Handel's Messiah - the advent calendar

By: Katrine Nyland Sørensen
  • Summary

  • A podcast series about the people, the places, the music, the drama and the gossip that is connected to the maiden performance of Handel's Messiah in Dublin in 1742. @handelsmessiah

    www.sorensenstories.com
    Katrine Nyland Sørensen
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Episodes
  • #24 Handel's Messiah
    Mar 11 2019
    'Amen': When Susannah Cibber had sung her aria “He was despised” at the premiere of Messiah, Dr. Patrick Delany was so deeply moved that he spontaneously exclaimed: "Woman, for this, be all thy sins forgiven." On 13 August 1742 Faulkner’s Dublin Journal could inform its readers that ‘the celebrated Mr Handel, so famous for his excellent compositions and fine performance, with which he has entertained this city in the most pleasant way, has now travelled back to England’.

    For a long time Handel was planning to return to the city that had restored his faith in his own excellence as a composer AND had improved his financial situation quite substantially. However, he did never return.
    Music: Dunedin Consort ‘Handel’s Original Dublin Version 1742’
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    6 mins
  • #23 Handel's Messiah
    Mar 11 2019
    'The finest Composition of Music that was ever heard': Following the reactions of the only full rehearsal of Messiah on the 9th of April, the expectations were soaring. The date of the premiere had to be changed to the 13th of April. There was no doubt, Dublin high society didn’t want to miss such an important event. Faulkner’s Dublin Journal even had to print this request: “Many Ladies and Gentlemen who are well-wishers to this Noble and Grand Charity, for which this Oratorio was composed, request it as a Favour, that the Ladies who honour this performance with their Presence, would be pleased to come without Hoops, as it will greatly increase the Charity, by making Room for more company.”
    Music: Dunedin Consort ‘Handel’s Original Dublin Version 1742’
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    5 mins
  • #22 Handel's Messiah
    Feb 23 2019
    Grand Messiah: Many people will think that the very first Messiah doesn't sound "right" as the oratorio has since come to be associated with gigantic performances. In the British Victorian era in particular Messiah could not get too big. In June 1859 nearly 82,000 people would have listened to 2,765 choir singers and 460 musicians performing Messiah. But as George Bernard Shaw wrote in 1891, As he wrote: ''IF I were a member of the House of Commons,'' George Bernard Shaw wrote, ''I would propose a law making it a capital offense to perform an oratorio by Handel with more than 80 performers in the chorus and orchestra.''
    Music: Dunedin Consort ‘Handel’s Original Dublin Version 1742’
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    6 mins

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