In this episode we examine the British ethic of the 19th century that arises with its principles of being British, decency, Protestantism, and civilisation. These values are embedded into schooling, and find their peak heading into the First World War.

As always, a pendulum swing comes in the other direction advocating for the redemption of spontaneity and freedom, and a gamut of positions emerge as viable options.

All positions will find something missing once they have removed the transcendent and tried to make sense of things without God.

References:

-Pages of A Secular Age, Charles Taylor (pp 391-407)

In this episode we follow some of the cases of the increasing number of expressions of belief/unbelief that emerge in the 19th Century. The old faith is considered unbelievable, but much of what it offered comes to be seen as somewhat essential. It is a period of exploration, with many different trajectories emerging in the pursuit of something plausible.

References:

--Pages of A Secular Age, Charles Taylor: (377-390)

At the turn of the 19th century, two factors rise as influential in maturing the nova of unbelief that emerged in the 18th century, namely i) the scientific stance as a higher standard, and ii) the continued unfolding of the new cosmic imaginary that had little place for a personal God. Faith came to be seen as childish and immature, and even standard exclusive humanism came to be seen as not far enough in affirming the human person and their fulfilment.

How are we called to respond as missionaries in this space? In this episode we explore the power of self-reflection, patience in accompaniment, and fostering curiosity as directions we might be called to take.

References:

-Pages of A Secular Age, Charles Taylor: (361-376)

In this episode we track the development of art as opening up a space of mystery and intrigue that comes to be a neutral space for unbelief to land in the Romantic era.

While at first the arts largely captured inherently beautiful things and expressed them in the appropriate public context, the context was first removed and later the subject, such that art could then just be beautiful and about nothing in particular.

Further, we posit that the next development has been that art no longer even has to be beautiful. But if beauty is something that naturally leads us to God, what does all this mean for the missionary in this space?

References:

-Pages of A Secular Age, Charles Taylor: (352-360)

-The Artist's Way, Julia Cameron

What happens to our understanding of our world and who we are within it when we start to realise that there is a mystery surrounding the physical origins of humanity and the world?

Charles Taylor highlights three themes that can emerge with this line of questioning:

i) ruins and deep time (time), the sense that there is an unrecoverable past that we have emerged from

ii) the sublime (space), the sense of the infinite expanse of nature at both the universe and microscopic levels

iii) the dark genesis of humanity (existence), the sense that our origins are mixed up mysteriously with that of the natural world around us, and we are perhaps less different than we might first imagine

As these directions spurt more and more avenues, so too does the no man's land between belief and atheism seem to widen. How are we to respond? We turn to a popular biblical narrative and return to the marketplace to find out.

References:

-Pages of A Secular Age, Charles Taylor: (335-351)

In this episode we explore two shifts that occur at the turn of the 19th century that start to provide meaningful shape to the experience of living at the time: i) the shift from a cosmos to the universe, ii) an understanding an acceptance of the evoluntionary process.

As limits start to fade into a distant past, the imagination of the ordinary person slowly becomes more and more open to possibilities.

Rather than despair, this should be a moment of hope for Christians as we realise that imaginations everywhere are open for the rich reality of the Gospel.

References:

-Pages of A Secular Age, Charles Taylor: (322-334)

In this episode we explore with Charles Taylor some of the felt dissatisfactions that begin to arise with the emergence of the buffered identity.

In the realm of resonance, these include i) the notion that Deism is too tame and that we must take love seriously, ii) a revulsion at goodness being only at the level of self-interest, and iii) the feeling that life within the immanent order is too easily reduced to a code.

In the realm of the romantic, these include i) the felt alienation of the self from the senses, ii) the felt alienation of the self from others, iii) the felt alienation of the self from nature. and iv) the felt sense of division between humanity and nature.

In the realm of tragedy, these include i) the sense that pain and suffering are too easily denied, ii) the loss of the heroic, iii) the rejection of a flat and levelled down sense of happiness, and iv) the lack of a place for death in the immanent frame.

References:

-Pages of A Secular Age, Charles Taylor: (310-321)

In this episode we look at the objections of the Modern Moral Order to Orthodox Christianity:

i) it offends reason by holding a place for mystery

ii) it is authoritarian by holding an Almighty above us, offending both reason and freedom

iii) it poses impossible problems of theodicy

iv) it threatens the order of mutual benefit.

Of these, we take a particular look at theodicy, and the range of responses people might take.

References:

-Pages of A Secular Age, Charles Taylor: (304-310)