Devin & James are back in the saddle for another roundup of Italian flicks. A sampling of the cultiest of all cult genres, the SPAGHETTI WESTERNS! When Clint Eastwood rode through Spain and called it Mexico in 1964's Fistful of Dollars, it started a legit European phenomenon that would produce over 600 titles in barely over ten years! Whereas the American Westerns often whitewashed and mythologized its own westward history, the idea of the good guys always wearing white was losing steam by the 1960s, and the Italians had no sentimentality toward the Earp or James clans as historical figures. The Italian Western hero was the epitome of the anti-hero. Not so much straddling the line between good and bad, but rather stomping on it with their spurred boots. The settings may have been North American, but the politics were purely Italian. We start our discussion with the G.O.A.T., the transformative masterpiece that is Sergio Leone's ONCE UPON A TIME IN THE WEST. We then move on to the sub-sub-genre of the Zapata Westerns (set within the Mexican Revolution) with Damiano Damiani's criminally underappreciated A BULLET FOR THE GENERAL. Then we lighten the mood a bit with a couple of Westerns that border on comedies while still being bloody and wild. The master Sergio Corbucci (so much more than "The Other Sergio") takes us on a wild ride across the border and back in COMPANEROS, and we finish up with the first film in Gianfranco Parolini's super-stylized hero-in-black series, SABATA! We've wrangled all your favorite Spaghetti West heroes: Nero, Milian, Van Cleef, Bronson, Fonda, Volonte, Kinski, and so many more. But when you hear the harmonica or banjo begin playing, you better run!

Devin & James are back in the Den for more Italian scares! This time our focus is on RELIGIOUS HORROR, which has been possessing Italian horror since nearly the beginning of the genre during the sound era. We start with the immortal masterpiece, Mario Bava's BLACK SUNDAY (without which Tim Burton movies would have been very different). We then move on to our first legacy film of the series, DEMONS, the ultimate what-the-fuck popcorn demon movie by Lamberto Bava (Mario's son). Then we swing toward Michele Soavi's more artful (but still seriously gory and gross) THE CHURCH. And finally, what trip through the Gates of Hell would be complete without Lucio Fulci's classic THE BEYOND (which will burn your eyeballs out of your face, if the tarantulas don't get to them first)? Plus we get into honorable mentions for Lisa & The Devil, Demons 2, The Sect, and the other bloody entries in Fulci's GATES OF HELL trilogy. We've packed a lot into this pop culture sermon.

Devin & James are back in the Den, and this time they brought their leather vests and switchblade boots cause they're ready for the Italian POST-APOCALYPSE. The post-atomic wasteland became all the rage globally after the success of films like Mad Max 2: The Road Warrior and Escape from New York, and clever (and not-so-clever) copycats began to pop up everywhere. But, as usual, the Italian filmmakers did take the proverbial yellowcake. In this episode we focus on Enzo Castellari's 1990: THE BRONX WARRIORS, Joe D'Amato's ENDGAME, Lucio Fulci's WARRIORS OF THE YEAR 2072, and finally, Sergio Martino's HANDS OF STEEL. Don't forget your spiked wristbands!