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On her latest album, Country, Skylar Gudasz continues her signature style of storytelling through song, but with a more expansive, cosmic perspective. While songs like "Truck" and "Mothers Daughter" maintain a familiar feel for fans of her previous work, tracks like "Fire Country" and "Atoll" showcase Gudasz (once dubbed "the Joni Mitchell the South never had") delving into our relationship with the world around us and how we shape it.

In this episode of Discologist, Eduardo and Kevin chat with Skylar about the new album, her identification as an artist beyond just a musician, the significance of truth in art, and more.

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Most people know Phish for their marathon, mind-melting live performances, but on their 16th album Evolve, they are reminding listeners that there was a time, long ago, when the band made good-to-great, possibly even essential, albums.

On this edition of Discologist, Eduardo and Kevin are digging into the latest release from the jamband titans, trying to figure out what a band the size of Phish really means, why songs may be more important than jams, and much more.

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Gabriel Birnbaum has been in love with music for as long as he can remember. Whether it was his early work on saxophone making free jazz, playing Ethiopian music in Debo Band, his more “pop” leaning work with Wilder Maker, or his career as one of the best music publicists in the business, he’s spent his life positively immersed in sound.

On this edition of Discologist, Eduardo and Kevin are talking to Gabe about his latest effort Patron Saint of Tireless Losers, a collection of songs about well-intentioned losers with big hearts that drinks deeply from the sonic well of early aughts indie rock. Tune in to hear all about how the record came to life, how Wilco turned a self-proclaimed jazz-head into a fan of indie rock and more.

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Mike Harmeier, singer and chief-songwriter for the band Silverada (formerly known as Mike and The Moonpies) has a knack for crafting country songs that feel timeless (think the heyday of 90’s country/Outlaw Country) but never retro. On Silverada, the group’s new self-titled album, Mike and the band a re continuing in this tradition while managing to move the band, and country music, into some exciting new territory.

On this edition of Discologist, Eduardo and Kevin are talking with Mike about his journey as a songwriter, why great songs are the core of his band no matter what name they go by, his love of the Eagles, and much, much more.

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Mike Ruth, a long-time staple of the Nashville indie rock scene, made a career playing in other people’s bands before he stepped into the spotlight with his own material in 2019 under the moniker Rich Ruth.

Over the course of four albums, his sound and identity as a composer has continued to evolve and on his latest release, Water Still Flows (out 6/21 on Third Man Records), Ruth has built upon the success of his “experiments” heard on 2020’s critically acclaimed I Survived, It’s Over to deliver a brash, beautiful, and spiritual explosion of sound unlike anything you’ve heard this year.

On this edition of Discologist, Eduardo and Kevin had the pleasure of sitting down with Ruth to talk about the new album, finding the spirit in the art you make, performing as a sideman vs doing his own thing, and much more.

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On this episode of Discologist, Eduardo and Kevin are spinning new-to-you tracks from Chicago singer/songwriter Lillian King, free jazz from revered saxophonist Alan Braufman, and modern folk by way of Arkansas from Willi Carlisle.

PLUS! DOJ is telling Live Nation and Ticketmaster that they just can’t be that into each other anymore, Apple Music drops the ultimate clickbait listicle, and more!

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