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Drake VS. Kendrick Lamar- Whats The Beef

Drake VS. Kendrick Lamar- Whats The Beef

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Feuds are as old as hip-hop itself, and often, they fuel creativity and public personas. One of the most captivating rivalries of recent years has been between two rap titans: Drake and Kendrick Lamar. Their lyrical sparring and subliminal jabs have left fans eagerly analyzing their every word, waiting for the next salvo in this ongoing battle. The Rise of Two Titans Drake's Journey to the Top Drake, born Aubrey Drake Graham, began his journey in the entertainment industry as an actor on the Canadian teen drama series Degrassi: The Next Generation. His transition from actor to rapper started with the release of his mixtape Room for Improvement (2006), followed by Comeback Season (2007), which showcased his unique blend of singing and rapping. Drake's breakthrough came with the release of his third mixtape So Far Gone in 2009, featuring hits like "Best I Ever Had" and "Successful." The mixtape's success earned him a deal with Lil Wayne's Young Money Entertainment. His debut studio album Thank Me Later (2010) topped the Billboard 200 chart and solidified his place in the music industry. Over the next decade, Drake became synonymous with chart-topping hits like "God's Plan," "Hotline Bling," and "In My Feelings." His blend of introspective lyrics, catchy melodies, and versatile music style resonated with a global audience. Albums like Take Care (2011), Nothing Was the Same (2013), and Views (2016) showcased his growth as an artist, leading to numerous awards, including four Grammy Awards. Kendrick Lamar: Compton’s Poet Laureate Meanwhile, Kendrick Lamar Duckworth grew up in Compton, California, where he was inspired by the legacy of West Coast hip-hop legends like Tupac Shakur and Dr. Dre. His first mixtape, Youngest Head Nigga in Charge (2003), released under the moniker K-Dot, hinted at his lyrical prowess. Kendrick's rise to prominence began with his acclaimed mixtape Overly Dedicated (2010) and was further solidified with his independent album Section.80 (2011). But it was his major-label debut, good kid, m.A.A.d city (2012), that cemented his place as one of the greatest lyricists of his generation. The album's storytelling, chronicling his teenage years in Compton, earned widespread critical acclaim. To Pimp a Butterfly (2015) elevated Kendrick to new heights, with its fusion of hip-hop, jazz, and funk, and its incisive exploration of race, politics, and identity. Songs like "Alright" became anthems for the Black Lives Matter movement. His follow-up album DAMN. (2017) won the Pulitzer Prize for Music, making Kendrick the first non-classical or jazz artist to receive the honor. Flashpoint: Origins of the Feud The seeds of the Drake-Kendrick rivalry were sown with subtle lyrical jabs that fans eagerly dissected. The tension became more apparent after Kendrick Lamar’s verse on Big Sean's track "Control" (2013), where he called out several rappers, including Drake, and proclaimed himself "the king of New York." Drake responded with comments dismissing Kendrick's claims, saying he was unaffected by them. This exchange set the tone for future subliminal shots, like Kendrick's "The Heart Part 4" (2017), where he implied Drake wasn't writing his lyrics, and Drake’s "Duppy Freestyle" (2018), which many interpreted as targeting Kendrick. Control Verse: The Turning Point Big Sean's track "Control" (2013), which featured Kendrick Lamar and Jay Electronica, was the turning point that brought the simmering tension between Drake and Kendrick to the forefront. Kendrick's verse took aim at several notable rappers, including Drake, J. Cole, and Big Sean himself. Some lines specifically targeting Drake included: "I'm usually homeboys with the same niggas I'm rhymin' withBut this is hip-hop and them niggas should know what time it is." While the verse didn't directly attack Drake, the competitive nature and self-proclaimed "king of New York" label stirred the pot. Drake's response in an interview with Billboard magazine was dismissive, stating, "I know good and well that Kendrick's not murdering me." Subliminal Jabs and Speculative Responses Over the next few years, both Drake and Kendrick continued their streak of chart-topping hits while taking subliminal jabs at each other: Kendrick's "The Heart Part 4" (2017): "Tables turn, lesson learned, my best look / You jumped sides on me, now you 'bout to meet Westbrook." Interpreted as a shot at Drake's infamous beef with Meek Mill and his switching affiliations between Young Money and OVO. Drake's "Duppy Freestyle" (2018): Although primarily aimed at Pusha T, many lines were seen as indirect shots at Kendrick. "I got a lot of friends within the rap game, but you ain't that, fam." 2015 BET Cypher and TDE vs. OVO The 2015 BET Cypher further fueled the rivalry, with TDE and OVO appearing in separate ciphers. Kendrick Lamar's cypher included lines perceived as jabs at Drake's "started from the bottom" narrative: "Nothing's been the same since they dropped 'Control'And ...Copyright 2025 Inception Point Ai Música Política y Gobierno
Episodios
  • Explosive Drake-Kendrick Feud Intensifies as Lawsuit Delayed

    Explosive Drake-Kendrick Feud Intensifies as Lawsuit Delayed
    Dec 2 2025
    Hey everybody, it's Patrick here, and let me tell you, I am absolutely obsessed with everything happening in the Drake versus Kendrick Lamar universe right now. The drama just keeps evolving and it's incredible.

    So here's what's going on in the last few days that has my attention. The most recent development is that Drake's defamation lawsuit appeal against Kendrick's "Not Like Us" track has just been delayed, and honestly, this is huge. Both Drake's legal team and Universal Music Group, which is backing Kendrick, have requested to push back all the key deadlines because of the holidays. We're talking about attorneys wanting to spend time with their families. Now originally, Drake was supposed to file his opening brief by December 22nd, but that's been moved all the way to January 21st, 2026. Universal Music Group's response date has shifted from January 26th to March 27th, 2026. What's fascinating here is that Drake's lead counsel, Michael Gottlieb, is juggling multiple high-profile cases at the same time, including Blake Lively's lawsuit against Justin Baldoni. The whole thing really underscores just how massive this case is and how it's bearing on major issues of artistic expression and defamation law for public figures.

    Now, the original case was dismissed in the Southern District of New York, with Judge Jeanette Vargas ruling that the forum here is a music recording, specifically a rap diss track with accompanying video and album art. She made it clear that diss tracks are much more akin to forums like YouTube and X, which encourage a freewheeling, anything-goes writing style, rather than journalistic reporting. The judge explicitly noted that the lyrics in "Not Like Us" accuse Drake of being a pedophile. Despite this dismissal, Drake has appealed, and now we're just sitting in this holding pattern until the new year.

    What's wild is how this lawsuit has essentially put the hip-hop community on notice. Industry insiders are seriously questioning whether rappers can even battle each other anymore without legal consequences. Some people in the music world are wondering if future diss tracks will be affected by this precedent.

    Outside of the courtroom drama, the cultural impact of this feud continues to reverberate. "Not Like Us" has become absolutely massive, topping the charts and garnering five Grammy Awards, including Record and Song of the Year. This is being called the biggest and most profitable beef in rap history by numbers. The song has become a symbol of peak hater status and social media engagement like we've never seen before in hip-hop.

    The feud itself, which goes back over a decade to 2013, really accelerated in spring 2024 when both rappers started trading bars with shocking allegations. Nothing was off limits—they brought in city pride, physical abuse accusations, sexual abuse allegations, parental absenteeism, you name it. But when "Not Like Us" dropped, it absolutely blew the beef wide open and took it into the mainstream consciousness.

    Even celebrities are weighing in on this whole thing. Tina Fey made a joke about it at the 77th Primetime Emmy Awards, saying that if Kendrick Lamar's halftime special won, she'd really hear it from Drake since they were supposedly playing pickleball together the next day. It got some weird looks from the audience, but it just shows how pervasive this feud has become in pop culture.

    The landscape of rap beefs has completely changed because of this. Social media has amplified everything to an insane degree, and now casual fans can have very strong opinions with minimal knowledge. Industry executives are actively exploiting these feuds as entertainment verticals. The whole world is watching, listening, and honestly, egging it on.

    Thank you so much for listening to the Drake versus Lamar podcast today. Make sure to subscribe so you don't miss any of the latest developments in this ongoing saga. Come back next week for more breaking news and gossip about everything Drake and Kendrick related. This has been a Quiet Please production. For more content, check out Quiet Please dot A I. Thanks for tuning in, listeners.

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  • "Kendrick Lamar and Drake's Heated Feud: A Clash of Hip-Hop Titans"

    "Kendrick Lamar and Drake's Heated Feud: A Clash of Hip-Hop Titans"
    Nov 29 2025
    Listen, listeners, Patrick here, and oh my goodness do I have some piping hot tea to spill about the Drake and Kendrick situation because these two simply cannot stay out of the headlines.

    So just yesterday, November 28th, Kendrick's longtime security guard 2 Teez absolutely went OFF on social media. The Game had appeared on Big Boy TV claiming he tried to sign Kendrick back in the day before he blew up, right? Well 2 Teez was having absolutely none of it. He posted on social media saying "Blood faking he never wanted to sign Kendrick!!!!" and then doubled down with another Instagram Story post making it crystal clear that he's not letting anyone reshape Kendrick's origin story for clout or attention. This is wild because it shows Kendrick's whole camp is still in protection mode, making sure nobody rewrites the narrative about how K.Dot rose to prominence.

    But wait, there's more. Just a couple days ago on November 25th, Metro Boomin sat down for an interview on STREETZ 94.5 and he revisited the entire 2024 Drake and Kendrick beef. And get this, he said he didn't take any of it seriously. His exact words were basically "It's WWE, man," comparing the whole thing to professional wrestling entertainment. That's hilarious because here we are watching these two titans go back and forth with actual lawsuits and career implications, and Metro Boomin's over there treating it like scripted drama.

    Speaking of the legal side of things, we've still got Drake pursuing his defamation lawsuit against Universal Music Group over Kendrick's "Not Like Us" track. Drake is demanding the label turn over Kendrick's contract and information about various allegations. The whole situation is absolutely bonkers because both Drake and Kendrick are signed to different divisions of the same parent company, which makes this even messier.

    And here's what's really got me obsessed right now. Drake released a diss track called "The Heart Part 6" earlier in the year where he denied all the sexual predator allegations that Kendrick had been throwing at him in tracks like "Meet the Grahams." Drake was adamant, saying "I've Never Been With Anyone Underage" and that he's "never been charged with, or convicted of, any criminal acts whatsoever." The allegations have gotten so serious that Drake even sued Universal claiming they approved and launched a campaign to create viral hits out of tracks accusing him of being a pedophile.

    Now here's the thing that really shows how deep this goes. Drake apparently fired his booking manager Brent Smith from Wasserman Music because Smith also represented Kendrick. According to reports, Drake basically said if he's gonna have an agent, that agent cannot be representing his opposition. He's also been passively distancing himself from NBA stars like LeBron James and DeMar DeRozan, probably because of their connections to Kendrick's world.

    But the most recent development that has me absolutely shook is that Drake is preparing to roll out his ninth studio album called Iceman, and according to hip-hop influencer DJ Akademiks, Drake wants to dethrone Kendrick. Now get this, Kendrick went on the Grand National tour with SZA after dropping his album GNX in November 2024, and that tour became the highest-grossing global hip-hop tour of all time with 336 million dollars in ticket sales. Drake already holds the record for the highest-grossing hip-hop tour in the United States with his 2024 "It's All A Blur" tour that made 302 million. Akademiks believes Drake wants to beat that world record going into next year.

    So listeners, this beef is far from over. We're talking lawsuits, album wars, tour battles, and social media callouts happening in real time. The tension between these two camps is absolutely electric, and honestly, I cannot look away.

    Thank you so much for tuning in to the Drake versus Lamar podcast. Please make sure to subscribe so you don't miss a single moment of this unfolding saga. Come back next week for more of the latest developments because trust me, with these two, there's always something brewing. This has been a Quiet Please production. For more content, check out Quiet Please dot A I. Thanks listeners, and we'll catch you next week.

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  • Drake vs. Kendrick: The Explosive Feud Ignites Social Media Frenzy

    Drake vs. Kendrick: The Explosive Feud Ignites Social Media Frenzy
    Nov 25 2025
    Listeners, you know I’m Patrick, your go-to for every twist, turn, and shade thrown between Drake and Kendrick Lamar. Honestly, the last few days have been an absolute whirlwind in this feud. Let’s get right into it because there’s drama, allegations, legal moves, and social media eruptions that just won't quit.

    Drake and Kendrick have been trading diss tracks faster than anyone can keep up, and it just hit a whole new level. Over the weekend, Kendrick came out swinging with two jaw-dropping tracks—first, “Meet the Grahams,” where he warns LeBron James and Steph Curry to keep their families away from Drake, straight up calling him a “pervert.” Then, as if that wasn’t wild enough, Kendrick dropped “Not Like Us,” calling Drake a “Certified Lover Boy? Certified pedophile,” and accusing him of not just lying about his son, but about having a secret daughter. Kendrick even used cover art with what looked like Drake’s house tagged with sex offender-style beacons, causing an immediate social media explosion. According to TMZ, sources close to Drake called the secret daughter claim “utter fabrication,” but the accusations had already ignited the internet.

    It didn’t stop with the music. Drake fired back, suggesting that one of Kendrick’s kids might actually belong to Dave Free, Kendrick’s longtime collaborator—another deeply personal shot that kept everyone on X, formerly known as Twitter, absolutely fixated on the beef. Drake’s “Family Matters” diss is also in the spotlight, with Joe Budden saying on his podcast that the track has aged well and could’ve ended most battles—a rare moment where fans are looking back to see if maybe we missed the genius the first time.

    But there’s even more on the legal front. Drake recently withdrew his legal petition against Universal Music Group in New York, where he’d accused them of using bots and payola to artificially boost “Not Like Us” on the streaming charts. UMG completely denied the accusations, and Spotify said there was no special treatment, clarifying that only a single Sponsored Recommendation ran in France for promotion. However, Drake still has another lawsuit ongoing in Texas, which argues that UMG knowingly distributed a track accusing him falsely of being a pedophile. That’s set to have another hearing at the end of the month. Rap titans like 50 Cent have spoken up, suggesting Drake might actually be onto something with his industry allegations, while Russ pointed out that these streaming battles don’t end well for anyone.

    Of course, the feud is no longer just a hip-hop thing—it’s a pop culture event now. Tina Fey even cracked a joke at the Emmys, warning that if Kendrick wins for his halftime special, she’ll “hear it from Drake,” and joked about playing pickleball with him. Her comments got the crowd’s attention and showed that this feud has completely crossed over into mainstream entertainment and comedy.

    Online, fans are digging deep into every lyric, spinning wild theories about secret children and industry sabotage, and debating nonstop who won the latest round. Some say Kendrick’s “Not Like Us” has cemented his edge, with its replay value and relentless shade, while others claim Drake’s “Family Matters” holds up the best on repeat listens. Social media influencers and podcasts are having a field day breaking down every verse, meme, and alleged leak, and nobody can agree on who landed the hardest punch.

    Listeners, thanks for riding along with the latest and wildest from the Drake vs. Lamar saga. This has been a Quiet Please production—be sure to subscribe to the Drake versus Lamar podcast and check out Quiet Please Dot A I for more. Come back next week for even more behind-the-scenes drama, outlandish claims, and real talk from your favorite obsessively informed host. Thanks for tuning in!

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