Today we are going to the outskirts of Antwerp where we explore the integration of art in social housing and public spaces, drawing inspiration from the works of architect Renaat Braem's units at Kiel. These high-rise blocks were built between 1949-1958 in Kiel. It was Braem’s first project where he integrated painting, murals, and sculpture, and shows the importance of the synthesis of the arts.

Philosopher and art historian Vlad Ionescu is here with us today and positions historical examples of art productions in public space to contemporary practice. He helps us define the matter of ‘public space’ as one of confrontation and compromise. He highlights challenges and risks of arts in this context, with indifference, in particular, to be considered as the ‘death of publicness’. When speaking about this topic we mostly focused on architecture or sculptures, but could engagement itself be a meaningful artistic alternative?

We also talk about the role of community engagement in art and the ethical questions it raises. We discuss the tension between creating art for the sake of the community versus creating art for its own sake and the problems that arise when artists are expected to also function as social workers. They also touch upon the role of ideology in the art world and the impact it has on community-based projects.

Concept, realisation and editing: Angelique Campens
Coaching & sound: Raf Enckels (Herculeslab)
Soundwork & mixing: Melissa Ryke
Opening and closing theme Glenn Miller "String of pearls"
Visuals: design by Veronika Akopyan and photography by Michiel Devijver
Production: Angelique Campens
Text assistance: Zoë Brennan, Davide Musco
Project participants: Veronika Akopyan, Zoë Brennan, Luna Van Bellingen, Menno Eggink, Milan George, Davide Musco, Jose Zapata Usma, Aagje Vandriessche, Baue Vercammen, Delphine Vo and Hilke Walraven
Coproduction: Nomadic School of Arts
With the support of: KASK School of Arts, Europe NextGenerationEU, Nomadic School of Arts