Starting with a reading from Martin Duberman's book Stonewall about the riots that kicked off a revolution, we reflect on the history of increasing corporate involvement in Pride, some unreasonably horny Subaru ads, a Raytheon Pride slogan from this year that made both of us momentarily speechless, and the politics and ethics of engaging with corporate pride in a moment of backlash.

Enjoy this sneak preview of EXTRA BAD GAYS, our monthly, subscriber-only show on contemporary queer politics and culture. For the full episode and a new episode every month, click 'subscribe' on Apple Podcasts or join our Patreon by clicking here.

Today's special guest is Will Tosh, Head of Research at Shakespeare's Globe, London, and the author of a new book, “Straight Acting: The Many Queer Lives of William Shakespeare.” Having answered the obvious question in the prologue, the book becomes a sort of emotional biography of Shakespeare’s private life, but uses that his life and his work to ask broader questions about Elizabethan England, and especially how they understood their own sex gender system at the time. On today's special episode, we talk about one of his contemporaries, someone probably less well known but who has been deeply influential for queer writers and theatre practitioners through the ages: Christopher Marlowe.

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SOURCES:

Lukas Erne, 'Biography, Mythography, and Criticism: The Life and Works of Christopher Marlowe', Modern Philology 103.1 (2005), 28-50 Constance Brown Kuriyama, Christopher Marlowe: A Renaissance Life (Ithaca: Cornell University Press, 2002) Stephen Orgel, 'Tobacco and Boys: How Queer Was Marlowe?', GLQ: A Journal of Lesbian and Gay Studies 6.4 (2000), 555-576 Christopher Shirley, ‘Sodomy and Stage Directions in Christopher Marlowe’s Edward(s) II’, Studies in English Literature 54.2 (2014), 279–296 Sydnee Wagner, 'New Directions: Towards a Racialized Tamburlaine', in David McInnes (ed.), Tamburlaine: A Critical Reader (London: Bloomsbury, 2020)

Our intro is Arpeggia Colorix by Yann Terrien. Our outro music is by DJ Michaeloswell Graphicsdesigner

We close out our season with the story of a dashing tomboy who was the first woman to found a British political party. The only problem: that party was the British Fascists.

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SOURCES:

Colin Cross, The Fascists in Britain (London: Saint Martin's Press, 1963)

Julie Gottlieb, Feminine Fascism: Women in Britain's Fascist Movement, 1923-1945 (London: Bloomsbury, 2021)

Asa Seresin, "Lesbian Fascism on TERF Island," 2021 https://asaseresin.com/2021/02/11/lesbian-fascism-on-terf-island/

Richard Thurlow, Fascism in Britain: From Oswald Mosley's Blackshirts to the National Front (London: I. Thurbis, 1998)

Edward White, "Conservatism with Knobs On," The Paris Review, December 2, 2016, https://www.theparisreview.org/blog/2016/12/02/conservatism-with-knobs-on/

Our intro music is Arpeggia Colorix by Yann Terrien. Our outro music is by DJ Michaeloswell Graphicsdesigner.