In this week's episode, we take a look at seven attitude shifts for writers that will make them happier and more productive. TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 207 of The Pulp Writer Show. My name is Jonathan Moeller. Today is June 28th, 2024 and today we are discussing seven important attitude shifts for writers. Before we get into all that, we'll have an update on my current writing projects and then we'll do Question of the Week and then we'll move over to our main topic. For current writing projects, I am still in the first phase of editing for Shield of Darkness. I'm on chapter 20 of what I think is going to end up being either 27 or 28. A couple of my chapters were quite long, so I need to keep splitting them in half as I edit to not have, like 9,000 word chapters. So things are going pretty well with that and I am hoping if all goes well that the book will be out the second week of July, probably after the 4th of July holiday, because releasing new books on the 4th of July is not a great idea. So hopefully before too much longer, we will have that book out. I’m also 31,000 words into Half-Orc Paladin and that will be my next book once Shield of Darkness is done and that will hopefully be out in very early August. I'm also 14,000 words into Ghost in the Tombs. I'm not sure when that's going to come out. I'm very much hoping to have it out before October, but we'll see how things go in the next couple of months. In audiobook news, recording for Wizard Thief and Stealth and Spells Online: Leveling is underway. I believe both narrators started on recording this week. Spells Online: Leveling will be narrated by C.J. McAllister and Wizard Thief will be narrated by Leanne Woodward and they both did the previous books in the respective series. So if you want a sample, you can listen to the audiobook of Half-Elven Thief and Stealth and Spells Online: Creation. 00:01:50 Question of the Week (note: This section contains spoilers for multiple movies, including Casablanca and Star Trek 2: The Wrath of Khan) Now let's move on to Question of the Week. It's time for a Question of the Week, which is designed to inspire interesting discussion of enjoyable topics. This week's topic: what is your favorite ending to a movie? No wrong answers, obviously. The inspiration for this was that I've been editing Shield of Darkness, so I've been thinking a lot about what makes a satisfying ending and what does not. Obviously, I want to have a satisfying ending. We had some good comments with this one. Our first comment is from Justin, who says: I'll go with an oldie, Casablanca. Rick saves Ilsa, the woman he loves, and puts her on the plane to Lisbon with her husband. He puts morals above love and tells her that she would regret staying with him. Then he and Renault head off to join the Resistance. “Louis, I think this is the beginning of a beautiful friendship” Archetypes so powerful that you've used them. I'd argue that the Gray Knight’s ending with Ridmark, leaving Calliande and go with Kharlacht is a variation on this. That is interesting because I meant that was not at all in my head when I wrote the ending of Frostborn: The Gray Knight, and I don't think I've ever consciously written anything that I would say had been influenced by Casablanca, though of course I have seen it and it is a great movie, which again shows it's a very interesting that people’s interpretation of a particular piece of artwork can often have no connection to what the artist intended when he or she created the artwork, but both views are often valid. Our next come is from Michael, who says: probably the ending to The Illusionist, which is very satisfying or more infamously, Star Trek: The Wrath of Khan, which often reminds me of a story writing tip you have given in podcasts about good endings not necessarily needing to be a happy one. Our next comment is from Brandy, who says: the end of Serenity, where Summer Glau is checking everyone and stimming. Then her brother is badly hurt and you see that mental click and all the worry that she's going to hurt the one she cares about shifts to a feral “I will make this stop” and it's both feral and beautiful. When they break in, she's got this look like, yeah, test me. But she's perfectly willing to continue laying waste. It's just moving. Honestly having thought about it, go watch Hellsing Ultimate Abridged on YouTube. It's like a quarterly watch at my house, along a lot of true crime right now because my partner is trying to find an appropriately gruesome way to get rid of a character. I have to admit I've never actually seen Serenity or Hellsing myself, so maybe I'll put that on the to watch list. Our next comment is from John who says: Casablanca. Walking off at the end saying “this is beginning of a beautiful friendship.” Becca says V for Vendetta for me, I think. The ending scenes link key scenes, people, and phrases from ...
