Episodios

  • Reassessing the 1977 Best Picture: Iconic Films and Missed Opportunities

    Reassessing the 1977 Best Picture: Iconic Films and Missed Opportunities
    Jun 25 2023
    Did the Oscars get it right in 1977? Join me, Matti Price, and our fantastic panellists Karen Gordon, Ryan McNeil, and Leslie Byron Pitt as we travel back in time to the 50th Annual Academy Awards, reevaluating the nominees for Best Picture and presenting our own alternative ballots. From Annie Hall to Star Wars, we discuss our personal connections to these iconic movies and their influence on modern cinema.We delve into the filmmaking techniques used in Woody Allen's Annie Hall, exploring how it shaped modern films like Olivia Wilde's Book Smart and Game Night. Our panellists also analyze the cultural impact of other nominees such as The Goodbye Girl, The Turning Point, and Julia, sparking an interesting debate on overlooked films like Saturday Night Fever and Close Encounters of the Third Kind. As we reflect on the 1977 Oscars.Listen in as we discuss a pivotal year in film history and ponder if the Oscars truly got it right in 1977. Don't miss out on this fascinating trip down memory lane!Transcript0:00:00 - Speaker 1In 1928, the first winner for Outstanding Motion Picture was Wings. In a few minutes we'll know the 50th. The films nominated for the Academy Award this year are Annie Hall, jack Rollins, charles H Jaffe Productions. United Artists. Charles H Jaffe, producer. The Goodbye Girl. Ray Stark Production. Metra Goldwood-Mair, warner Brothers. Ray Stark, producer. Julia, a 20th Century Fox Production. 20th Century Fox. Richard Roth, producer. Star Wars, a 20th Century Fox Production, 20th Century Fox. Gary Kurtz, producer. The Turning Point, hera Productions, 20th Century Fox. Herbert Ross and Arthur Lawrence, producers. And the winner is Annie Hall, charles H Jaffe. 0:01:22 - Speaker 2It's the fourth episode of For Your Reconsideration 1977 has arrived. Yay, apologies to Kermit and the Muppets, i get excited. I'm Mattie Price and along with producer Jamie JD Doe, we are back with a great panel. I'm your host for the conversation once again. Will we need a do-over, or did the Oscars get it right? This episode looks at the mostly American movies of 1977, including Best Picture winner Annie Hall, dance Drama, the Turning Point, unreliable Memoir, julia Star Vehicle, the Goodbye Girl and an obscure film now lost to history, star Wars. As always, our panelists will present their own alternative ballot and winner. Thanks again for listening and downloading. As always, this podcast is available pretty much wherever podcasts are available, and you can learn more about this and other great shows at Doveracom. That's D-E-W-V-R-Ecom. Join me. Panelists Karen Gordon, ryan McNeil and Leslie Byron Pitt. This discussion was recorded over the interwebs and feels like it happened only yesterday actually, instead of one or two weeks ago, so let's get into it. Okay, this is 1977. I am Maddie Price. I'm joined by an amazing panel. I'm going to go around and give everybody a chance to introduce themselves. Karen, why don't you start? Let the folks know who you are. 0:02:55 - Speaker 3Hi, maddie, thanks And hello everybody. My name is Karen Gordon, i'm located in Toronto and I'm a freelancer. One of the things I do is work as a film writer and film critic. I'm a longtime film fan, so it's really an exciting thing to me to be able to do this. I've done film criticism, writing on a whole bunch of mediums TV, on the CBC, on radio But I'm also one of the founding critics of a website called OriginalSynca, and that's mostly what I'm doing now. 0:03:26 - Speaker 2Nice Thanks And thank you for doing this. It's a pleasure. On a personal note, karen Gordon, you are my favorite, maybe one of my top five favorite all-time CBC radio hosts. Thank, you. And I'm so happy that I got to know you really, really, truly. 0:03:41 - Speaker 3Thank you. I was always freelance, never full-time there, so maybe I should send this to them. 0:03:45 - Speaker 2The first time I met you, i was scared to go up to you. That's how much I think you're great. I like everybody on the show, but I just needed to say that I needed to level set un-Karen. Leslie, please introduce yourself from across the pond, as it were. 0:04:04 - Speaker 5Yeah, so my name's Leslie. I am a film writer, podcaster and photographer allegedly all those things in England And I've been kind of freelancing and writing movies for more than I would like to say, mostly blogging, but just I find myself in places like Set the Tape. I've written for Empire, i've contributed to BBC iPlayer and Sight and Sound and Jazz FM and all over the place. 0:04:40 - Speaker 2And thank you so much Again. This is such a thrill to meet you in person. I know you threw a website called Row 3, which is now defunct. Yeah, But boy, it's been a pleasure knowing you all these years and to get to talk to you in person Amazing. Last oh, me too. Last, and absolutely not least, because of course I am the worst person here, Ryan welcome. 0:05:02 - Speaker 6I'm Ryan McNeil. I'm in Toronto, canada. I feel ...
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    1 h y 11 m
  • The 50th Annual Academy Awards - A Primer

    The 50th Annual Academy Awards - A Primer
    Jun 18 2023
    Get ready for a blast from the past as we take you back to 1977, an unforgettable year in American filmmaking. Join me, your host Matti Price, and our fantastic panel of film writers and broadcasters, Karen Gordon, Leslie Byron Pitt, and Ryan McNeil, as we discuss the 50th Academy Awards, the groundbreaking achievements in sound, and the legends we lost during this iconic year in cinema. We won't just focus on the Oscars – we'll also pay tribute to the likes of the Marx Brothers, Charlie Chaplin, Elvis Presley, and Bing Crosby, as well as the directors and actors who left their mark on the silver screen. From Howard Hawks and William Castle to the tragically short but brilliant career of John Cazale, we'll explore the magic of 1977 together in this episode of For Your Reconsideration. So, visit Dewvre.com for more great podcasts, and join the conversation!TranscriptFor Your Reconsideration is a podcast. In the next episode, we have a great and diverse panel and really a pretty crazy year 1977. I'm Matty Price and, along with JD, we could not be happier to be able to bring you discussions like the one we have coming up. As per usual, our panellists discuss a specific year in mostly American filmmaking through the clarifying crucible of Oscar's best picture. I'll be your host this time. Our panellists are film writers and broadcasters Karen Gordon, Leslie Byron, Pitt and, of course, a longtime friend of the show, podcaster and writer, Ryan McNeil. The 50th Academy Awards were actually held earlier than in previous years, in February of 1978. They were back at the Dorothy Chandler Pavilion and they went back to a single host for the first time in a while, bringing Bob Hope back as MC for the night. Despite Annie Hall winning Best Picture along with three other awards, it was actually Star Wars that had the best night. Overall, they took home six Oscars. Woody Allen did do something that nobody had done for a while, becoming the first person since Orson Welles to be nominated for writing, directing and acting in the same picture. The turning point still holds the record for most nominations without a single win with 11. They are tied with the colour purple and Close Encounters is tied with two films They Shoot Horses, don't They? and The Poseidon Adventure for most nominations without a Best Picture nod, with eight. There were two special achievement awards that year and actually, both of them were for sound. The sound was in a bit of a major renaissance in the late 70s with stereo, surround and digital sounds all coming to audiences really for the first time. One of those awards went to Frank Warner and Close Encounters for sound editing, and you can imagine the editing in Close Encounters and the specific sounds of those organ notes and everything else that happens. I mean it is an achievement. But the real achievement, I think, went to Ben Burt for creating the Alien Robot and Creature Voices in Star Wars Boy. There's a lot to talk about with Star Wars but I can't imagine it without that soundscape. Just amazing. Notable presenters, performers and recipients of awards that year included Debbie Boone, who sang You Light Up My Life. Now they decided that when she sang You Light Up My Life they would have deaf interpreters on the stage to sign as she sang. The problem is they turned out to not be real interpreters. They were fakes and their signs were totally unintelligible to the deaf community. Nailed it, Debbie Boone. The ceremony also neatly defined two sides of a debate that continues and actually probably will never be settled. Vanessa Redgrave used her acceptance speech to address concerns she had with the rights of the Palestinian community and how she was being treated in the press, and Patty Czevsky used his presenter time to essentially rebuke that by saying he was quite sick and tired of people exploiting the occasion of the Academy Awards for the propagation of their own personal political propaganda. Yeah, yeah, yeah. There's no end to this debate. Should actors and actresses and others Stand up for things they are important in front of a global, they feel are important in front of a global audience, or should they shut up and dribble? Yeesh? Anyway, lots of special, special presenters, including Mickey Mouse, r2-d2 and C3PO, as the awards got increasingly sophisticated from a production standpoint and they were able to mix in things like remote-controlled robots and animation and live action. Really a big moment in terms of how the show looked. Jack Nicholson presented Best Picture and the Academy Awards. Chorus brought That's Entertainment back again. They really love That's Entertainment. Anyway, for the first year in several years, they gave OJ Simpson the night off. I'm actually not sure what he did with his free time. As always, there was no in memoriam until 1993, but for that year it would have been, I think, quite significant. Two of the remaining three Marx Brothers passed ...
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    8 m
  • 6. Reassessing the Film Treasures of 1976's Best Picture Race

    6. Reassessing the Film Treasures of 1976's Best Picture Race
    Jun 11 2023
    Join us on a cinematic journey through the best picture nominees of 1976, as our panel of film buffs, including JD Duran, Dave Voigt, Norm Wilner, and myself, Matti Price, revisit the Academy Awards and dissect the impact of these films on the movie industry. We're diving deep into the cultural impact of Rocky, the legacy of Network, and the storytelling approaches of All the President's Men and Bound for Glory, so grab your popcorn and get ready to view these classics through a fresh lens!Discover how the iconic underdog story of Rocky has stood the test of time and influenced the movie industry, as well as its effect on Stallone's career. Unravel the relevancy of Network's critique on the media landscape, as we analyze its themes and explore how they have become more poignant in today's world. Our panellists will also shed light on the technical achievements and stellar performances that made these groundbreaking films the talk of the town in 1976.As we wrap up our discussion, we'll pose the question: did the Academy of Motion Picture Arts and Sciences get it right in 1976? We'll examine the impact of these films on the industry and explore our own cinematic blind spots from that year. From the horror films like Carrie and The Omen to foreign films like Seven Beauties and Cousin Cousine, we'll leave no stone unturned. Join us as we reevaluate the best picture nominees of 1976 and see if they still hold up today!Transcript0:00:01 - Speaker 1The film is nominated for the Academy Award this year. All the President's Men. A Wildwood Enterprises production. Warner Brothers. Walter Colbin's producer. Bound for Glory the Bound for Glory Company production. United Artists. Robert F Blumoff and Harold Leventhal. Producers. Network a. Howard Gottfried-Patty Chefsky production. Metro Golden Mayor. United Artists. Howard Gottfried. producer. Rocky a. Robert Chardhoff Irwin Winkler production. United Artists. Irwin Winkler and Robert Chardhoff. Producers. Taxi Driver. A Bill Hyphen Phillips. Production of a Martin Scorsese film. Columbia Pictures. Michael Phillips and Julia Phillips. Producers. The winner is Rocky. Irwin Winkler and Robert Chardhoff. Producers. For Your Re-Consideration. 0:01:29 - Speaker 2Hey, it's JD here and welcome to, for Your Re-Consideration, an Oscars podcast. Each and every week, i assemble a panel of film buffs to talk about movies, so get your popcorn and join us. This week, we're discussing 1976 and its best picture, rocky. We'll also be discussing the other four films that were nominated in the category, and they are All the President's Men, bound for Glory Network and Taxi Driver. As always, we'll open the table for our panelists to curate their own ballot by removing one or more films and allowing them to add their own. Once we've done all that, we'll get to the nitty gritty and ask the question did the Academy of Motion Picture Arts and Sciences get it right? Today we've got an excellent panel including JD Durand, dave Voight and Norm Wilner, along with your host, maddie Price. With that preview out of the way, let's dim the lights and start the show. 0:02:39 - Speaker 3This is a spectacular year for movies that were nominated. I don't know if 1976 is the best year for movies, but it might be the best year for Oscar nominees of those movies. Probably we'll talk to our guests or panelists here, but it feels like there's the least amount of daylight between what was actually good in the long run and what the Oscars talked about, which rarely, if ever, happens. So let's just get started. I am Maddie Price. I am your host. I would love to introduce our panelists, starting with JD. JD, welcome to For Your Reconsideration. Would you like to tell us a little bit about yourself? 0:03:22 - Speaker 4Yeah, first of all, thanks for having me. I'm really glad to be here. I am the owner of Incession Film, so we've been doing Incession Film for a little over 10 years now, which is hard to believe We have. I guess there's the podcast side of us and then there's the written element of the website as well. So we have two podcasts one that we do each week that has a slew of film topics. We have Our Women in Session a show as well, which is really great, and then we also have a team of writers that I really love that do such a great job of writing written content at IncessionFilmcom as well. So they had just been at this for a little while now and we got a good little team, and I'm very, very excited for everyone that's been doing this with us over the last decade or so. 0:04:24 - Speaker 3Thank you, that's great, and we will talk about where we can find all your work towards the end of the show. Norm, how are you? 0:04:34 - Speaker 5I'm well, thank you. It's been a while since I've done a film panel and it's kind of nice to know that it's still a thing that's happening. I don't even know how to introduce myself anymore. I used to be a film critic. I still kind of am, But in the last year I've ...
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    1 h y 37 m
  • 5. 1976 Primer

    5. 1976 Primer
    Jun 4 2023
    Ever wondered how the Oscars have evolved over time and their impact on the film industry? Join Matti Price and his esteemed panel of guests as we take a trip down memory lane and focus on the awards year of 1976. The upcoming episode will feature series regular Norm Wilner (critic and TIFF programmer), Dave Voight (InTheSeats.ca), and JD Duran (InSessionFilm.com), our insightful conversation delves into the fascinating history of the Academy Awards and their role in shaping the world of cinema.From the original 5 to the current 17 branches, we'll examine the Oscars' journey and uncover some lesser-known facts about these prestigious awards, like the story behind the iconic gold-plated bronze statue and the original intentions of the Academy's founders. Plus, we discuss how the Oscars have influenced the film industry and why certain categories, like stunt performers, still remain conspicuously absent. Don't miss this engaging and insightful conversation about one of the most famous awards shows in the world!0:00:05 - Speaker 1For Your Reconsideration, for Your Reconsideration is a podcast. Next week we return with another year in movies and a panel that can't wait to discuss them. I'm Mattie Price, and myself and Jamie Dew, JD, as we like to say are your navigators through the sometimes choppy waters of the past. Once again, we have put together some great panellists to examine and contextualize a whole year in mostly American movies. Alongside the choices the Academy of Motion Picture Arts and Sciences made for that year's best picture, we'll be focusing on 1976. I'm in the host chair this time. Joining me are series regular Norm Wilner, a critic and Tiff programmer, Dave Voight from InTheSeats.ca, also a writer and podcaster, and another great writer and podcaster, jd Duran from InSessionFilmcom. It's a good talk. I'm hoping you'll join us. I've been thinking about how we got here this podcast, but also the idea that the Oscars, no matter what you think of them, have this weird special place in the culture. There are a lot of awards shows, but clearly this is the king Name, the winner of a song of the year at the Grammys from 1976. Not easy, it's. I write the songs. By the way, barry Manilow, the Academy was put together basically to improve the image of the film industry. It was often seen as a kind of disreputable business. Its founders, including Louis B Mayer, cecil B DeMille and Irving Thalberg, wanted to promote this idea that there was artistic achievement of the film community and they basically just wanted to give it credibility. That said, they also wanted to use the Academy to mediate labor disputes without unions because of course they did. They actually spent more time initially working on labor disputes, but eventually they turned the Academy away from arbitrations. There were 230 initial members under founding president Douglas Fairbank Sr. The awards were actually approved in July of 1928 with 12 original categories. Ballots were sent out to the 230 members. Actually, some of those original 12 awards are still around Best actor, best actress, best cinematography, and others have really changed over time. There were separate directing awards for comedy and drama. There was both an outstanding picture award, which was won by Wings, and a quote unquote best unique and artistic picture, which was won by Sunrise, a song of two humans, which is why you'll often see both of those films cited as the winner of the first Academy award. There was also an award for best title writing, which I mean. Who knew that was even a job? Where is that job? I could make a meal out of that job. You put the whole movie together, make it and then I come in at the end and just do the title in. I am in for that. Most people know that Oscar itself is made of sort of gold-plated bronze and it was designed by Cedric Gibbons, who was the head of the art department at MGM Studios. Just Google Cedric Gibbons His name is on literally 5,000 movies. It depicts the statue sorry, depicts a knight holding a sword and he's standing on a reel of film that has five spokes. There's a spoke for each of the original five branches of the Academy, which were actors, directors, producers, technicians and writers. There are currently 17 branches of the Academy, most of which were actually expanded from that technicians group. As films got larger, studios understood that you needed more people and that films became more of a collaboration of departments. So cinematographers, visual effects, sound, makeup and hair stylists, designers, editors and costume designers all pretty much grew out of that initial technicians designation. The Academy also has branches now for less direct participants in filmmaking casting directors, public relations and executives. But despite the 17, there's still this glaring omission which remains for stunt performers They do not have their own Academy branch and they still have no representation and no ...
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    6 m
  • 4. Exploring the Best Picture Nominees of 1975 and Their Lasting Effects

    4. Exploring the Best Picture Nominees of 1975 and Their Lasting Effects
    May 28 2023
    Welcome back to another episode of For Your Reconsideration! This time, we're taking a trip back in time to explore the iconic 1975 movie season. Join me, Matty Price, along with expert panelists Ryan McNeil, and JM McNabb and our host jD, as we discuss the Best Picture nominees – One Flew Over the Cuckoo's Nest, Barry Lyndon, Dog Day Afternoon, Jaws, and Nashville. We'll be offering our own alternative ballot and winner, so be sure to tune in!Listen in as we dissect each of the five nominated movies from 1975, discussing standout performances, unique filmmaking techniques, and cultural impact. We'll also touch on lesser-known gems from the year that could have made the cut for Best Picture. As we analyze each film, we'll share our thoughts on which ones have stood the test of time and which ones might be due for a reevaluation.In addition to our in-depth analysis of these classic films, we'll be exploring the broader movie landscape of 1975, discussing the role of air conditioning in theaters, the impact of blockbusters like Jaws and Star Wars, and the ever-evolving landscape of the Academy Awards. So grab some popcorn and join us as we revisit the unforgettable movie season of 1975 on For Your Reconsideration!--------- EPISODE CHAPTERS ---------(0:00:00) - For Your Reconsideration(0:15:14) - Film Critique and Analysis(0:18:38) - Nashville(0:30:48) - Analysis of "Dog Day Afternoon"(0:39:06) - Jaws and Its Cultural Impact(0:48:49) - Movie Business and Academy Awards(0:53:35) - Cuckoo's Nest Analysis(1:02:40) - 1975 Oscar Nominee Do-Over(1:10:48) - Film PodcastTranscript0:00:00 - Cold OpenThe nominees for the best picture of the year are Barry Linden, a Hawke Film Limited production, warner Brothers, stanley Kubrick producer, dog Day Afternoon, warner Brothers, martin Bregman and Martin L Fan producers. So is Universal, xanac Brown production, universal, richard D Xanac and David Brown producers, nashville, an ABC entertainment, jerry Wyenthal, robert Altman production, paramount, robert Altman producer. And one flew over the Cuckoo's Nest, a fantasy films production, united Artists, saul Zanz and Michael Douglas producers. And the winner is one flew over the Cuckoo's Nest. And the winner is one flew over the Cuckoo's Nest, one flew over the Cuckoo's Nest. 0:01:25 - MattiHey, i'm Matty Price and welcome to another episode of For Your Reconsideration. As always, our expert panel will dive deeply and look fondly at a full year in mostly American movies, ultimately deciding if that year's Oscars got it right or need a do-over. This week we're looking at the films of 1975, including Best Picture Winner One, flew Over the Cuckoo's Nest, and nominees Barry Linden, dog Day Afternoon, jaws and Nashville, along with many other films made and released in that pivotal year. As always, our panelists will be able to present their own alternative ballot and winner. Thanks for listening and downloading. You can find this podcast through the client of your choice at duvercom. That's D-E-W-V-R-Ecom. A great year and should be a great discussion, so join. Host JD, jamie Dew and panelists JM McNabb, ryan McNeil and oh me, i'm a panelist this time out. Oh, that's a switch. Well, listen, this was recorded live and in the same room, face to face, in the before times when we all could be face to face, geez, i hope I knew what I was talking about, so let's get into it ["Mammo Podcast"]. 0:02:58 - jDHey, it's JD here and welcome to For Your Reconsideration. Let's get right to the panel. Starting on my left, we have. 0:03:05 - MattiI'm Matthew Price of the Mammo podcast. I'm nominally half of that podcast. I guess potentially 49%. I'm the Mammo, i'm No, we're both the Mam. Do I need to go through this again? All right, for folks that are interested, there are probably 55 episodes of Mammo that explain why it's called Mammo, so you can buy all of them, just randomly pick one, you'll find it. It's in the context And identify those episodes, put them together and, hopefully, tell you We're still working on having some sort of custom price for our contest, but we haven't gotten anything yet. Anyway, that's Hawaii Cool. Thanks, man. 0:03:44 - RyanI'm Ryan McNeil, my site is theMatin8.ca, which is not nearly as complicated to explain, and I also host the Magnatecast. 0:03:52 - JMCool. thanks, man. I'm JM McNabb. I'm one of the hosts of the rewatchability podcast. rewatchabilitycom, or the iTunes or whatever fringe websites people get podcasts on, is probably there. Are you on GeoCities? Probably? yeah, we're on Angel Fire now It's pretty big. 0:04:11 - Speaker 4There are a ton. I did a search just the other day and there were like two sites that I've never signed up for or anything like that that were carrying podcasts, Yeah yeah, yeah, that's weird. Totally far out, thanks. Well, we're here to talk about an embarrassment of riches, i think, 1975,. We're going to talk about the five nominated pictures today, and then we'll ...
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    1 h y 12 m
  • Episode 3 - 1975 Primer

    Episode 3 - 1975 Primer
    May 21 2023
    Chapter 1: IntroductionHosted by Mattie Price and Jamie DewPanelists: Ryan McNeil, JM McNabb, and Matti PriceOverview of the podcast's premise and formatDiscussion on the 48th Annual Academy Awards held in 1976Keywords: Podcast introduction, Hosts, Panelists, Academy AwardsChapter 2: Highlights of the 48th Annual Academy AwardsABC acquires broadcast rights for the first timeCo-hosts: Walter Mathau, Robert Shaw, George Siegel, Goldie Hawn, and Gene KellyHumorous remark on the desire for a heist movie with the star-studded castKeywords: Academy Awards highlights, ABC, Co-hosts, HumorChapter 3: Notable Films and Achievements"One Flew Over the Cuckoo's Nest" sweeps the five major categoriesComparison with other films achieving a clean sweepMention of Isabelle Adjani's record as the youngest Best Actress nomineeGeorge Burns becomes the oldest acting winnerKeywords: "One Flew Over the Cuckoo's Nest," Clean sweep, Youngest nominee, Oldest winnerChapter 4: Memorable Moments from the Ceremony"Jaws" winning multiple awards except Best PictureHonorary award presented to Mary PickfordIrving G. Thalberg Memorial Award recipient: Mervyn LeRoyGene Hersholt Humanitarian Award recipient: Jules C. SteinKeywords: "Jaws," Mary Pickford, Irving G. Thalberg Memorial Award, Gene Hersholt Humanitarian AwardChapter 5: Musical Performances and PresentersRay Bolger's opening number, "Hollywood Honors its Own"Keith Carradine's performance of "I'm Easy"USC Trojan's marching band's closing medleyNotable presenters from outside the entertainment industryKeywords: Musical performances, Ray Bolger, Keith Carradine, USC Trojan's marching band, PresentersChapter 6: Remembering the DepartedMention of notable individuals who passed away between ceremoniesFrederick March, Paul Robeson, Lee Jay Cobb, Sal Minio, Michelle Simo, Pier Paolo Pasolini, Wild Bill Wellman, Busby Berkeley, Master Luo, Rod Serling, Sidney Buckman, Bernard HermanKeywords: In Memoriam, Departed individualsChapter 7: Closing and Future EpisodesConclusion of the episode's contentInvitation to join the panelists for the next episode on 1975Website and contact information for the podcastKeywords: Closing remarks, Next episode preview, Contact informationTranscript0:00:05 - Speaker 1For your reconsideration, for your reconsideration is a podcast. Next week we are back with another stacked panel and another great year in movies. I'm your host, mattie Price, and I'm here with the always fabulous Jamie Dew. Together we assemble great panelists with diverse points of view to discuss a specific year in mostly American filmmaking, but through the clarifying crucible of the Oscars Best Picture. Our next episode is a good one, looking at the movies of 1975. Jd is hosting that conversation and our panelists are Podcaster and writer Ryan McNeil, writer JM McNabb and, oh and me, mattie Price. I am in the panelist chair for this one. So the 48th annual Academy Awards were presented in March of 1976 at the Dorothy Chandler Pavilion. As was the style at the time, they awarded films made in 1975. Abc had the broadcast rights for the first time and the show was once again co-hosted. This again was a popular thing in the 70s to have multiple hosts on this show. This time it was stacked Walter Mathau, robert Shaw, george Segal, goldie Hahn and Gene Kelly. Here is my heist movie with this cast is my question. Most folks know that for the first time since it happened, one night a single movie. Milosh Forman's One Flew Over the Cuckoo's Nest, made a clean sweep of the five major categories Best Picture, best Actor, best Actress, best Director and Best Screenplay this time adapted. It's only happened one other time so far, and that's with the Silence of the Lambs. At 20, isabella Johnny became the youngest Best Actress nominee ever at the time. Ultimately, her record was beaten first by 13-year-old Keisha Castle Hughes in whale music, and then they both went down hard to nine-year-old Kavanjanae Wallace in Beasts of the Southern Wild. At 80, george Burns became the oldest acting winner, as well as the last person born in the 19th century to receive an acting award, george Oswand. Every award it was nominated for that year, except Best Picture. The honorary award for that year went to Mary Pickford. The Irving G Thalberg Award, which is given to producers of Note, was given to Mervin G Leroy, and then they gave out a Gene Herschold Award. That's something they don't actually do all the time. That award is given for public service and working for the public good. This time they gave it to Jules C Stein, who had founded MCA, which ultimately wound up owning Universal Studios and also helped create the Hollywood canteen during World War II, which was a place where servicemen and women could go to relax and be entertained. Ray Bolger sang the opening number. It was a classy little diddy called Hollywood Honors It's Own. I cannot find any evidence of this song anywhere but presumably it existed at ...
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    7 m
  • Episode 2 - 1974

    Episode 2 - 1974
    May 14 2023
    Hello & welcome to another incredible episode of “For Your Reconsideration - an Oscars podcast.”This week, Phil, Andrew, Jose, David & Norm join me on the show as we discuss five of the best Oscar-nominated movies in 1974. From Chinatown, The Conversation, Lenny, Towering Inferno to its best picture GodFather part II. Moreover, the panelists share movies they would add or eliminate in 1974.Tune in to our candid & interesting conversation on some of the best movie scenes and characters as well as our nominee movie from 1974!Timestamps[01:23] Introducing this week’s topic, “1974.”[01:58] About this week’s panelists[04:12] Why “Chinatown” is one of the best-written films of the 70s in the detective movie genre & Jack’s outstanding character[17:07] Interesting scenes in “The Towering Inferno “movie & McQueen versus Newman performance[25:03] Was McQueen’s role supposed to be Newman’s role?[27:50] Dissecting outstanding characters and problems in “Lenny”[35:31] Lenny Bruce's exceptional performance in Lenny compared to his actual sets[37:58] The conspiracy paranoia and what stands out in “The Conversation Movie.”[52:00] Best scenes & characters in “The Godfather Part II” Movie[01:04:20] What would our panel take away or add to the 1974 list[01:13:33] Does 1974 require a do-over?[01:15:17] The Panel’s nominee movie from the 1974 listNotable Quotes“Chinatown is a great stepping stone movie for anyone that wants to get into the film world.” (08:35-08:40)“Lenny is just too off the moment and too rigidly controlled to try and stick to the story. It's almost too faithful.” (32:10-32:22)“In a lot of ways, Lenny Bruce was more of a performance artist than he was in stand-up. People respect Lenny Bruce's performance more than his actual sets. They appreciate the craft more than what he was actually saying.” (37:39-37:53)“The Godfather will always be a classic movie.” (56:20-56:22)Please share, subscribe & leave a review!Transcript0:00:01 - Speaker 1The nominees for the best picture of the year are Chinatown, a Robert Evans production, paramount. Robert Evans producer. The Conversation, a director's company production, paramount. Francis Ford Coppola producer. Fred Roos, co producer. The Godfather Part II, a Coppola company production, paramount. Francis Ford Coppola producer. Gray Fredrickson and Fred Roos co-producers. Lenny, a Marvin Worth production, united Artists. Marvin Worth producer. The Towering Inferno, an Irwin Allen production, 20th Century Fox, warner Brothers. Irwin Allen producer. And the winner is Godfather Part II, francis Ford Coppola, gray Fredrickson and Fred Roos. For your reconsideration. 0:01:20 - Speaker 2Hey, it's Matty Price. Myself and today's host, jamie Dew, are here for you, as we will be in every episode. Welcome to, for Your Reconsideration, an Oscars podcast. As always, we have an amazing panel of film buffs. This week, we are looking at the best picture of 1974, the Godfather, part II, as well as the other nominees Lenny, the Conversation, the Towering Inferno and Chinatown. As always, we will open it up so the panel can discuss those films, but also curate their own ballots. Remove choices they think don't work, add films that they feel like shouldn't have been overlooked. So thanks again for listening. Subscribe through the podcast client of your choice to get new episodes every week as they are available. Welcome to Season 1, and now it's time to join this episode's host, jamie. Panelist Norm Willner, David Brown, david Follows, andrew Parker and Jose Roldan. Listen. The episode was originally recorded live and in person in 2016. Remember 2016? 0:02:23 - Speaker 3Before there was a pandemic And we all Oh, never mind, anyway, let's get into it, it's 1974 is what we're doing and of course, i didn't recall that This is the year I was born, so Well of course you wouldn't recall. 0:02:46 - Speaker 4I don't remember a whole bunch. 0:02:52 - Speaker 3We will go around the table with introductions. Does everybody introduce themselves? I wasn't here when everybody else arrived, but we'll start over here on my left. 0:02:57 - Speaker 5Andrew Parker. I am the Film and Performing Arts Editor of the website Dorkshelf. You can find me on Twitter at AndrewJ Parker. 0:03:04 - Speaker 3Cool Thanks. 0:03:05 - Speaker 4Andrew, i'm Norm. 0:03:06 - Speaker 3Willner. You can find me on Twitter at Norm Willner. 0:03:08 - Speaker 4I'm the senior film writer for Now Magazine and I also do some stuff for MSN Great. 0:03:13 - Speaker 6Thanks, norm, i'm Phil Brown. You can find me on Twitter at that. Phil Brown and I rate for a bunch of. I rate for Dorkshelf and Now, like Them and I rate for Charmstar and Globe and Mound Remorgen Fingery and Bunch of Anyone will let me? basically. 0:03:28 - Speaker 8I'm Jose Roldan. You can find me on Twitter at DEC22CM and I work for one of the major studios. I'm a suit. 0:03:35 - Speaker 7I love all ...
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    1 h y 16 m
  • Episode 1 - 1974 Primer

    Episode 1 - 1974 Primer
    May 7 2023

    Join Host, Matti Price as he gives you the lowdown on the 1974 Best Picture nominees and a run down of what you can expect on For Your Reconsideration.
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    7 m