In 1987, both Academy and Audience were making questionable choices in very different directions, so Kevin Weir's back to help Erin, Claire, and Dan get into it. The Oscar went to The Last Emperor, chronicling the uniquely tragic life of China's final emperor Puyi, and the gang accidentally watches the longest possible version. The audience goes far lighter with Three Men and a Baby, about three bachelors trying to take care of a baby left at their door... while also in a cat-and-mouse game with the mafia? Comedy! Your hosts search for the exact right Three Men to helm the remake Disney may yet still be considering. Listen in for a discussion that almost certainly probably doesn't go off the rails repeatedly.

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In 1986, Hollywood was in two minds about the military. Oliver Stone won an Oscar for his ground-level examination of the destruction and darkness of the Vietnam War, via one idealistic recruit being ground down by perpetual horror and atrocity. Tony Scott went another way, with whizz-bang planes that go fast and hot shot fighter pilots flying and fighting and erotically playing beach volleyball in Top Gun, which won over the crowds and made Tom Cruise a bona fide Movie Star. It's dumb and fun vs smart and soul-crushing: who won the hearts of our hosts? Tune in and find out!

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It's 1985 and the tonal gap between Academy winners and Audience favourite isn't getting smaller. The Oscar goes to Meryl Streep and Robert Redford's languidly paced, ill-fated romance in Out of Africa. Returning guest Gina Stewart joins Erin, Claire, and Dan to explain how the actual Karen Blixen's memoir of life in colonial Africa was mutated into an Oscar-bait romance. The audience turned out stronger for the unhinged sci-fi comedy Back to the Future, which would pave the way for a generation's worth of comedic hot takes, but does it still work as a movie? And what's Dan got to share in Extra Credit Corner? Tune in and find out!

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It's buddy cops and classical music frenemies as Academy Vs Audience reaches 1984! First off, the Oscar goes to Amadeus, a film version of the what-if story proposing a deadly rivalry between composers Mozart and Salieri... a rivalry only one of them knows about. Erin, Claire, and Dan dig into it, the music, the wig-game, and if it's as gripping as film reddit insists. While that happened Eddie Murphy cemented himself as a movie star in Beverly Hills Cop, and we look at which parts aged more gracefully than others. Is Amadeus still a classic? Is Beverly Hills Cop still a certified good time? Listen and find out!

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It's 1983, and the big movies are all about difficult parent/child relationships. The Oscars went to Terms of Endearment, a mother/daughter story conceived, written, and brought to the screen by men, and Erin, Claire, and Dan have a lot of questions and notes on its success. Audiences, however, needed to see how Han Solo got out of the carbonite, and flocked to Return of the Jedi, which would seem to be the end of Star Wars. It wasn't, but nobody knew that. Lots of hot takes on bad names, bad relationships, and unnecessarily sexy alien lounge singers, so strap in!

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While Erin and Claire are busy with the all-new theatrical experience of Riverona, travel back with us to 1944 and what Dan insists against all opposition is "one of the three most criminally underrated Best Pictures in history," the cask-stength comfort viewing of Going My Way. But first, for All 80s Summer, Erin has a speed-run review of George Miller's Mad Max saga, since we don't live in a just world and will not have a 2024 episode on Best Picture Furiosa and Box Office Champion The Fall Guy. That's on us as a society. Join us in reminiscing on Father Chuck O'Malley, whose unflinching love and support could rebuild the world.

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While Erin and Claire are bringing a fresh new work to what lucky audiences are able to catch it, we turn back the clock to one of our earliest episodes, in which Dan invited Erin, Claire, and you, the listener, to join him in his Yancey Cravat Madness. Followed by some love for Charlie Chaplin! And since this is All 80s Summer, some quickie 80s movie reviews from the one co-host not getting a play onto a stage right now. Join us in the Wayback Machine!

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It's 1982, and the rift between Academy and Audience grows ever farther. The (many) Oscars go to Richard Attenborough's lengthy biopic Gandhi, bringing you the greatest hits of Mohandas-then-Mahatma Gandhi, managing to fill over three hours of runtime with few insights beyond "Gandhi: Nifty." Meanwhile Steven Spielberg re-conquered Hollywood with the simple tale of a boy and his stranded alien exo-botanist in E.T.: The Extra-Terrestrial. Whose death earned what reaction from Erin, Claire, and Dan? What makes this the year that Art and Commerce broke up? When you're ready to listen... we'll be right here.

Find all of our episodes and the rest of Writing Therapy Productions' various entertainments at www.writingtherapyproductions.com