From the original 'God Of War', 'Assassin's Creed III: Liberation', and 'Little Big Planet 2', Winifred Phillips has composed music for some of the largest video game franchises. We are astronomically honoured to have been in the joyful yet insightful presence of Winifred, chatting about her wealth of creative work in the game music industry, including her most recent project 'Wizardry: Proving Grounds Of The Mad Overlord'.

We gave ourselves a redesign!! Say goodbye to our original opening theme tune and hello to a brand new re-orchestrated version featuring Jolene on piano, Luke on guitar, Darren on flute, and Levent on violin, recorded at the prestigious LSO St. Luke's. In this episode, we listen our new recording for the first time, and reflect upon the art of recording chamber music.

From games like 'Civilisation VI', films such as 'Crazy Rich Asians', and albums including 'The Lost Birds', Christopher Tin's body of work is as inspiring as it is expansive. Today we are joined by the composer himself, who spoke to us about the creative process behind some of his most iconic pieces of music including 'Baba Yetu', and his new take on completing Puccini's 'Turandot'.

A recent Composers In A Jukebox road trip took us to the shed where the scores for "Harry Potter and the Order of the Phoenix", and "The Half-Blood Prince" were written, as we spent a wonderful afternoon with composer Nicholas Hooper himself! Join us as we dive into the musical world of Harry Potter, and also catch up with Nick's recent musical pursuits including composing an extensive collection of solo piano music and poetry titled "Dawnings".

Music director of Larian Studios Borislav Slavov joins us today, in a chat about his highly acclaimed work on games such as Baldur's Gate 3 and Divinity Original Sins II.

From 'Mission Impossible Fallout', 'Black Widow', to 'Cold Brew', and 'Somewhere In Between', Mike Ladouceur has seen from all perspectives as a composer and assistant to others. In this episode, we ask the big questions - Is it necessary to be a composer's assistant to break into the industry? How to pitch yourself as a composer? Are showreels still relevant in this day and age? How to structure music in an original album? Come along and find out!  

A community resource for film composers, The Cue Tube has been making huge waves among the film music industry over the past few years. Today we chat with founder Bryan Waters, reflecting on the good work of The Cue Tube including its annual Score Relief competitions, original rescore practise clips, and more!

We are excited to welcome back Matt Dunkley to the podcast, in a conversation about his long term collaboration with Hans Zimmer as an orchestrator and conductor on films such as No Time To Die, Inception, and The Dark Knight. We also hear about Matt's set of album works 'Cycles', taking a peek into his life as a composer of original music.