Playwright Maurice is on the very verge of having success and notoriety upon the opening of his new play. In fact, he's so elated at his future prospects that he's decided to propose to his mistress, Jeanne once the evening is over. However, he comes into contact with a femme fatale named Henriette, who so beguiles him with danger and mystery that he doesn't attend his own show and instead spends the entire night with her, forgetting all about his mistress and child. Word spreads throughout France the following morning, and the public utterly shames the impromptu couple for spending the night together, causing the theater to pull Maurice's play, Jeanne to leave Maurice, and Henriette to scheme upon the molding of this now contemptible beast for her own means....

Come see the consequences of actions and the impact of societal expectations in this strange yet unwavering comedy known as "Crime and Crime."

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*This Season's Album Art by Breanna Rose*

Johan August Strindberg (1849 – 1912) was a Swedish playwright, novelist, poet, essayist and painter. A prolific writer who often drew directly on his personal experience, Strindberg wrote more than sixty plays and more than thirty works of fiction, autobiography, history, cultural analysis, and politics during his career, which spanned four decades.A bold experimenter and iconoclast throughout, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and history plays, to his anticipations of expressionist and surrealist dramatic techniques. From his earliest work, Strindberg developed innovative forms of dramatic action, language, and visual composition. He is considered the "father" of modern Swedish literature and his The Red Room (1879) has frequently been described as the first modern Swedish novel.In Sweden, Strindberg is known as an essayist, painter, poet, and especially as a novelist and playwright, but in other countries he is known mostly as a playwright.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*