America's Punk movement was started on both coasts. Early proto-punks like the MC5 and the New York Dolls were followed by a number of other early iconic acts who played at several New York clubs, including CBGB's (Country Blue Grass and Blues), such as the The Ramones, the Talking Heads, Blondie, and Patti Smith. Meanwhile, LA and San Francisco had a decidedly more political movement propelled by bands like X, The Dead Kennedy's, and Black Flag. These bands had more in common musically with UK groups like the Sex Pistols and the Clash.

In this episode, you'll see how the Punk Movement on both coasts continued to develop in the early 1980s, and you'll see what made these bands so utterly unique.

You won't want to miss a minute!

In This Episode

• The Ramones – Beat on the Brat
• The Ramones – Rock and Roll High School
• U2 – The Miracle of Joey Ramone
• The Ramones Family – Grammy Awards
• The Talking Heads – Psycho Killer
• The Talking Heads – Once in a Lifetime
• The Talking Heads – Burning Down the House
• David Byrne Interview – David Letterman
• Blondie – Hanging on the Telephone
• Blondie – One Way or Another
• Patti Smith – Gloria
• Patti Smith – Interview
• Patti Smith – Piss Factory
• The Dead Kennedy’s – Holiday in Cambodia
• The Dead Kennedy’s – Kill the Poor
• Jello Biafra – PMRC Interview (Parent’s Music Resources Council)
• Black Flag – Rise Above
• Blag Flag – Depression
• X – Los Angeles
• X – Johnny Hit and Run Pauline
• The Violent Femmes – Gone Daddy Gone
• The Pogues – If I Should Fall From Grace with God
• Gogol Bordello – Immigradiada
• Green Day – American Idiot
• Flush the Orange Turd

Links to related show content from prior episodes
This episode refers back to a few topics covered in prior episodes.
We invite you to learn more about these ideas!
Use the links, below.

Minimalism
https://americansong.buzzsprout.com/1622638/9672982-the-celestial-pulse-of-minimalism

The Blues
https://americansong.buzzsprout.com/1622638/8276409-the-duality-of-the-blues-episode-7-of-american-song

Call and Response
https://americansong.buzzsprout.com/1622638/8532047-the-rising-of-gospel-music-and-how-it-inspired-the-world

When the dreams and promises you’ve placed your hopes in end up being a mirage, its only human to feel angry. In the mid 1970’s, a lot of teens and young adults found themselves in this camp. The nation’s shift toward a decidedly more cynical era could be heard in anti-war statements such as "War is not healthy for children and other living things" On the equal rights agenda, the demand for black civil rights encouraged a louder beating of the drum as seen in the rise of feminism. At the same time, both movements continued receiving backlash from the country’s conservatives, especially The "Silent Majority" campaign, responding to the ‘liberal excesses’ of the counterculture.

Running through everything, there was a feeling that the social changes that the ‘60s had promised were as far away as ever. America’s kids were caught in the cross-hairs. America was experiencing an epidemic of frustration, anxiety and anger.

With nothing to do, and a sense that the walls were closing in, teens living in places like New York, Detroit and Los Angeles, swam in an ocean of boredom and alienation that needed venting. Punk’s rawness and DIY attitude made it easy for anyone who had the need to hit back, or at least spit into the audience, to become an anti-hero.

In this first of two episodes on the origins of American Punk, we draw a through line from early New York proto-punk bands like the Velvet Underground, the MC5 and the New York Dolls through to California bands like X, Black Flag and the Dead Kennedy's. You'll come away understanding how the idealism of the 1960's gave way to the cynicism and anger of the 1970's punk movement. And yet, through it all, America's kids were still demanding change and even in the cynicism, holding out for something better.

In This Episode

• John Lennon - Give Me Some Truth
• Scene from Fear and Loathing in Las Vegas
• the Rolling Stones - Gimme Shelter
• TV News – End of Vietnam War
• Scene from “Network”
• Scene from the Godfather
• The Clash – Police on My Back
• Pink Floyd – Have a Cigar
• The MC5 – Kick Out the Jams
• The Stooges – I Wanna Be Your Dog
• Iggy Pop – Interview
• The Velvet Underground – Venus in Furs
• The New York Dolls – Jet Boy
• David Bowie – Suffragette
• David Bowie – Interview
• Davie Bowie – Ziggy Stardust and the Spiders from Mars
• David Bowie – Rock and Roll Suicide
• The Ramones – Blitzkrieg Bop
• The Ramones - Interview

Links to related show content from prior episodes
This episode refers back to a few topics covered in prior episodes.
We invite you to learn more about these ideas!
Use the links, below.

Minimalism
https://americansong.buzzsprout.com/1622638/9672982-the-celestial-pulse-of-minimalism

The Blues
https://americansong.buzzsprout.com/1622638/8276409-the-duality-of-the-blues-episode-7-of-american-song

Call and Response
https://americansong.buzzsprout.com/1622638/8532047-the-rising-of-gospel-music-and-how-it-inspired-the-world

This is the second half of a two-part episode

In the late 1960's and early 1970's, Southern rock, a rebellious fusion of blues, rock and roll, and country music, emerged as the defiant cry from the heart of the South. Lynyrd Skynyrd's guitars wailed like banshees, their lyrics echoing the region's resistance to outside finger-pointing and strengthened a determination to preserve their own cultural identity. Never mind the warts and blemishes. The Allman Brothers Band played with improvisations like soaring eagles. Their music captured the untamed spirit, passion and raw energy of the South.

The intensity of Lynyrd Skynyrd and the Outlaws was a force of nature, their music was a raw and unfiltered expression of southern pride. Their guitars roared like thunder, their drums pounded like a heartbeat, and their lyrics spoke of rebellion, and the indomitable spirit of the South.

John Fogerty and Creedence Clearwater Revival's showed that Southern music extended past Southern borders. Their music, infused with idealism and earthiness, captured the hopes and dreams of ordinary people. Their melodies were catchy and memorable, their lyrics were simple yet profound, and their art spoke directly to the hearts of their listeners. CCR offered a sense of hope and possibility in a world often filled with uncertainty.

Robbie Robertson and the Band's music was a tapestry of Americana, woven from the threads of blues, country, rock and roll, and folk. With songs written by a member of America’s first people, who crafted melodies that were both familiar and fresh, The Band captured the essence of the American experience. All its triumphs and tragedies, from the pinnacle of joy to the depths of sorrow, Robertson helped reveal a nation in search of an identity.

All of this and more await you in this latest episode! Hope you enjoy it!

Featured Artists
Alabama
The Allman Bros.
The Band
Black Oak Arkansas
Carl Perkins
The Charlie Daniels Band
Creedence Clearwater Revival
Graham Parker
Hank Williams
John Lee Hooker
Lonnie Mack
Lynyrd Skynyrd
Molly Hatchett
Muddy Waters
Neil Young
The Outlaws
Rossington Collins Band
Tom Petty and the Heartbreakers

Links to Supporting Episodes

Season One Episode Four
Season One Episode Seven
Season One Episode Eight
Season Two Episode Eight