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Ask Zac

By: Zac Childs
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  • Summary

  • Zac Childs is a music insider and historian. He is the host of the acclaimed Truetone Lounge interview series and contributed to Vintage Guitar Magazine for 15 years via his Ask Zac column, and numerous featured articles, product reviews, and cover stories. On his ASK ZAC channel, Zac takes a look at players and gear and also answers guitar-related questions in ways that were never possible via print.

    © 2024 Ask Zac
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Episodes
  • The Birth of Light-Gauge Strings

    The Birth of Light-Gauge Strings
    Jul 23 2024
    Have you ever wondered how we got light gauge strings? To give some context, until 1962, strings were 12-52, or heavier, with a wound third, and nothing lighter was available unless you used a banjo string. How about this, did you ever wonder why every string manufacturer has a 10-46 set that has the exact same gauges, 10,13,17,26,36,46? And the same with 9s and 8s? Today we tell the tale of the maverick guitarists of the late 1950's who wanted lighter strings with an unwound 3rd string, and of the guitar shop owner in Tarzana, California, who was the sole person brave enough to make, market, and sell them.

    Thanks to Derek Brooks and Chris Harrington with Ernie Ball, and to Joe Spann at Gruhn Guitars.

    To Support the Channel:
    Patreon https://www.patreon.com/AskZac
    Tip jar: https://paypal.me/AskZac
    Venmo @AskZac
    Or check out my store for merch - https://my-store-be0243.creator-spring.com/

    #askzac #ernieball #guitarstrings

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    25 mins
  • The Most Underrated Electric Guitar String Gauge - 9.5-44

    The Most Underrated Electric Guitar String Gauge - 9.5-44
    Jul 16 2024

    For years I went back and forth between 9s and 10s on my Telecaster, always frustrated with both gauges for different reasons. 9s, although easy to bend, were just not as full sounding, and I had to be careful not to "overplay" them, as they really needed to be played with a light touch. 10s, while certainly fatter sounding, always felt a bit too stiff for my liking. There just seemed to be to much of a difference in tension between the two sets. Finally, a friend clued me into the 9.5-44 D'Addario set, and I found to be the perfect happy-medium between the 9 and 10 gauges.

    To Support the Channel:
    Patreon https://www.patreon.com/AskZac
    Tip jar: https://paypal.me/AskZac
    Venmo @AskZac
    Or check out my store for merch - https://my-store-be0243.creator-spring.com/

    Strings:
    D'Addario NYXL 95-44
    https://amzn.to/41rnl0V

    2023 Danocaster single cut in Duco red

    2023 Headstrong Lil' King with 12" Eminence GA-SC64 speaker
    https://headstrongamps.com/lil-king-amp

    Mirage compressor pedal

    #askzac #guitarstrings #daddariostrings

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    19 mins
  • The Story of Cling Foil & the Blue Flower Telecaster

    The Story of Cling Foil & the Blue Flower Telecaster
    Jul 2 2024

    In the summer of 1968, Fender released their most unconventional finishes to date, the Blue Flower & Paisley Red finishes. Available on only the Telecaster and Telecaster Bass, their striking appearance was made possible by a new product line from Borden Chemicals of Columbus, Ohio, "Cling Foil." This new "beautifully embossed" & "beautifully printed" foil was a product designed to go on refrigerators, tv-trays, cabinets, and boxes of all types to make them look more hip and modern. Somehow, Fender decided to take this existing product being sold in hardware stores and paint shops, and glue it to the front and back of their non-contoured Telecaster. Today we take a deep dive with an original 1968 Blue Flower Telecaster, and look at the differences between it and a standard Tele, detail the novel finishing process it required, and theorize as to why these are so much harder to find than their paisley brothers from 1968-69.


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    22 mins
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