Can a war film also be a comfort film? This month we're exploring that question. First up this week, special guest Martin Harries of Film Vs. Film Podcast joins us to discuss one of his favorite comfort picks and a perennial rewatch around the holidays with family, The Guns of Navarone. We talk about the paradox of comforting war films; Carl Foreman's script, which placed mythmaking far above historical fact; J. Lee Thompson's directing style, which balanced blockbuster action sequences with philosophical and moral quandaries; the stellar cast, featuring David Niven, Anthony Quinn, and Gregory Peck in a surprisingly morally grey role; and we make connections between The Guns of Navarone and the many films that borrowed from its formula, including The Dirty Dozen, Star Wars, the James Bond films, and Guardians of the Galaxy. Join our team of specialized film analysts and come on a mission with us!

Have you ever wanted to go back in time to right a wrong? Whether it's correcting an injustice, avoiding a mistake, or preventing an accident, all of us would love to get a second chance to make things right. In Frequency, John Sullivan (Jim Caviezel) gets to live that fantasy, when a freak solar storm causes a disturbance in earth's magnetic field that allows him to communicate with his father Frank (Dennis Quaid) thirty years in the past. Messing with time does have its consequences though, and the ripple effect of their initial change causes many other problems that Frank and John have to race to correct before their window of communication closes forever. In this episode (part of our dads defying space-time month), we talk about Toby Emmerich's screenplay, which flawlessly combines multiple genres; Gregory Hoblit's directorial approach, which grounds sci-fi/fantasy elements with real science; the end credits song by Garth Brooks that ties it all together; and our personal experiences with the film, including Georgia's essay in World Film Locations: Toronto. Come surf the radio waves with us!

To celebrate Fathers' Day in June, we're turning our attention to a pair of films about dads and time travel. (It's a niche, but there are more options than you think!) For our first selection, we're going with Christopher Nolan's Interstellar, which combines complex theoretical physics concepts with a deeply emotional story of a father and daughter, whose bond crosses time and space to quite literally save the world. We do our best as liberal arts kids to discuss the work of physicist Kip Thorne, wormholes, black holes, the effects of the relativity of time on space travel, and time as a physical dimension, while we also explore topics closer to our comfort zone, like the implicit humanism in Hans Zimmer's beautiful score, Matthew McConaughey's deeply emotional turn as Cooper, and Jonathan Nolan's beautifully balanced screenplay. Prepare to board the Endurance and cross the universe with us!