Mastering engineer Scott Hull, who worked on Two Against Nature and Kamakiriad, joins the podcast to reflect on his experiences collaborating in the studio with Donald and Walter. Also, music journalist Robyn Flans (author of It's About Time: Jeff Porcaro) joins to share stories about the late, great session drummer Jeff Porcaro's experiences with Steely Dan.

Sound engineer Dinky Dawson joins the podcast to discuss his experiences live mixing, recording and spending time with Steely Dan on their 1974 tour, which would end up being their final tour for almost 20 years. Dinky also shares some news about the potential release of a newly discovered 1974 show.

Don Breithaupt, who wrote the 33 1/3 series book on Aja, joins the podcast to talk about his lifelong relationship to Steely Dan's music as a writer, singer-songwriter, and fan. Don passes on some of the musical wisdom he received from interviewing Donald Fagen for his Aja book, and discusses the influence of Steely Dan on his long-running musical band and project Monkey House.

Engineer, mixer, and producer Elliot Scheiner, who won Grammys for his work on Aja, Gaucho, and Two Against Nature, joins the podcast to talk all about his experiences working on those classic Steely Dan albums, and more.

Producer and singer-songwriter Thomas Dolby joins the podcast to primarily discuss his collaborations with another band whose songs contain obtuse lyrics and complex chord sequences, Prefab Sprout. Thomas shares his experiences producing the albums Steve McQueen (1985) and Jordan: The Comeback (1990), and also talks a bit about his own solo work and of course, Steely Dan.

Guitarist Elliott Randall joins the podcast to talk all about his experiences with Steely Dan, from playing shows and recording with Donald and Walter in 1960's New York, to later joining them in L.A. to lay down guitar solos on songs like "Reelin' in the Years" and "Green Earrings." Elliott also looks back on friendships with several beloved musicians including Jimi Hendrix, Laura Nyro, and others.

Writer and bassist Andy Cush (Pitchfork, Garcia Peoples) joins the podcast to discuss the challenges of tackling the Steely Dan hits with his new cover band Katy & the Liars, and shares how Chuck Rainey's bass parts on "Kid Charlemagne" and "Peg" inspired him to learn how to slap the bass.

Max Zuckerman's debut solo album The Corner Office, with its perfectly arranged jazz-pop epics about creeps and sleazebags, is very reminiscent of a certain band...Max joins the podcast to talk about his own work and creative process, his love of Steely Dan, and other musical influences including Brazilian groups like Azymuth and Japanese City Pop.