• "MARIE MCDONALD: OLD HOLLYWOOD'S ORIGINAL GONE GIRL" (046)
    Jul 29 2024
    This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self. ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** As CAROLE LANDIS was known as “The Ping Girl” and ANN SHERIDAN was known as “The Oomph” Girl,” actress MARIE McDONALD was saddled with the equally misogynistic title, “The Body.” Yes, she was tall, leggy, and curvy, but she was also talented, a fact that many of the powerful men of Hollywood seemed to forget. Unfortunately, Marie was better known for her wild private life that included seven marriages, high profile romances, tabloid escapades, and one of the most bizarre kidnappings to ever happen in Hollywood. This week, we tell the colorful story of this long-forgotten leading lady. SHOW NOTES: Sources: Tragic Hollywood: Beautiful, Glamorous, and Dead (2013), by Jackie Ganiy; “Marie McDonald ‘Gets Sick’ With Former Husband,” January 6, 1955, Toledo Blade; “Millionaire Asks Divorce From Marie McDonald,” May 22, 1956, Daytona Beach Morning Journal; “Marie McDonald Reported Held By Kidnappers,” January 4, 1957, Ellensburg Daily Record; “Marie McDonald Tells Police How She Was Seized By Two Men,” January 5, 1957, Reading Eagle; “Marie McDonald Stars In Police Film of Kidnapping,” January 8, 1957, The Telegraph; “Grand Jury Probes Marie’s Kidnap,” January 16, 1957, The Deseret News; “Marie McDonald Leaves Hospital” June 15, 1958, Reading Eagle; “Actress Marie McDonald Weds Again,” May 25, 1959, St. Petersburg Times; “Marie McDonald’s Fourth Husband Seeking Divorce,” September 18, 1962, Daily News; “New Ruling Calls Marie McDonald Death Accidental,” December 30, 1965, The Toledo Blade; “Marie McDonald, Actress, Is Dead; Autopsy Was Inconclusive, Glamour Girl Was 42,” October 21, 1965, The New York Times; “Movie Producer Donald Taylor Apparent Suicide,” January 3, 1966, Rome News Tribune; “Phantom Intruders Abducted A Pin-Up Star,” July 2, 2022, Medium.com; IMDBPro.com; Wikipedia.com; Movies Mentioned: Pardon My Sarong (1942), staring Lou Abbott and Lou Costello; Lucky Jordan (1942), starring Alan Ladd and Marie McDonald; I Love a Soldier (1944), starring Paulette Goddard, Sonny Tufts, and Beulah Bondi; Guest In The House (1944), starring Anne Baxter and Ralph Bellamy; Getting Gertie’s Garter (1945), starring Marie McDonald and Dennis O’Keefe; Living In A Big Way (1946), starring Gene Kelly and Marie McDonald; The Geisha Boy (1958), starring Jerry Lewis and Marie McDonald; Promises! Promises! (1963), starring Jayne Mansfield and Marie McDonald; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    32 mins
  • “FORGOTTEN B-LEADING MEN OF THE GOLDEN AGE OF HOLLYWOOD” (045)
    Jul 22 2024
    EPISODE 45 - “Forgotten B-Leading Men of the Golden Age of Hollywood” - 07/22/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** Sometimes, there is nothing quite like a good old B-movie. Maybe the production values aren’t the best, and maybe the story is grittier than most, but these little gems have provided hours of viewing pleasure to so many. These films also had great leading men in them. Studly, sturdy, reliable actors who might not be GARY COOPER or CARY GRANT or CLARK GABLE, but were handsome and talented and knew how to beat up the bad guys and win over the lovely leading lady. As an homage to the leading men of the B's, this week, we’ll take a look at the lives and careers of five of our favorites. SHOW NOTES: Sources: Screen World Presents the Encyclopedia of Film Actors (1965); “Successor To Gable,” by Robbin Coons, September 30, 1943, Big Spring Daily Herald; "John Hodiak Dies Suddenly of Heart Attack,” October 20, 1955, Los Angeles Times; “The Story of Bob Cummings,” September 2, 1950, Voice; “Skip E. Lowe 1987 interview with Robert Cummings,” December 17, 2016, by Alan Eicler, Youtube.com; “Robert Cummings on Honesty,” May 1959, by Bob Cummings, Guideposts; “Robert Cummings Is Dead at 82; Debonair Actor in TV and Film,” December 4, 1990, by Peter B. Flint, The New York Times; “Dennis O’Keefe, Son of Vaudeville Performers Knows The Theatre,” July 7, 1939, The Times (Muncie Indiana); "O'Keefe Achieves Stardom; Seeks Director's Post,” October 12, 1944, Los Angeles Times. “Dennis O’Keefe, Screen Veteran, Is Dead at 60,” September 2, 1968, The Marion (Ohio) Star; “Bill Lundigan’s Success Recipe,” March 29, 1942, The Brooklyn Daily Eagle; “The Life Story of William Lundigan,” March 24, 1951, Picture Show; “Actor William Lundigan Dies; Began Career in 1937,” December 22, 1975m by Ted Thackery, Jr. Los Angeles Times; "The Life Story of Alan Marshal,” January 11, 1941, Picture Show; “Alan Marshal, Actor, 52, Dead; Stage and Film Performers Appeared in ‘Wagon Train’,” July 10, 1961, The New York Times; Alan.kitmarshal.site; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned: JOHN HODIAK: Maisie Goes To Rio (1944); Marriage Is a Private Affair (1944); Life Boat (1944); Sunday Dinner For A Soldier (1944); A Bell For Adano (1945;) The Harvey Girls (1946); Somewhere In The Night (1946); Desert Fury (1947); ROBERT CUMMINGS: The Virginia Judge (1935); Hollywood Boulevard (1936); So Red The Rose (1935); King's Row (1941); Saboteur (1942); Dial M For Murder (1954); DENNIS O’KEEFE: T-Men (1947); Raw Deal (1948); Saratoga (1937); Topper Returns (1941); The Story of Dr. Wassel (1944); Up In Mabel's Room (1944); Doll Face (1945); Brewster's Millions (1945); Cover Up (1949); The Lady Wants Mink (1953); WILLIAM LUNDIGAN: The Lady Fights Back (1937); Three Smart Girls Grow Up (1939); The Old Maid (1939); Dodge City (1939); Santa Fe Trail (1940); A Shot In The Dark (1941); Apache Trail (1942); The Fabulous Dorseys (1947); The Inside Story (1947); Pinky (1949); Mother Didn't Tell Me (1950); I'll Get By (1950); Love Nest (1951); I'd Climb The Highest Mountain (1951); The House on Telegraph Hill (1951); ALAN MARSHAL: The Garden of Allah (1936); After The Thin Man (1936); Night Must Fall (1937); Parnell (1937); Conquest (1937); Dramatic School (1939); Four Girls in White (1939); The Hunchback of Notre Dame (1939); Irene (1940); He Stayed For Breakfast (1940); Lydia (1941); The White Cliff's of Dover (1944); Bride By Mistake (1944); The Opposite Sex (1956); House On Haunted Hill (1959); Day of the Outlaw (1959); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    40 mins
  • "THERESA HARRIS: HOW OLD HOLLYWOOD STOPPED HER STAR FROM RISING" (044)
    Jul 15 2024
    EPISODE 44 - "THERESA HARRIS: HOW OLD HOLLYWOOD STOPPED HER STAR FROM RISING" - 07/15/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** When THERESA HARRIS appears on screen, you cannot take your eyes off of her. Beautiful, talented, and a skilled singer and dancer, she lights up any scene she’s in. Despite appearing in over 100 films, she rarely received screen credit and most often played a maid, waitress, or other types of domestic servant. Her parts were small, but her charisma and presence on screen were enormous! As a black woman in the early days of Hollywood, she was limited in the roles she could perform by the restrictive Hayes Code of 1934 and the horrible Jim Crow laws of the South. Still, she is a welcome presence in so many classic films. This week, we look at the extraordinary life and career of the talented THERESA HARRIS. SHOW NOTES: Sources: “Theresa Harris, Credited and Uncredited in Over 100 Films,” March 28, 2024, by Herb Boyd, New York Amsterdam News; “Just a Maid in Movies, But Not Forgotten,” April 21, 2011, by Manohla Dargis, The New York Times; “The Underrated Charms of Theresa Harris,” July 11, 2020, by Constance Cherise, TCM.com; “Theresa Harris: Television and Film Actress of the 1930s,” August 18, 2023, by Jae Jones, BackThen.com; “Actress Theresa Harris Hollywood Vixen Turned Servant,”September 2, 2011, by Veronica Wells, Madamenoire; IMDBPro.com; Wikipedia.com; Movies Mentioned: Thunderbolt (1929), starring Fay Wray and George Brent; Hold Your Man (1932), starring Jean Harlow and Clark Gable; Baby Face (1933), starring Barbara Stanwyck and George Brent; Professional Sweetheart (1933), starring Ginger Rogers, Norman Foster, and Zasu Pitts; Horse Feathers (1932), starring The Marx Brothers and Thelma Todd; Gold Diggers of 1933 (1933), starring Joan Blondell, Dick Powell, Ruby Keeler, and Ginger Rogers; Morning Glory (1933), starring Katharine Hepburn and Douglas Fairbanks, Jr; Flying Down to Rio (1933), starring Delores Del Rio, Gene Raymond, Ginger Rogers, and Fred Astaire; Broadway Melody of 1936 (1935), starring Jack Benny and Eleanor Powell; Banjo On My Knee (1936), starring Barbara Stanwyck and Joel McCrea; Bargain With Bullets (aka The Gangster’s On The Loose) (1937), starring Ralph Cooper and Theresa Harris; Jezebel (1938), starring Bette Davis, Henry Fonda, and George Brent; Tell No Tales (1939), starring Melvyn Douglas and Louise Platt; Buck Benny Rides Again (1940), starring Jack Benny, Ellen Drew, Eddie “Rochester” Anderson, and Theresa Harris; What’s Buzzin’ Cousin? (1943), starring Jack Benny and Ann Miller; Blossoms In The Dust (1941), starring Greer Garson, Walter Pidgeon, and Marsha Hunt; Our Wife (1941), starring Melvyn Douglas, Ruth Hussey, and Ellen Drew; Cat People (1942), starring Kent Smith, Simone Simon, Jane Randolph, and Tom Conway; I Walked With A Zombie (1943), starring Frances Dee, Tom Conway, Darby Jones, and Christine Gordon; The Dolly Sisters (1945), starring Betty Grable, John Payne, and June Haver; Three Little Girls In Blue (1946), starring George Montgomery, Vera-Ellen, and June Haver; Miracle on 34th Street (1947), starring Maureen O’Hara, Edmund Gwenn, John Payne, and Natalie Wood; Out of the Past (1947), staring Robert Mitchum, Jane Greer, and Kirk Douglas; Angel Face (1952), starring Robert Mitchum and Jean Simmons; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    34 mins
  • "FAVORITE CLASSIC FILMS OF THE 1930s" (043)
    Jul 8 2024
    This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self. EPISODE 43 - “Favorite Classic Films of the 1930s” - 07/08/2024 During the golden era of old Hollywood, each decade brought forth exciting films that helped define the motion picture industry. In a new feature, Steve and Nan will dissect each decade and highlight movies that resonated with them as they started their individual study of film. Beginning with the 1930s, listen as they discuss films that made an impact not only on them but on the film industry as a whole. And yes, a few of the films they discuss are from that magic year of 1939. SHOW NOTES: Sources: Pursuits of Happiness: The Hollywood Comedy of Remarriage (1981), by Stanley Cavell; The Screwball Comedy Films: A History and Filmography 1934-1942 (2022), by Grégoire Halbout; The Art of the Screwball Comedy (2013), by Doris Milberg; Wiliam Holden: A Biography (2010), by Michelangelo Capua; The Life and Loves of Barbara Stanwyck (2009), by Jane Ellen Wayne; The Lonely Life: An Autobiography (2017), by Bette Davis; Leslie Howard: The Lost Actor (2013), by Estel Eforgan; Jean Arthur: The Actress Nobody Knew (1997), by John Oller; The Films of Frank Capra (1977), by Victor Scherle and William Turner Levy; IMDBPro.com; Wikipedia.com; Movies Mentioned: The Women (1939), starring Norma Shearer, Joan Crawford, Rosalind Russell, Paulette Goddard, Mary Poland, Joan Fontaine, Lucille Watson, Virginia Pohvah, Virginia Weidler, Marjorie Main, Virginia Grey, Hedda Hopper, Ruth Hussey, and Mary Beth Hughes; The Petrified Forest (1936), starring Leslie Howard, Bette Davis, Humphrey Bogart, Porter Hall, Genevieve Tobin, Dick Foran, Joe Sawyer, Charley Grapewin, and Paul Harvey; Mr. Smith Goes To Washington (1939), starring James Stewart, Jean Arthur, Thomas Mitchell, Claude Rains, Edward Arnold, Beulah Bondi, and Guy Kibbee; Easy Living (1937), starring Jean Arthur, Ray Milland, Edward Arnold, Luis Alberni, Franklin Pangborn, Mary Nash, William Demarest, and Esther Dale; My Man Godfrey (1936), starring William Powell, Carole Lombard, Gail Patrick, Alice Brady, Eugene Pallette, Jean Dixon, Misha Auer, and Alan Mowbray; The Awful Truth (1937), starring Cary Grant, Irene Dunne, Ralph Bellamy, Cecil Cunningham, Molly Lamont, Alexander D’Arcy, Joyce Compton, and Esther Dale; Stage Door (1937), starring Katharine Hepburn, Ginger Rogers, Lucille Ball, Ann Miller, Andrea Leeds, Eve Arden, Gail Patrick, Adolphe Menjou, Franklin Pangborn, Samuel S. Hinds, and Constance Collier; Golden Boy (1939), starring Barbara Stanwyck, William Holden, Adolphe Menjou, Lee J. Cobb, Joseph Calleia, Edward Brophy, and Sam Levene; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    37 mins
  • "EVA MARIE SAINT" (042)
    Jul 1 2024
    From Beneath The Hollywood Sign is thrilled to welcome our newest sponsor, www.HappyMammoth.com. Use code BENEATH at checkout for 15% off of your entire first order! EPISODE 42 - “Eva Marie Saint: Star of the Month (July)” - 07/01/2024 Blonde, beautiful, sophisticated, and chic, there was no one in Hollywood quite like EVA MARIE SAINT. This versatile, elegant actress had an incredible emotional range and left an indelible mark on the landscape of film. July 4th marks her 100th birthday of this national treasure and in this episode we take a look at her extraordinary career. Come hear about her incredible life and a career that spanned from live TV to Broadway to film and television where she was directed by all the greats — Hitchcock, Kazan, Preminger, Fred Zinnemann, John Frankenheimer, Paul Bogart — and held her own opposite Hollywood’s greatest leading men — Cary Grant, Marlon Brando, Gregory Peck, Paul Newman, Montgomery Clift, James Garner, Bob Hope, and Warren Beatty. SHOW NOTES: Sources: Eva Marie Saint: A Journey From Newark to Hollywood’s Iconic Heights (2024), by Alexander Harmony; Hitchcock’s Heroines (2018), by Caroline Young; Kazan: The Master Director Discusses His Films (1999), by Jeff Young; Hitch (1978), by John Russell Taylor; Destination Hitchcock: The Making of North by Northwest (2000), by Peter Fitzgerald; “As Eva Marie Saint Turns 97, Celebrating Her Seductive Turn in ‘North by Northwest’,” July 4, 2021, by Brent Lang, Variety; Robert Osborne interview(s) with Eva Marie Saint, www.TCM.com; “In Search of a Classic Saint Revisits Hitchcock Role,” September 10, 2000, by Gene Triplett, The Oklahoman; “Saint in Hollywood; Forthright Star Actress Illustrates Devotion to Work and Family,” May 10, 1964, New York Times; “All About Eva Marie,” February 22, 2011, Vanity Fair; IMDBPro.com; Wikipedia.com; Movies Mentioned: On The Waterfront (1954), starring Marlon Brando, Eva Marie Saint, and Karl Malden; That Certain Feeling (1956), starring Bob Hope, Eva Marie Saint, and George Sanders; A Hatful of Rain (1957), starring Anthony Franciosa, Don Murray, and Eva Marie Saint; Raintree County (1957), starring Elizabeth Taylor, Montgomery Clift, Eva Maire Saint, and Rod Taylor; North By Northwest (1959), starring Cary Grant and Eva Marie Saint; Exodus (1960), starring Paul Newman, Eva Marie Saint, and Sal Mineo; All Fall Down (1962), Warren Beatty, Eva Marie Saint, Karl Malden, Angela Lansbury, and Brandon deWilde; The Sandpiper (1965), staring Richard Burton, Elizabeth Taylor, and Eva Marie Saint; The Russians Are Coming, The Russians Are Coming (1966), starring Alan Arkin, Carl Reiner, and Eva Marie Saint; Grand Prix (1966), starring James Garner, Yves Montand, and Eva Marie Saint; The Stalking Moon (1968), starring Gregory Peck, Eva Marie Saint, and Robert Forster; Cancel My Reservations (1972), starring Bob Hope, Eva Marie Saint, Forest Tucker, Ralph Bellamy, and Anne Archer; Splendor In the Grass (1981) (TV-movie), starring Melissa Gilbert, Cyril O’Reilly, Ned Beatty, Eva Marie Saint, and Michelle Pfeiffer; Nothing In Common (1986), starring Tom Hanks, Jackie Gleason, Eva Marie Saint, Bess Armstrong, and Sela Ward; I Dreamed Of Africa (2000), starring Kim Basinger, Daniel Craig, and Eva Marie Saint; Because of Winn Dixie (2005), starring Jeff Daniels, Cicely Tyson, and Eva Marie Saint; Don’t Come Knocking (2005), starring Sam Shepherd, Jessica Lange, and Eva Marie Saint; Superman Returns (2002), starring Brandon Routh, Kate Bosworth, Kevin Spacey, and Eva Marie Saint; Mariette in Ecstasy (2019), starring Geraldine O’Rawe, Eva Marie Saint, Mary McDonnell, and Rutger Hauser; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    41 mins
  • “THE DEATH OF THE DREAM FACTORY” (041)
    Jun 24 2024
    From Beneath The Hollywood Sign is thrilled to welcome our newest sponsor, www.HappyMammoth.com. Use code BENEATH at checkout for 15% off of your entire first order! EPISODE 41 - “The Death of the Dream Factory” - 06/24/2024 When the early movie studios began to pop up in Hollywood during the 1920s and 1930s, the major studio chiefs produced magnificent films and further advanced the art form of film, but they also created a system where they controlled the supply and demand flow and treated the artists who made the films like indentured servants. This is the story of how the servants rose up to end the traditional studio system. SHOW NOTES: Sources: The Hollywood Studio System: A History (2019), by Douglas Gomery; Death of the Moguls: The End of Classical Hollywood (2012), by Wheeler Winston Dixon; “A Century in Exhibition: The 1960s: The End of the Hollywood Studio System,” August 12, 2020, by Vassiliki Malouchou, www.boxofficepro.com; “Why The US Supreme Court Broke Up The Hollywood Studio System,” February 3, 2023, www.WNYC.org; IMDBPro.com; Wikipedia.com; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    29 mins
  • "OLD HOLLYWOOD'S FORBIDDEN LOVE STORY: LON McCALLISTER & WILLIAM EYTHE" (#040)
    Jun 17 2024
    From Beneath The Hollywood Sign is thrilled to welcome our newest sponsor, www.HappyMammoth.com. Use code BENEATH at checkout for 15% off of your entire first order! EPISODE 40 - “Old Hollywood's Forbidden Love Story/ Lon McCallister & William Eythe” - 06/17/2024 As we celebrate gay pride month in June, Nan and Steve bring a special episode about 20th Century Fox contract players LON McCALLISTER and WILLIAM EYTHE. Both were handsome, talented, and on their way to becoming major film stars. But there was only one problem — the two young men had fallen in love and wanted to live their lives as a couple. This love was forbidden back then and went against the wishes of 20th Century Fox studio head DARRYL F. ZANUCK. Listen to this inspiring and heartbreaking story of their love story. SHOW NOTES: Sources: Behind the Scenes: How Gays and Lesbians Shaped Hollywood (2001), by William J. Mann; It Might As Well Be Spring (1987), by Margaret Whiting; “Terrific Trio,” May 1944, by Marcia Daughtrey, Modern Screen; “Keyhole Portrait: William Eythe,” June 4, 1944, by Harriet Parson, Los Angeles Examiner; “Bill Eythe’s Triumph Over Pain,” April 1, 1945, New York Times; “The Role I Liked Best…” September 2, 1950, by Lon McCallister, The Saturday Evening Post; “Film Actor Eythe Jailed on Writ of Former Wife,” September 4, 1950, Los Angeles Daily News; “Actor Suffered Hangover in Durance Vile,” June 3, 1952, Los Angeles Daily News; “William Eythe, Producer, Held as Drunk Driver,” June 4, 1952, Los Angeles Times; “Eythe, McCallister Prep ‘Joy Ride’ for Broadway,” March 12, 1956, Hollywood Reporter; “William Eythe Ill With Hepatitis, Condition Serious,” January 26, 1957, by Hedda Hopper, Los Angeles Times; “William Eythe Dies,” January 28, 1957, The Hollywood Reporter; Lon McCallister, 82, Actor Had Brief but Busy Career Before Becoming Investor,” June 18, 2005, by Mary Rourke, Los Angeles Times; “McCallister’s Heart Outshine His Stardom,” June 21, 2005, by Robert Osborne, Hollywood Reporter; “Mars Actor Had Meteoric Career,” February 4, 2007, by Sandy Marwick, Butler-Eagle Focus; IMDBPro.com; Wikipedia.com; Movies Mentioned: The Other Woman (1942), starring Virginia Gilmore, Dan Duryea, and Lon McCallister; Stage Door Canteen (1943), starring Katharine Hepburn, Paul Muni, Merle Oberon, and Lon McCallister; The Ox-Bow Incident (1945), starring Henry Fonda, Dana Andrews, Henry Morgan, and Mary Beth Hughes; The Moon Is Down (1936), starring Cedric Hardwicke, Henry Travers, and Lee J. Cobb; The Song of Bernadette (1943), starring Jennifer Jones, Vincent Price, Charles Bickford, and William Eythe; The Eve of St. Mark (1943), starring William Eythe and Anne Baxter; A Wing and a Prayer (1944), starring Don Ameche, Dana Andrews, and William Eythe; Wilson (1944), starring Alexander Knox, Geraldine Fitzgerald, and William Eythe; Home In Indiana (1944), starring Lon McCallister, Jeanne Crain, and June Haver; Winged Victory (1944), starring Lon McCallister, Edmond O’Brien, and Jeanne Crain; A Royal Scandal (1945), starring Tallulah Bankhead, Lon McCallister, and Anne Baxter; The House On 92nd Street (1945), starring Signe Hasso and William Eythe; Centennial Summer (1946), starring Jeanne Crain, Cornel Wilde, Linda Darnell, and William Eythe; The Red House (1947), starring Edward G. Robinson, Lon McCallister, and Judith Anderson; Thunder in the Valley (1947), starring Edmund Gwenn, Peggy Ann Garner, and Lon McCallister; Scud Hoo! Scudda Hay! (1948), starring Lon McCallister, Walter Brennan, and June Haver; Meet Me at Dawn (1947) starring William Eythe and Hazel Court; The Big Cat (1949), starring Lon McCallister and Peggy Ann Garner; The Story of Sea Biscuit (1949), starring Lon McCallister and Shirley Temple; The Boy From Indiana (1950), starring Lon McCallister and Lois Butler; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    33 mins
  • "FATHER KNOWS BEST: CLASSIC CINEMA'S BEST (AND WORST!) DADS" (039)
    Jun 10 2024
    From Beneath The Hollywood Sign is thrilled to welcome our newest sponsor, www.HappyMammoth.com. Use code BENEATH at checkout for 15% off of your entire first order! EPISODE 39 - “Father Knows Best: Classic Cinema's Best (and Worst!) Dads” - 06/10/2024 When you stop to think about the great fathers of classic cinema, Atticus Finch, the mild-mannered Southern lawyer in “To Kill A Mocking Bird” (1962), has to be at the top of the list. But who else would be on that list? And what about the horrible fathers of old Hollywood? As you scramble to find that last minute tie or cologne for dear old Dad for Father’s Day, make sure you check out this week’s episode where Steve and Nan celebrate some of old Hollywood’s most memorable fathers — the good and the bad. SHOW NOTES: Sources: “20 Best and Worst Movie Fathers,” June 19, 2020, by David Fear, Rolling Stone.com “Noah Cross (John Huston) Character Analysis: Mad, Bad, and Dangerous to Know,” schmoop.com Yahoo.com RogerEbert.com IMDBPro.com; Wikipedia.com; Movies Mentioned: How Green Was My Valley (1941), starring Walter Pidgeon, Maureen O’Hara, Donald Crisp, Patric Knowles, Anna Lee, Roddy McDowell, Sara Allgood, and Barry Fitzgerald; Bicycle Thieves (1948), starring Vittorio De Sica, Enzo Staiola, and Lianella Carell; Splendor in the Grass (1961), starring Natalie Wood, Warren Beatty, Pat Hingle, Audrey Christie, Barbara Loden, Zorah Lampert, Sandy Dennis, and Phyllis Diller; The Heiress (1949), starring Olivia de Havilland, Montgomery Clift, Ralph Richardson, Miriam Hopkins, Vanessa Brown, and Mona Freeman; The Swiss Family Robinson (1960), starring John Mills, Dorothy McGuire, James MacArthur, Tommy Kirk, Kevin Corcoran, and Janet Munro; Shane (1953), starring Alan Ladd, Jean Arthur, Van Helfin, Brandon De Wilde, Jack Palance, Ben Johnson, Edgar Buchanan, Elisha Cook Jr, and Ellen Corby; Chinatown (1974), starring Jack Nicholson, Faye Dunaway, John Huston, Perry Lopez, Diane Ladd, and John Hillerman; Rebel Without A Cause (1955), starring James Dean, Natalie Wood, Sal Mineo, Dennis Hopper, Jim Backus, Corey Allen, Ann Doran, Nick Adams, William Hopper, and Edward Platt; Our Vines Have Tender Grapes (1945), starring Edward G. Robinson, Margaret O’Brien, Agnes Moorhead, James Craig, Jackie “Butch” Jenkins, Frances Gifford, Morris Carnovsky, and Sara Haden; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    42 mins