off unless they're about to die horribly in a car accident. Adapted from J.G. Ballard's 1973 novel of the same name, which was an extension of his short story in the collection The Atrocity Exhibition, the film stars James Spader doing his best to look like making sweet, sweet love to a woman's leg wound is something he's really into. It also bring us Elias Koteas in his second appearance on the pod steaming up the windows with his menacing sexuality and Holly Hunter, taking the strange journey into the world of sexy death.

Sound strange? Maybe more than a little off-putting? You have no idea. Listen to the episode for the full scope of the struggle.

This week, Bryan and Dave get real sleazy with it and take a good long look at Angel, from 1984. Starring Donna Wilkes and a cast of wild character actors, including Susan Tyrrell in her second appearance on their podcast, Angel sets out to be a grimy exploitation movie that casts the seedy underbelly of the Hollywood Boulevard nightlife against the hard neon glow of the Los Angeles dream factory but it's a movie so in love with its oddball weirdo characters that it seems to struggle against the mandate to deliver violence, nudity, and cheap thrills, choosing instead to be a vehicle which provides its cast with all the scenery that they care to chew on. Make no mistake. Angel is garbage but it's remarkably lovable garbage that everyone should see.

It's astounding! Time is fleeting! For the third week of their Pride 2024 series, Bryan and Dave take a look at the notoriously queer-as-hell midnight movie sensation, perhaps the greatest midnight movie of all time, The Rocky Horror Picture Show. It's an episode packed with everything you could ever want to know about the phenomenon, the audience participation, the movie and the social experience as a haven for LGBTQ+ people who may not have found their tribe yet. It's also a movie music packed with hit song after hit song and a tour de force from Tim Curry who knocked it out of the park on his first feature film. Listen to the episode and do The Timewarp with us.

Bryan and Dave kick off their 2024 Pride series by settling in for some QUEER VENGEANCE, Canada style! Siege is a by-the-numbers riff on Assault on Precinct 13 which makes one wonder, did Siege director Paul Donovan also watch Cruising at the same time? The movie pits a desperate struggle to survive the night against the 1981 Halifax police strike and despite it being such an obvious derivative of another movie, taking full advantage of the Canadian film tax shelter era, it's a solid action picture that is alarmingly suspenseful and it wears its ACAB sensibilities squarely on its sleeve. If you're in the mood to watch a bunch of homophobes get arrowed in the neck, shot in the face, and electrocuted by Home Alone-style traps, have we got a movie for you!

This week, Dave and Bryan are joined by Jeffrey Nelson, co-creator of the Scream Factory label for Shout Factory, to talk about the utterly unhinged Charles Bronson detective movie, 10 To Midnight. It's the tale of a cop, a father, his bleeding heart liberal, college-educated partner, and a serial killer whose nude and on the loose. Bronson could catch his man if it weren't for all the sleazy lawyers and liberal courts who want to coddle the criminal element instead of punish them. You'll be hard-pressed to find another movie that so brazenly espouses the dominant political theory of the Reagan 80's. It's a real NRA fever dream and an unintentionally hilarious piece of camp from the Cannon Group.

This week Bryan and Dave are joined by Aileen Clark of the Uy Que Horror podcast to take a trip back in time to 1990 when Turtlemania ruled the preteen scene. We explore the Teenage Mutant Ninja Turtles phenomenon through the lens of Steve Barron's bizarre adaptation that struck closer to the dark indie turtles comics of the mid-80's than the colorful pizza-obsessed party dudes of Saturday morning cartoons. Does the movie hold up to modern scrutiny? Well, not exactly, but it's a fascinating franchise, nonetheless.

Alright, boppers! This week Bryan and Dave put one of their favorite movies under a microscope for a giant-sized 99 Cent Rental episode about Walter Hill's 1979 gang odyssey, The Warriors. Few movies made as much of an impact on the exploitation market at The Warriors and fewer still impacted the rental market with such an iconic poster and rental box. In its day its marketing was driven by public outrage over gang violence at the movies but how much of that was true? We go over all of it. Can you dig it?

This week Bryan and Dave take in David Cronenberg's digest of divorce horror, The Brood. Samantha Eggar spawns killer munchkins, Art Hindle isn't very good at anything he does, Oliver Reed is a condescending jerk. It's a movie possessed of a terrible anger and frustration as Cronenberg, emotionally exhausted and unable to process his feelings put it all on the page and the result is the hard divorce horror movie that meant to spit in the face of Kramer vs. Kramer. Not for the faint of heart, The Brood is often like looking into the affairs of a person who chose to confide in you specifically in order to get something heavy off their chest but are you up to the task?